[Beginner] Recommended for adult piano beginners! Beautiful & stylish piano pieces

“Butterflies,” Op. 2, No. 12: “Final Scene and the Returning Brothers”Robert Schumann

Schumann. Papillons Op. 2 nº 12. Finale. Partitura e Interpretación

The twelfth piece, the finale of Robert Schumann’s Op.

2 Papillons, is an elegant miniature depicting the end of a masquerade ball.

Published in 1831, it delicately portrays the ball’s conclusion and the participants’ journey home.

Light yet sentimental in atmosphere, it is notable for its quotation of the traditional “Grandfather’s Dance” melody.

In the closing measures, the sound gradually fades, evoking the image of the ballroom lights being extinguished one by one.

This piece is recommended for pianists who have mastered the basics and wish to explore the rich expressiveness of the Romantic era.

Savor Schumann’s poetic world while cherishing the music’s narrative quality.

“Butterflies” Op. 2 No. 1 “Masquerade”Robert Schumann

Waltz in D major (Papillons, Op.2, No.1) – Robert Schumann

The first piece in this collection depicting scenes from a masked ball is a lively, bright waltz.

Composed by Robert Schumann in 1831, inspired by a novel by Jean Paul, it reveals a deep connection with literature.

Written in the key of D major, this miniature brims with the splendor and vitality befitting the opening of a ball.

Though short, it is rich in the expressive nuances characteristic of the Romantic era and is approachable for beginners.

It’s an ideal piece for those just starting the piano or wishing to explore Schumann’s world.

Rather than technical difficulty, you can enjoy practicing it by focusing on musical flow and expression.

A Doll’s Dream and AwakeningTheodor Oesten

Dolly’s Dreaming and Awakening / The bath is ready ♪ / Dolly’s Dreaming and Awakening / Piano / piano / CANACANA

Allow us to introduce a delicate and beautiful miniature in which the opulence of Romanticism blends with childlike innocence.

Composed by the French pianist Théodore Oesten, this piece gracefully portrays a doll awakening from sleep and beginning to dance.

Structured in three sections, it opens with a gentle lullaby, passes through a dreamy melody, and unfolds into a charming dance.

Published in 1862, the work is also widely known in Japan as the melody signaling that water has finished filling in Noritz-brand water heaters.

Its tender melody and rich variety of moods are captivating, offering a full taste of the piano’s expressive range.

It is recommended for those seeking a brilliant sound and approachable tunes, as well as for listeners who enjoy music that vividly conjures scenes before the eyes.

7 Ländler WoO 11 No. 7Ludwig van Beethoven

Beethoven, 7 Ländler, WoO 11, No 7

A piece in D major distinguished by a lively 3/4 rhythm and a friendly, memorable melody.

Despite its simple structure, it overflows with the elegant atmosphere beloved at Viennese balls.

Composed in 1799, this gem was written by Ludwig van Beethoven in response to requests from high society.

Elements of folk dance are skillfully woven into the flowing melody, beautifully balancing the dignity of classical music with a rustic charm.

It’s an ideal introductory piece for those just beginning piano lessons—fun to practice and highly useful for learning the fundamentals of music.

Hayley WestenraAmazing Grace

Amazing Grace

Amazing Grace, with lyrics by the English clergyman John Newton, is the world’s most famous hymn, beloved for its beautiful melody.

It’s performed on a variety of instruments and is also great for piano-and-vocal renditions.

True to its traditional roots, the sound is very simple—you can play it if you just learn three chords.

Since you likely already know the melody, you don’t really need to practice it, which makes it perfect for singing while playing.

As you get more comfortable, you can add more chords and decorate it in different styles—making it jazzier or bluesier—another hallmark of Amazing Grace.

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Hamada Takuya

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Prelude, Op. 45 in C-sharp minorFrederic Chopin

Frédéric Chopin ‒ Prelude in C-sharp minor, Op.45

This piece is by Frédéric Chopin, a composer who stands alongside Franz Liszt and Robert Schumann as a leading figure of the Romantic era.

Though only about 40 measures long, it shines with Chopin’s characteristic delicate harmonies and masterful modulations.

With an elegant, nocturne-like atmosphere, it has a dreamlike resonance.

Completed in 1841, the work drew particular attention for the sophistication of its key changes.

Chopin himself is said to have remarked, “Never before have my modulations gone so well.” It’s a highly recommended piece not only for piano students but also for anyone looking to become more familiar with classical music.

The BeatlesLet It Be

Let It Be (Remastered 2009)

When a man is starting to practice singing with self-accompaniment, the first Western song I’d love him to try is the Beatles’ “Let It Be.” It’s a classic with a piano intro that speaks for itself.

The accompaniment is actually simple—you can play it if you learn just four chords, and since it’s in C major, it uses only the white keys, making it easy to remember.

You can’t play the intro and interlude with chords alone, but with a bit of effort and practice, you should be able to master them quickly.

If you enjoy Western music, start your practice with “Let It Be”!

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Hamada Takuya

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