Introduction! A collection of recommended masterpieces and standard numbers for jazz beginners
We often hear people say things like, “Jazz feels a bit intimidating…” or “I don’t know where to start.” But did you know there are countless masterpieces you’ve probably heard at least once? The standard numbers you hear in movies, cafés, and TV commercials are perfect for getting into jazz.
In this article, we’ll introduce the charm of jazz through approachable songs that anyone can enjoy.
By the end, you’ll surely be captivated by jazz!
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- [2026] Jazz piano masterpieces: from standards to recent favorites
- [2026] Introducing recommended jazz medley videos!
- [2026] Discover Today's Jazz! A Roundup of the Latest Spotlight and Popular Tracks
- A compilation of jazz insert songs and covers from anime
- [Brass/Wind Band] Recommended for Beginners! A Collection of Classics and Popular Pieces Perfect for Practice
Introduction! A roundup of recommended masterpieces and jazz standards for beginners (41–50)
Take The A TrainDuke Ellington
This piece is performed by the legendary jazz figure of the 1960s, pianist Duke Ellington, leading his orchestra.
It’s a jazz standard, and its swing beat and walking bass create an irresistibly light, uplifting arrangement.
This is also a song that helped spread the charm and joy of jazz around the world.
I Got RhythmJudy Garland
This song, composed by George Gershwin with lyrics by Ira Gershwin, was featured in the musical Girl Crazy, which produced many hit songs that became jazz standards.
Because its chord progression follows the “rhythm changes” commonly used in jazz, it’s also frequently played at jazz jam sessions.
It is also well known for its use in the 1951 musical film An American in Paris.
They Can’t Take That Away from MeSarah Vaughan
Composed by George Gershwin with lyrics by Ira Gershwin, this song was performed by Fred Astaire to Ginger Rogers in the 1937 film “Shall We Dance.” Its romantic lyrics express that even if you go away, your memory will never fade from me, and it remains beloved today as a jazz standard.
It is customary to insert instrumental interjections during the theme.
Autumn LeavesCannonball Adderley
This piece is known in Japanese as “Kareha” (Autumn Leaves).
Although it originated as a chanson, it may be the most frequently performed jazz standard in the world, including by amateurs.
One of the joys of jazz standards is hearing them in a variety of arrangements and tempos, so let this be your invitation to experience many different versions of “Autumn Leaves.”
Duet Solo DancersCharles Mingus
Here is a track from the album The Black Saint and the Sinner Lady, released in 1963 by the uniquely individual bassist Charles Mingus.
As the dance-inspired titles suggest, the entire album is structured like a single ballet score.
This piece, in particular, seems to spotlight the graceful side of Mingus’s music.
Que sera seraDoris Day
It’s the theme song from Alfred Hitchcock’s 1956 film “The Man Who Knew Too Much,” sung by the lead actress and singer Doris Day.
With lyrics that mean “whatever will be, will be,” the song also plays an important role within the film itself.
Despite its cute waltz (3/4 time) feel, the movie is a suspenseful, heart-pounding thriller.
In Japan, it was covered by artists such as Peggy Hayama and Izumi Yukimura.
Whatever Possessed MeElvin Jones
From ‘Familiar Ground,’ this is a track where you can fully savor Kenny Kirkland’s piano.
Kenny was best known for his extensive work as a sideman, particularly his sessions with Branford Marsalis and Sting.
His untimely passing at 43 is deeply lamented, but his piano playing will not be forgotten by future generations.