J.S. Bach | Introducing Famous and Representative Works
The songs that are popular today—across not only classical music but also pop and jazz—are deeply influenced by past composers.
Among them, classical music is often called the foundation of music, and it’s no exaggeration to say that Johann Sebastian Bach, known as the “Father of Music,” was one of the figures who laid that very groundwork.
Bach’s music, while carrying a religious hue, is characterized by philosophical depth and intricately refined structure down to the finest details, with melodies of exceptional beauty.
Please take a look into the world of Johann Sebastian Bach, one of the greatest composers in history.
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J.S. Bach | Introducing Famous and Representative Works (81–90)
Violin Partita No. 3 in E major, BWV 1006 (unaccompanied)J.S.Bach
Performed by Gidon Kremer.
A chamber sonata consisting of six movements: Prelude, Loure, Gavotte en Rondeau, Menuet, Bourrée, and Gigue.
Bach himself arranged it for lute (BWV 1006a), and it is also frequently performed on lute, guitar, and keyboard instruments.
Violin Sonata No. 2 in A minor, for solo (unaccompanied) violinJ.S.Bach
During the Baroque era in which Bach lived, the violin developed greatly, and many works for it were actively composed.
Stradivari’s violins were made in the same period as Bach and are so perfect that they require virtually no modification even today.
This piece is compelling enough to be fully satisfying on solo violin alone.
Come, sweet deathJ.S.Bach
This work, which expresses deep religious sentiment, was included as part of a collection of sacred songs that the Baroque-era composer Johann Sebastian Bach published in collaboration with Georg Christian Schemelli in 1736.
The piece conveys both the depth of Bach’s faith and the universality of the message he sought to communicate through music, singing of the Christian teaching that one need not fear death; rather, by welcoming a peaceful death, one attains eternal rest.
Its simple and beautiful melody leaves a profound impression on listeners and continues to convey the timeless appeal of Bach’s music today.
It is a recommended piece for those seeking peace of mind or wishing to explore the world of Bach’s sacred music.
The Well-Tempered Clavier, Book I, No. 1, Prelude, BWV 846J.S.Bach
Despite its very simple structure of regularly repeated broken chords, Johann Sebastian Bach’s The Well-Tempered Clavier, Book I, No.
1, Prelude in C major, BWV 846 soothes the heart with its beautiful harmonic changes.
Charles Gounod’s Ave Maria, which uses this piece as its accompaniment, is also well-known.
When you want to calm your anger, steady your impatience, or dwell in sorrow, listening to this piece helps your mind grow still and composed.
It’s a true classic that perfectly embodies the phrase “unadorned beauty.”
“Lord, Have Mercy” from the St. Matthew PassionJ.S.Bach
A Canadian alto (contralto) singer.
Known for her mastery of Mahler, she is distinguished by a deep, majestic voice.
This piece is an aria themed on the Bible, and Forrester gently envelops listeners with her compassionate singing.
Anna Magdalena Bach’s Notebook, Volume II: Minuet in G major, BWV Anh. 116J.S.Bach
Known as the “Minuet in G major,” the “Minuet” from the second notebook of Anna Magdalena Bach is a piece that nearly every piano student plays at least once.
It had long been attributed to the Baroque master Johann Sebastian Bach, but recent research has revealed that it was actually composed by his contemporary Christian Petzold.
Still, regardless of who wrote it, it remains a valuable work that serves as an entry point to Baroque music.
Let’s express its courtly elegance with a beautiful tone!
J.S. Bach | Introducing Famous and Representative Works (91–100)
Kyrie “From J.S. Bach: Mass in B minor”J.S.Bach
The majestic and dignified vocal piece “Kyrie” is sung in Johann Sebastian Bach’s Mass in B minor (BWV 232).
Alongside the St.
Matthew Passion and the St.
John Passion, the Mass in B minor is regarded as one of the finest masterpieces among Bach’s compositions.