J.S. Bach | Introducing Famous and Representative Works
The songs that are popular today—across not only classical music but also pop and jazz—are deeply influenced by past composers.
Among them, classical music is often called the foundation of music, and it’s no exaggeration to say that Johann Sebastian Bach, known as the “Father of Music,” was one of the figures who laid that very groundwork.
Bach’s music, while carrying a religious hue, is characterized by philosophical depth and intricately refined structure down to the finest details, with melodies of exceptional beauty.
Please take a look into the world of Johann Sebastian Bach, one of the greatest composers in history.
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J.S. Bach | Introducing Famous and Representative Works (91–100)
Brandenburg Concerto No. 5J.S.Bach
It is a superb performance conducted by Peter Schreier with the Carl Philipp Emanuel Bach Chamber Orchestra, where each sound has a clear, distinct contour yet blends harmoniously.
Bach, who laid the foundation of Western music, is known as the “Father of Music.”
Suite for Unaccompanied CelloJ.S.Bach
This is another piece you often hear in commercials and the like.
It’s a very simple performance played solely by the cello, giving it a sense of gravitas.
Beyond the instrument’s weight, you can also hear its softness and gentleness—various faces of the cello—making it a piece you can hardly encounter elsewhere.
J.S. Bach | Introducing Famous and Representative Works (101–110)
Sarabande from Cello Suite No. 6 (unaccompanied)J.S.Bach
Johann Sebastian Bach, a master of Baroque music, also produced a large number of works that have become important repertoire for the modern classical guitar.
Among the guitar arrangements of pieces originally written for instruments other than guitar or lute, many feature distinctive harmonies that cannot be heard on instruments like the violin.
There are also several superb performances of famous cello works arranged for guitar.
Partita No. 2 for Solo Violin, V. ChaconneJ.S.Bach
Composed by Bach—known as the “Father of Music”—when he was 35, this work remains one of the most important solo pieces in the violin repertoire.
Among the six pieces that make up the Sonatas and Partitas for Solo Violin, the Chaconne from the Second Partita is the most famous.
Originally, a chaconne refers to a slow, triple-meter dance style of Italian origin, and in Bach’s time it was often used for variation forms that assumed improvisation, known as an ostinato bass.
In this piece as well, a short bass theme is variously ornamented, giving rise to a majestic musical world.
Badinerie, No. 7 from Orchestral Suite No. 2 in B minor, BWV 1067J.S.Bach
It is one of the signature works by J.S.
Bach, a composer representative of the Baroque era.
A lively duple-meter dance with the flute in the spotlight, it is characterized by virtuosic performance.
Showcasing the flute’s appeal to the fullest, this piece has captivated many with its light, graceful melodies and brilliant tone.
It is thought to have been composed between 1717 and 1723, when Bach served as Kapellmeister at the Köthen court.
Frequently used in films, television programs, and commercials, it is beloved by a wide audience.
It is also a popular item in flutists’ repertoires and is often chosen as an encore piece at concerts.
This is a recommended work when you want to savor an elegant atmosphere that lifts the spirit.
Minuet No. 3J.S.Bach
Bach’s famous Minuet.
It’s important to emphasize the attack on each beat.
Play with a clear sense of dance-like groove.
The tempo itself is on the slower side, so it’s fine to play at your own pace.
The section in the second half where the mood changes is particularly rewarding to play.
Cantata No. 190 “Sing to the Lord a New Song”J.S.Bach
A Bach church cantata celebrating the New Year.
Its brilliant scoring and festive tone splendidly express the joy of the season.
The buoyant rhythm of the opening chorus and the cries of “Alleluia” create a radiant atmosphere.
It is said to have been composed for January 1, 1724—the first New Year Bach welcomed in Leipzig.
Although part of the score has unfortunately been lost, modern musicians have reconstructed it, and it is still performed today.
It’s perfect for New Year’s concerts or as background music for the holiday.
With lyrics full of praise and gratitude to God, it inspires hope and resolve for the year ahead.