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Introduction! A collection of recommended masterpieces and standard numbers for jazz beginners

We often hear people say things like, “Jazz feels a bit intimidating…” or “I don’t know where to start.” But did you know there are countless masterpieces you’ve probably heard at least once? The standard numbers you hear in movies, cafés, and TV commercials are perfect for getting into jazz.

In this article, we’ll introduce the charm of jazz through approachable songs that anyone can enjoy.

By the end, you’ll surely be captivated by jazz!

Introduction! A roundup of must-hear jazz classics and standards for beginners (61–70)

MinuanoPat Metheny Group

Pat Metheny Group / Pat Metheny “Minuano (6/8)”
MinuanoPat Metheny Group

This is the 1992 “Live Under The Sky” concert.

Among the Pat Metheny Group’s great performances, I believe this is the pinnacle.

It feels like Metheny’s music reaches its ultimate form here.

Metheny truly is one of a kind—there may be no one who can climb to these heights.

Pedro Aznar’s cool yet resolute playing also leaves a strong impression.

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The Wine And RosesToots Thielemans

Days of Wine and Roses (’74) – Toots Thielemans
The Wine And RosesToots Thielemans

Recorded in 1974.

Toots Thielemans’s harmonica is lyrical and wonderful.

On this track, he commits to a light, sophisticated performance.

His collaboration with Bill Evans, Affinity, is also a masterpiece.

He conveyed the full potential of the harmonica as an instrument to us without leaving anything out.

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Angel Eyesjim hall

Recorded in 1975 on “Jim Hall Live!”.

Jim Hall’s guitar isn’t flashy, but it’s characterized by a gentle, warm tone.

His duo album with Pat Metheny was excellent, and he also left a fine performance on Bill Evans’s “Undercurrent.” It’s said that Metheny was a huge fan of Jim Hall.

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Autumn LeavesChet Baker

Many jazz musicians have performed the song Autumn Leaves, but this Chet Baker version appears on his comeback album recorded in the early 1970s.

The electric piano timbre played by pianist Bob James also conveys the sense of novelty of the time, resulting in an interesting rendition.

Hirakawa Masako (Bōkarisuto: Sakata Mizumako)
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Cleopatra’s DreamHank Jones

This piece, performed by pianist Hank Jones, features a simple trio of bass, drums, and piano.

With such a stripped-down arrangement, each instrument’s sound comes through clearly, letting you listen closely to every detail of the performance.

The subtle breathing and irresistible groove are truly captivating—it’s a number best enjoyed in a relaxed state, tuning in to the tone of each instrument.

Murakami Shinpei
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Whacha See Is Whatcha GetJohn Scofield

John Scofield band – whatcha see is whatcha get
Whacha See Is Whatcha GetJohn Scofield

Included on the 2003 album “Up All Night.” It’s a number by the R&B group The Dramatics, performed by John Scofield.

John Sco’s guitar is absolutely swirling with energy—you’d never guess his age.

I think it’s so classy to arrange this soul classic in this way.

The part in the latter half where the horn section comes in is irresistible.

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Blue MoonMel Tormé

This song was written in 1934 by the duo who produced numerous wonderful jazz standards—lyrics by Lorenz Hart and music by Richard Rodgers.

Although it is often sung at a relaxed tempo, the 1961 version by The Marcels was arranged in a lively, doo-wop style and became a million-selling hit.

It has been covered and cherished by many artists up to the present day.

Hirakawa Masako (Bōkarisuto: Sakata Mizumako)
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StuffMiles Davis