Masterpieces by Franz Schubert: Sparkling classical works left by the King of Song. Recommended classical music.
Franz Schubert, the Austrian composer hailed as the “King of Song” for leaving behind more than 600 lieder, including masterpieces such as Erlkönig and Ave Maria.
Schubert is known not only for his many celebrated songs, but also for his wide-ranging output in solo piano works, symphonies, and chamber music.
In this article, we’ve handpicked Schubert’s most popular pieces as well as hidden gems beloved by devoted classical-music aficionados.
We present a selection of sparkling works infused with the spirit of a musician who composed throughout his life.
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Masterpieces by Franz Schubert: Sparkling Classical Works Left by the King of Song. Recommended Classical Music (71–80)
Four Impromptus, Op. 90, D. 899 No. 1 in C minorFranz Schubert
Composed in 1827 by Franz Schubert, a Viennese-born Austrian composer, this work is distinguished by its profound emotional expression and meticulous structure.
It possesses a majestic yet introspective atmosphere, with resonant, weighty harmonies and strikingly beautiful melodies.
Richly imbued with Schubert’s characteristic lyricism, it serves as an important bridge between the Classical and Romantic eras and remains beloved by many pianists today.
It’s a highly recommended piece not only for those interested in classical music, but also for any music fan seeking a beautiful, heart-stirring melody.
Impromptus, Op. 90, D. 899 No. 2 in E-flat majorFranz Schubert
Schubert’s piano solo work Four Impromptus, Op.
90, composed in his final years.
No.
2 is among his most popular pieces and is beloved as a staple of piano recitals.
This work is striking for the contrast between the light, flowing right-hand passages and the left hand’s simple yet beautiful harmonies.
The middle section shifts dramatically in character to a powerful, dance-like style, and after the return of the opening’s lively melody, the coda brings back the dance from the middle section in brilliant fashion, closing with great momentum.
Its sharp contrasts keep both performer and listener fully engaged.
Four Impromptus, Op. 90, D. 899 No. 3 in G-flat majorFranz Schubert
Franz Schubert’s Four Impromptus, Op.
90, are piano solos composed in the final period of his life.
Among them, No.
3 is a very gentle and beautiful piece.
Perhaps because it was written a year before his death, its melody carries a certain poignancy, as if he had suddenly become aware of his own mortality.
A beautiful tune unfolds over the ceaseless right-hand arpeggios, moving calmly forward like a softly flowing brook.
Schubert adored Vienna.
When you listen to this piece, doesn’t it somehow evoke the Danube winding through Vienna’s forests and streets?
Wanderer’s Nightsong II, D 768Franz Schubert
Franz Schubert, the king of song, left behind more than 600 lieder.
This work is a serene song based on a poem by Goethe, depicting the stillness of mountain peaks, trees, and little birds, and is regarded as symbolizing peace in life and the quiet after death.
Schubert’s delicate music beautifully expresses the poem’s inner tranquility.
Composed in 1822 and published in 1827, the piece has continued to be loved by many for its beauty and simplicity.
It’s recommended not only for those interested in classical music but also for anyone seeking calm and peace of mind.
Mass No. 6 in E-flat major, D 950, No. 6 “Agnus Dei”Franz Schubert
Schubert’s Mass No.
6, completed in the year of his death by composer Franz Schubert, who was active in early 19th-century Vienna, includes the movement Agnus Dei.
Its progression—from a dark tonality gradually toward brightness—conveys an atmosphere that seems to reflect the composer’s state of mind as he faced death.
Schubert’s uniquely beautiful melodies intertwine with the prayerful words pleading for God’s mercy, and the work’s profound spirituality and musical beauty stand out.
It is a highly recommended piece not only for those familiar with classical music, but also for anyone seeking music that resonates deeply with the heart.
Symphony No. 2 in B-flat majorFranz Schubert
Composed between 1814 and 1815, when Schubert was 17 to 18 years old.
Though it shows some instability, it is a work that demonstrates Schubert’s prodigious talent in completing such a piece as a teenager, and it conveys a youthful brilliance and a sense of hope for the future.
Symphony No. 3 in D major, D 200Franz Schubert
Composed in 1815, it is a symphony in D major.
It consists of four movements, all written in a major key.
As it is still an early symphony, there are many passages reminiscent of Haydn; nevertheless, Schubert’s individuality is beginning to emerge, and it is said that the Allegretto of the second movement uses the 14th-century German folk song “Maria’s Lullaby” as its theme.