[Songs of Aomori] A collection of local songs depicting the grandeur of nature and the warmth of its people.
The fertile fields and the Tsugaru Plain stretching serenely, the majestic Hakkoda Mountains, and the grand Sea of Japan.
Songs born from Aomori’s nature-rich land are loved not only by its residents but by many people far and wide.
In this article, we introduce captivating pieces woven with Aomori’s scenery and sentiment—from local songs cherished by the community, to popular ballads set in Aomori, to hometown tunes by artists hailing from the prefecture.
Please enjoy them while reflecting on the land of Aomori and the hometown that resides in each of our hearts.
[Aomori Songs] A collection of local tunes depicting majestic nature and the warmth of its people (1–10)
Aomori StationMani☆Raba

This is a song by Manila-ba, a three-piece band from Aomori.
The band’s name is short for “Maniac Lovers.” Released in April 2005, Aomori Station was their second single; it was initially a regional release but later went on sale nationwide.
It’s a simple, folk-like tune.
Tsugaru Strait – Winter SceneIshikawa Sayuri

It’s Sayuri Ishikawa’s smash hit released in January 1977.
It’s a quintessential local song depicting people heading to Aomori by overnight train and transferring to the Seikan ferry, and it’s also a classic that remains in the history of Japanese popular music.
It has been performed nine times on the Kōhaku Uta Gassen.
straitYoshi Ikuzo

A single by Ikuzo Yoshi released in May 1987.
Issued while “Yukiguni” was a massive hit, this song portrays a woman’s feelings as she longs for the Tsugaru Strait.
This work, which helped establish Yoshi’s position as a bona fide enka singer, was also performed at his second appearance on the Kōhaku Uta Gassen.
Tsugaru Love WomanNiinuma Kenji

This is a single by Kenji Niinuma released in 1987.
Hailing from neighboring Iwate Prefecture, Niinuma has put out many songs about the Tohoku region, and this track became a long-running hit by captivating listeners with its chorus, which portrays the various kinds of snow unique to his hometown.
He also performed it on that year’s NHK Kouhaku Uta Gassen.
Message from the Blue ForestNEW!Aomori-ken

A song established in January 2001, marking the dawn of the 21st century, that can be called a new symbol of Aomori Prefecture.
Aomori has two officially designated prefectural songs, but this is the one primarily used.
It’s striking how the phrase “Aoi Mori” (“Blue Forest”) is portrayed not only as the natural landscape, but also as a symbol of people supporting one another.
Produced by Katsuhisa Hattori, the piece features a sound that combines grandeur with warmth.
Why not listen closely and savor Aomori’s rich four seasons?
Oirase Travel SentimentsHikawa Kiyoshi

This enka song unfolds in the heart like gazing at a single landscape painting, portraying the beautiful scenery of Oirase Gorge in Aomori.
It’s a number by Kiyoshi Hikawa, included in the masterpiece “New Enka Masterpiece Collection 3 — Miren Gokoro,” released in June 2016.
Against a backdrop of vibrant nature—glittering snowmelt and moss-covered rocks—it depicts the feelings of someone on a solitary journey, thinking of a cherished person.
For those striving away from their hometown, hearing it may cause the grandeur of nature to overlap with the protagonist’s emotions, resonating deeply in the heart.
Aomori Prefecture AnthemNEW!Aomori-ken

This work magnificently sings of Aomori’s rich nature, its industries, and its hope for the future.
Established in September 1971 to commemorate the 100th anniversary of the prefectural government, it is a prefectural anthem with a long history.
The lyrics were written by local haiku poet Yosuke Nagasawa, with additional lyrics by poet Hachiro Sato and music by Toshimitsu Tanaka.
The words evoke mountains and seas that symbolize the prefecture and express hopes for its development as an industrial city, conveying the fervor of Japan’s period of rapid economic growth at the time.
Although another song established in 2001 is now the mainstream, this piece has not been abolished under current regulations and can be regarded as a valuable work that tells the story of the prefecture’s journey.


