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Recommended classical masterpieces for autumn

Introducing recommended classical masterpieces that evoke the feeling of autumn!

There are many works in classical music that take the four seasons as their theme.

This time, we’ve picked pieces ranging from those that explicitly focus on “autumn” to those that simply evoke an autumnal mood.

From darker tones to brighter ones, we’ve selected a variety of styles, so you’re sure to find a piece that matches your preferred atmosphere!

We’re also sharing episodes and fun little facts, so if you love classical music, be sure to read to the end!

Classic masterpieces recommended for autumn (11–20)

From the four seasons: “Autumn”Joseph Haydn

The oratorio The Seasons by Franz Haydn, an Austrian composer who represents the Classical era.

An oratorio is a musical form that dramatizes a sacred story for soloists, chorus, and orchestra.

The Seasons consists of four parts—spring, summer, autumn, and winter—and includes autumnal scenes such as peasants rejoicing in the grape harvest.

By listening to the entire work, you can experience the shifts in the seasons as Haydn felt them.

Why not savor the changing seasons as you listen—from spring and summer into autumn, and on to the arrival of the cold winter?

November StepsTakemitsu Tōru

The Japanese composer Toru Takemitsu’s November Steps.

Composed for biwa, shakuhachi, and orchestra, this work brought Takemitsu wide international recognition.

It opened a new frontier by fusing Western and traditional Japanese instruments.

The piece was initially titled Water Ring, but the title was changed to one meaning November due to comments that the original evoked a bathtub and because the premiere was to take place in November.

It’s apparently not intended as an autumnal piece, but doesn’t the shakuhachi’s breathy tone somehow sound like the rustling of fallen leaves?

Suite bergamasque, No. 3: Clair de LuneClaude Debussy

Among Claude Debussy’s works, the most famous is Clair de Lune.

It is a dreamlike and beautiful piece that conjures up the image of a moon faintly floating in the quiet night sky and the mysterious space bathed in its light.

Although it is one of the pieces in the piano suite Suite bergamasque, it is often performed on its own, and many adults take up piano inspired by this piece.

While it is not particularly difficult from a technical standpoint, expressing the world of the music is extremely challenging.

Looking at photos of moonlit landscapes to expand your concrete imagery as you play is also recommended!

Kinderszenen, Op. 15, No. 7: “Träumerei”Robert Schumann

Fuzjko Hemming 'Träumerei (Kinderszenen, Op. 15 – No. 7) / Schumann'
Kinderszenen, Op. 15, No. 7: “Träumerei”Robert Schumann

Robert Schumann’s “Träumerei” is a dreamlike, exquisitely lyrical piece that makes you swoon.

It is the seventh piece in Scenes from Childhood, Op.

15, a collection written for adults that evokes the spirit of childhood.

The most famous number in the set, it is performed not only on piano but also on violin, cello, flute, and many other instruments, captivating listeners well beyond classical music fans.

You can savor it by listening closely, or play it on the piano and immerse yourself in the beauty of its melody and harmony.

Settle in and enjoy it at leisure on a quiet autumn night.

“The Four Seasons” — 12 Characteristic Pieces, Op. 37bis: October, “Autumn Song”Pyotr Tchaikovsky

Tchaikovsky: The Seasons – 12 Characteristic Pieces, October “Autumn Song” – pf. Mai Koshio
“The Four Seasons” — 12 Characteristic Pieces, Op. 37bis: October, “Autumn Song”Pyotr Tchaikovsky

The Seasons is a collection of twelve piano pieces depicting Russian scenes.

The tenth piece, October: Autumn Song, composed as the work for October, is a melancholy piece filled with wistful sadness.

The Seasons was created by Pyotr Tchaikovsky for a serialized feature in a music magazine, each piece paired with a poem by a Russian poet evocative of that month.

Autumn Song is accompanied by a poem that portrays a sorrowful scene of colored leaves fluttering down on the wind.

It conveys a poignant sense of “autumn” that differs from Japan’s vividly colored fall foliage.

Autumn GardenEinojuhani Rautavaara

Einojuhani Rautavaara, Autumn Gardens (complete) 1999
Autumn GardenEinojuhani Rautavaara

When people hear “classical music,” they tend to picture works up to around the 19th century, but of course many masterpieces by outstanding composers have emerged in contemporary music from the 20th century onward.

The composer introduced here, Einojuhani Rautavaara, is highly regarded as one of Finland’s leading contemporary composers, and until his death in 2016 he produced a vast body of work, making him a towering figure.

Among his pieces, Autumn Gardens, composed in 1999, is said to be one of his most frequently performed works.

It is a dramatic and elegant orchestral composition in three movements, perfectly suited to listening on a long autumn night.

According to Rautavaara himself, he likened his compositional process to gardening—an organic entity that grows freely like an English garden—so listening with that background in mind may reveal new discoveries in the piece.

No. 10 in F minor, Op. 213 “In Autumn”Joseph Joachim Raff

He may not be one of those textbook-famous classical composers everyone knows, but in recent years Joachim Raff, a Swiss-born composer, has been reappraised, and his talent and achievements have become widely recognized.

Active in the 19th century as a so-called Romantic composer, he even served as a kind of secretary and assistant to Franz Liszt, working on tasks such as orchestrating Liszt’s compositions.

Among Raff’s works, let me introduce a piece that’s perfect for listening to in the fall: Symphony No.

10 in F minor, Op.

213, “In Autumn.” Composed in 1879, it’s not the kind of piece marked by tricky developments or an overpowering display of the composer’s idiosyncrasies.

Rather, it offers a classically balanced, flowing orchestral style rooted in tradition—making it an excellent recommendation for newcomers to classical music.

Autumn from “Folk Songs of the Four Seasons”Ralph Vaughan Williams

“Folksongs of the Four Seasons” part III “AUTUMN” by Ralph Vaughan Williams
Autumn from “Folk Songs of the Four Seasons”Ralph Vaughan Williams

Ralph Vaughan Williams, a British composer active in the early 20th century, is regarded as a pivotal figure who helped revive British music in the first half of the century.

He published works across a variety of genres in a distinctive style he forged through studies of his homeland’s folk songs and of Tudor church music in medieval England.

The work introduced here, Folk Songs of the Four Seasons, was composed in 1950 for women’s chorus and orchestra on a commission from the National Federation of Women’s Institutes.

As its title suggests, it is also an important piece for understanding his deep affection for folk music.

Folk songs vividly express each nation’s character, its culture, and the scenery of the seasons, so by all means, listen to this piece and experience an English autumn!

September from Four Last SongsRichard Strauss

Four Last Songs. Nº 2. September. Richard Strauss.
September from Four Last SongsRichard Strauss

Richard Strauss, a German composer said to represent the late Romantic era, left many masterpieces in the realms of tone poems and opera.

Film enthusiasts may know his name from the famous opening of Also sprach Zarathustra, which was used in 2001: A Space Odyssey.

In the postwar year of 1948, he composed a song cycle titled Four Last Songs.

From it, I would like to introduce September, the second song, set to a poem by Hermann Hesse.

With lyrics that richly depict the end of summer and the arrival of autumn, and a beautifully lyrical melody, it is truly a perfect piece to listen to in the fall.

Préludes, Book II, No. 2 “Dead Leaves”Claude Debussy

Debussy / Preludes, Book II – No. 2, Dead Leaves / Performed by Ichirō Kaneko
Préludes, Book II, No. 2 “Dead Leaves”Claude Debussy

Claude Debussy, the French composer who left behind numerous works as delicate and beautiful as paintings, wrote 24 pieces as Preludes.

Among the two books, each consisting of 12 pieces, “No.

2: Dead Leaves” from Book II is notable for its mood that evokes the melancholy of autumn.

With its succession of harmonies that convey a sense of instability and leave the listener with a curious, elusive feeling, this piece offers a quintessential experience of Debussy’s uniquely French Impressionist world.