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Masterpieces by Franz Schubert: Sparkling classical works left by the King of Song. Recommended classical music.

Masterpieces by Franz Schubert: Sparkling classical works left by the King of Song. Recommended classical music.
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Masterpieces by Franz Schubert: Sparkling classical works left by the King of Song. Recommended classical music.

Franz Schubert, the Austrian composer hailed as the “King of Song” for leaving behind more than 600 lieder, including masterpieces such as Erlkönig and Ave Maria.

Schubert is known not only for his many celebrated songs, but also for his wide-ranging output in solo piano works, symphonies, and chamber music.

In this article, we’ve handpicked Schubert’s most popular pieces as well as hidden gems beloved by devoted classical-music aficionados.

We present a selection of sparkling works infused with the spirit of a musician who composed throughout his life.

Franz Schubert’s Masterpieces: Exquisite Classical Works Left by the King of Song. Recommended Classical Music (1–10)

Erlkönig Op. 1 D328Franz Schubert

The Demon King [Schubert Version] (Erlkönig) [With Lyrics, Japanese Translation, and Katakana]
Erlkönig Op. 1 D328Franz Schubert

Erlkönig is an art song composed by Schubert when he was 18.

Inspired by the poem Erlkönig by the German poet Goethe, he set it to music.

It’s a famous piece that even appears in junior high school music textbooks, so many of you have likely heard it.

A father, cradling his ailing son, gallops through the night on horseback, while the Erlking persistently whispers demonic temptations; in the end, the son dies.

The piano’s repeated notes evoke the horse’s gallop and the mounting anxiety and fear of the father and child.

Be sure to listen while reading a parallel translation of the lyrics.

Moments Musicaux, Op. 94, D. 780, No. 3 in F minorFranz Schubert

Schubert / Moments Musicaux No. 3 in F minor, D 780, Op. 94 / Performance: Akira Imai
Moments Musicaux, Op. 94, D. 780, No. 3 in F minorFranz Schubert

Moments Musicaux is a collection of six piano pieces composed between 1823 and 1828 and published in 1828.

Among them, No.

3 is particularly famous; it had already been included in another collection published in 1823 under the title “Air Russe (Russian-style Song).” Today, it is a very popular piece frequently used in commercials and other media, so many people have likely heard it.

Piano Sonata No. 21 in B-flat major, D. 960 – I. Molto moderatoFranz Schubert

Schubert: Piano Sonata No. 21 in B-flat major, D 960 – I. Movement / Akira Imai
Piano Sonata No. 21 in B-flat major, D. 960 – I. Molto moderatoFranz Schubert

Opening with a serene melody, this work is a masterpiece Franz Schubert left in September 1828.

The distinctive atmosphere created by the gentle opening theme and the bass trills draws the listener into the depths of the music.

In the development of the melody, three different keys are handled with remarkable skill, producing a wealth of expression and color.

Although an instrumental piece, it possesses a narrative expressiveness, seamlessly blending contrasting elements such as tranquility and unease, brightness and shadow.

Compared to orchestral works or operas, its structure is relatively accessible, making it an ideal piece for those wishing to experience the charm of classical music.

Ellen’s Song No. 3, Op. 52-6, D.839 (Ave Maria)Franz Schubert

Classical Masterpiece: Schubert – “Ave Maria” (Ellen’s Song No. 3)
Ellen’s Song No. 3, Op. 52-6, D.839 (Ave Maria)Franz Schubert

This is one of Schubert’s very late songs, composed in 1825.

It is beloved as one of the world’s three great Ave Maria pieces and is also known as “Schubert’s Ave Maria.” Among Schubert’s songs, it is one of the most popular works.

Because the lyrics include the words “Ave Maria,” it is often mistaken for a religious piece; however, it was originally set to the German translation of Walter Scott’s poem The Lady of the Lake and is one of the songs from the song cycle of the same name.

Piano Quintet in A major, Op. 114, D. 667 “Trout” — IV. Theme and Variations: AndantinoFranz Schubert

Piano Quintet in A major, Op. 114, D. 667 “The Trout” — Fourth Movement: Theme and Variations…
Piano Quintet in A major, Op. 114, D. 667 “Trout” — IV. Theme and Variations: AndantinoFranz Schubert

A chamber music masterpiece performed by the uniquely scored ensemble of piano, violin, viola, cello, and double bass.

Composed in 1819 at the request of a wealthy local mining engineer, this work captivates with its bright, sprightly melodies and colorful variations.

In five variations, it vividly depicts a tale of a trout swimming in a clear stream and the crafty fisherman trying to catch it.

Conversational interplay that deftly draws out each instrument’s character, along with tonal shifts from minor to major, grips the listener’s heart.

A familiar classic also known from JR East’s Joban Line Iwaki Station departure melody and TV Asahi’s “Matsuko & Ariyoshi’s Angry New Party.” A piece I can wholeheartedly recommend to anyone interested in chamber music or piano music.

Symphony No. 7 “Unfinished” in B minor, Movement I: Allegro moderatoFranz Schubert

Beginning with a mysterious low-string introduction, this masterpiece by Franz Schubert features a plaintive theme sung by oboe and clarinet that pierces the heart.

Composed starting in 1822 as a token of gratitude for an honorary diploma from the Graz Music Society, it has continued to captivate audiences with its profound emotion and distinctive structure.

Employing the uncommon key of B minor, its beautiful melodies, woven from exquisitely balanced orchestral sonorities, leave a deep impression on listeners.

It played a central role in the 1933 film “Unfinished Symphony” and has been used in the Japanese tokusatsu drama “Ultraman 80,” among other appearances, ensuring its allure lives on in many forms.

From quiet meditation to a grand climax, it is a recommended piece for music lovers who wish to savor a rich range of emotional expression.

Symphony No. 7 “Unfinished” in B minor, Movement II: Andante con motoFranz Schubert

Comprising only two movements, this work is distinguished by a majestic orchestral sonority that leaves a profound lyricism and serene afterglow.

Begun in 1822 as a token of gratitude to the Graz Music Society, its slow movement features a gentle theme ushered in by the soft timbres of horn and bassoon.

The melody—where sweet repose intertwines with solitary anguish—deeply moves the listener.

Since its Vienna premiere in December 1865, the piece has been cherished by many music lovers for its inward emotional expression, achieved through deft shifts in harmony and dialogues between instruments.

It is a recommended choice for those who wish to immerse themselves in a calm, meditative atmosphere or savor the richly expressive world of Romantic music.

Piano Sonata No. 21 in B-flat major, D. 960: II. Andante sostenutoFranz Schubert

Schubert / Piano Sonata No. 21 in B-flat major, Movement II, D 960 / Akira Imai
Piano Sonata No. 21 in B-flat major, D. 960: II. Andante sostenutoFranz Schubert

This final piano work of the composer’s life is a gem, suffused with a meditative atmosphere and profound emotion.

The theme in C-sharp minor begins with the resonance of a quiet prayer, then modulates to A major in the middle section, revealing a transformation of character as if bathed in warm light.

Composed in September 1828, the piece strongly reflects the late Franz Schubert’s sense of life’s transience and his views on life and death.

It is recommended for those who wish to explore the profound meaning of life through music or immerse themselves in introspective moments.

Its gently penetrating melody and delicate shifts in harmony stir the listener’s soul.

Piano Sonata No. 21 in B-flat major, D. 960 – Movement 3: Allegro vivace con delicatezzaFranz Schubert

A masterpiece whose jewel-like melodies set the heart free.

Completed in September 1828, this work is especially captivating in its third movement, where a light touch is paired with delicate structural nuance.

An eight-bar theme is developed with finesse, and through successive modulations the music moves from a bright B-flat major to its parallel key, B-flat minor, leaving a striking impression of richly colored emotion.

The shading of the melody—born of its distinctive rhythmic pulse and harmonic progressions—deeply moves the listener.

Throughout, Franz Schubert’s inventive modulation techniques and masterful handling of rhythm shine.

This piece is highly recommended for those seeking the deeper flavors of classical music, and for anyone captivated by the structural beauty of piano repertoire.

Piano Quintet in A major, Op. 114, D. 667 “Trout” – I. Allegro vivaceFranz Schubert

A chamber music masterpiece suffused with a bright and lively atmosphere, this gem was composed by Franz Schubert at the age of 22.

Its distinctive scoring for piano and four string instruments yields a rich sonority, and the spirited interplay of melodies is striking.

The powerful dialogue between piano and strings weaves a sound world that evokes the feeling of young people enjoying a joy-filled gathering.

Composed in 1819 at the request of a wealthy mining engineer, the work paints positive scenes in music—nature’s beauty and the vigor of human life.

With its approachable melodies and expressive range, this piece is highly recommended for music lovers who want to experience the splendor of chamber music.

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