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[Beginner] Recommended for adult piano beginners! Beautiful & stylish piano pieces

The piano’s clear, shimmering tone that soothes our hearts.

Now that we’re adults, many people are rediscovering its appeal and thinking, “I don’t just want to listen—I want to play it myself!” More and more are starting lessons: those who found practice a chore and piano lessons a burden as children, but now, as adults, want to practice again and learn to play.

In this article, we introduce beautiful and stylish piano pieces recommended for adult beginners and for those returning after a break.

From classical to Western pop, Japanese songs, video game music, and film scores, we’ve curated a wide selection to help you find a favorite piece.

[Beginner] Recommended for adult piano novices! Beautiful & stylish piano pieces (41–50)

Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

Ludwig van Beethoven / Sonata Op. 49 No. 2, Movement II / Performed by Kyoko Nakagawa
Piano Sonata No. 20, Op. 49 No. 2, Second MovementLudwig van Beethoven

This piece is notable for its graceful and approachable melody in triple meter.

Composed around 1795–1796, it features a warm character written for friends and pupils.

Adopting the minuet form, it exudes a delicate and tranquil atmosphere.

Its melody was later reused in the Septet, Op.

20, suggesting that the composer himself was fond of this musical idea.

Renowned pianists such as Daniel Barenboim and Boris Giltburg have performed it, drawing out new charms through varied interpretations.

With its calm mood and familiar melody, it is recommended for a wide range of players, from those just beginning piano practice to advanced performers.

Maiden’s PrayerTekla Badarzewska

Maiden’s Prayer – Badarzewska [La prière d’une vierge] Piano / CANACANA
Maiden's PrayerTekla Badarzewska

Maiden’s Prayer by the Polish composer Tekla Bądarzewska is a famous piece included in many piano anthologies.

With a sweet melody that perfectly suits the word “maiden,” the piece is memorable, but its many leaps make it quite challenging to play without wrong notes.

However, because the theme repeats in a simple structure, changing form like variations, it should not be difficult to read or memorize.

Since the melody is written in octave double notes, be careful not to let your hands stiffen in an open position, which can make the sound hard.

Carnaval, Op. 9 No. 12 – ChopinRobert Schumann

Written in A-flat major, this work is a musical portrait that Schumann dedicated to Chopin.

Composed between 1834 and 1835, it expresses Schumann’s deep respect and affection for him.

Characterized by delicate, poetic melodies, it is an enchanting piece that evokes Chopin’s signature, graceful piano sonority.

It is relatively approachable for beginner pianists and ideal for those who wish to learn Chopin’s musical traits.

Just as Robert Schumann introduced his contemporaries through the Neue Zeitschrift für Musik, this piece can be seen as a musical dialogue that conveys Chopin’s allure.

Despite its relaxed tempo, it offers richly expressive interpretation.

French Suite No. 6, BWV 817: SarabandeJ.S.Bach

Bach French Suite No.6 “Sarabande” P. Barton, FEURICH 218 piano
French Suite No. 6, BWV 817: SarabandeJ.S.Bach

This is a gem of a movement that infuses the strict form of a French dance with Bach’s characteristic spiritual depth.

Composed around 1722–1725, the piece is built on a stately triple-meter dance of Spanish origin, and its serene, introspective world is shaped by delicate ornamentation and flowing harmonic progressions.

Because it proceeds at a relaxed tempo, it is accessible even to those approaching Baroque music for the first time, allowing players to develop fundamentals while refining tone and expressive nuance.

Rather than dazzling technique, richly emotional expression is prized, making it an excellent choice for those who wish to practice with patience and care.

From ‘Requiem’ in ParadiseGabriel Fauré

From Requiem, 'In Paradise' / Gabriel Fauré: Piano (Solo) / Intermediate
From 'Requiem' in ParadiseGabriel Fauré

Arranged for solo piano from a religious piece notable for its angelic, graceful melody, this work captivates with its gentle, soothing character.

It is a movement from a composition first performed in January 1888 at the Church of La Madeleine in Paris, and many listeners may recognize it from its frequent use in films and television.

The tender, heavenward flow of sound is filled with consolation and hope, showcasing delicate expressions characteristic of the French style throughout.

With few technical demands and a relaxed tempo, it is an enjoyable piece for piano learners to practice.

It is an ideal choice when you wish to calm the mind or perform with a tranquil spirit.

MemoryWolfgang Amadeus Mozart

This is a piano miniature in G major, notable for its gentle atmosphere and flowing melody.

Employing an accompaniment pattern known as the Alberti bass, the beautiful melody conveys the refined aesthetic of the Classical era despite its simplicity, soothing the listener’s heart.

The fluid accompaniment based on broken chords is a hallmark found in many of Wolfgang Amadeus Mozart’s piano works, and its charm is fully showcased here as well.

While the piece is structured to be approachable for performers, it also offers ample opportunities for expressive playing.

It is an ideal choice for those who have mastered basic piano techniques or for listeners wishing to become more familiar with classical music.

Sonatina No. 12, Movement IMuzio Clementi

Sonatina No. 12 Sheet Music, Op. 36-6, First Movement – Sheet Music by M. Clementi
Sonatina No. 12, Movement IMuzio Clementi

Beginning with elegant and flamboyant arpeggios, this piece brims with the refinement and vitality of the Classical era.

The smoothly spun right-hand melody interwoven with the left hand’s graceful accompaniment forms a beautiful line filled with the brightness and hope reminiscent of spring’s arrival.

This work is included in Muzio Clementi’s 1797 collection Sonatinas Op.

36; Clementi is also known as the author of Gradus ad Parnassum.

Powerful phrases and delicate expression are harmoniously balanced, making it a popular choice for piano competitions and recitals.

With its four richly expressive sections that allow for a wide range of emotions, it is an ideal piece for players who wish to refine their technique while deepening their musicality.