Introduction! A collection of recommended masterpieces and standard numbers for jazz beginners
We often hear people say things like, “Jazz feels a bit intimidating…” or “I don’t know where to start.” But did you know there are countless masterpieces you’ve probably heard at least once? The standard numbers you hear in movies, cafés, and TV commercials are perfect for getting into jazz.
In this article, we’ll introduce the charm of jazz through approachable songs that anyone can enjoy.
By the end, you’ll surely be captivated by jazz!
- [Beginner] Start with this song! A collection of practice tunes for jazz beginners
- Ranking of Popular Jazz Songs
- Classic swing jazz tunes. Recommended popular songs.
- Great for karaoke too! Jazz classics you’ll want to sing at least once
- [Jazz Intro] Classic Jazz Tracks Recommended for First-Time Listeners
- [Saxophone] Recommended practice songs for saxophone beginners: Famous tunes you’ll want to try playing
- Today's Jazz: Tunes for today! A selection of timeless classics and contemporary jazz
- A roundup of famous jazz standards featured in the hugely popular jazz manga BLUE GIANT
- [2026] Jazz piano masterpieces: from standards to recent favorites
- [2026] Introducing recommended jazz medley videos!
- Jazz commercial songs. Popular commercial songs.
- [2026] Discover Today's Jazz! A Roundup of the Latest Spotlight and Popular Tracks
- [Autumn Jazz] Classic and Popular Jazz Songs to Enjoy in the Fall
Introduction! A roundup of recommended masterpieces and standard numbers for jazz beginners (21–30)
I Get a Kick Out of YouDinah Washington
This song was written by Cole Porter as a number in the Broadway musical Anything Goes, which premiered in 1934.
Cole Porter is famous for having written many songs for musicals and films that have come to be loved as standards.
This particular song is characteristically his, with a relatively long single chorus, and has been cherished mainly by vocalists such as Frank Sinatra.
In Japan, it is also known by the title “Kimi ni Koso Kokoro Tokimeku.”
StablematesBlue Mitchell
From the 1973 album “Stablemates.” It’s a Benny Golson composition, but Blue Mitchell’s bright, light trumpet tone is really wonderful.
The stylish atmosphere and relaxed mood make it a superb track.
Speaking of Blue Mitchell, “Nica’s Dream” is another unforgettable piece.
He’s a popular artist in Japan as well.
Introduction! A collection of must-listen classics and jazz standards for beginners (31–40)
Don’t Know WhyNorah Jones
Norah Jones is popular for performances that incorporate not only jazz but also elements of soul, country, folk, and pop, and this is likely one of her best-known songs.
Her father is the famous sitar player Ravi Shankar.
Her singer-songwriter style and soothing, gentle voice are cherished by many as healing music.
Work SongCannonball Adderley Quintet
Composed by Nat Adderley and released in 1960, this piece may be familiar to many in Japan, as it was also used in a commercial for an energy drink.
In terms of jazz subgenres, it is classified as funky jazz, and lyrics were later added.
The lyrics depict a prisoner lamenting the hardships of a severe prison sentence.
Smoke Gets In Your Eyes (2010 Remastered Version)THE PLATTERS
Jerome Kern, who left behind many wonderful jazz standards, wrote this song in 1933 for the musical Roberta.
The first recording was released the same year by Gertrude Niesen, but it’s probably better known through Nat King Cole’s version and the Platters’ 1956 release, which became a major revival hit.
It has also been sung by many other artists.
Duet Solo DancersCharles Mingus
Here is a track from the album The Black Saint and the Sinner Lady, released in 1963 by the uniquely individual bassist Charles Mingus.
As the dance-inspired titles suggest, the entire album is structured like a single ballet score.
This piece, in particular, seems to spotlight the graceful side of Mingus’s music.
Whatever Possessed MeElvin Jones
From ‘Familiar Ground,’ this is a track where you can fully savor Kenny Kirkland’s piano.
Kenny was best known for his extensive work as a sideman, particularly his sessions with Branford Marsalis and Sting.
His untimely passing at 43 is deeply lamented, but his piano playing will not be forgotten by future generations.