Introduction! A collection of recommended masterpieces and standard numbers for jazz beginners
We often hear people say things like, “Jazz feels a bit intimidating…” or “I don’t know where to start.” But did you know there are countless masterpieces you’ve probably heard at least once? The standard numbers you hear in movies, cafés, and TV commercials are perfect for getting into jazz.
In this article, we’ll introduce the charm of jazz through approachable songs that anyone can enjoy.
By the end, you’ll surely be captivated by jazz!
- [Beginner] Start with this song! A collection of practice tunes for jazz beginners
- Ranking of Popular Jazz Songs
- Classic swing jazz tunes. Recommended popular songs.
- Great for karaoke too! Jazz classics you’ll want to sing at least once
- [Jazz Intro] Classic Jazz Tracks Recommended for First-Time Listeners
- [Saxophone] Recommended practice songs for saxophone beginners: Famous tunes you’ll want to try playing
- Today's Jazz: Tunes for today! A selection of timeless classics and contemporary jazz
- A roundup of famous jazz standards featured in the hugely popular jazz manga BLUE GIANT
- [2026] Jazz piano masterpieces: from standards to recent favorites
- [2026] Introducing recommended jazz medley videos!
- Jazz commercial songs. Popular commercial songs.
- [2026] Discover Today's Jazz! A Roundup of the Latest Spotlight and Popular Tracks
- [Autumn Jazz] Classic and Popular Jazz Songs to Enjoy in the Fall
Introduction! A roundup of recommended masterpieces and jazz standards for beginners (41–50)
Beauty and BeastWayne Shorter
Recorded in ’74 and included on Native Dancer.
Wayne Shorter’s compositions are remarkably colorful, and this tune is a bit quirky and addictive.
A collaboration featuring Herbie’s soulful piano backing and Wayne’s sultry soprano sax.
The composition is great, but it’s the tight groove that really gets you.
Introduction! A roundup of recommended masterpieces and jazz standards for beginners (51–60)
All of MeBillie Holiday
Including amateurs, this is likely the standard song most frequently sung by Japanese jazz vocalists.
Though it may look like she’s just singing it lightly, Billie Holiday’s performance has a uniqueness no one can imitate.
She often rearranged melodies in her own way and didn’t always sing the original line, but on this song she sings a melody that stays quite close to the original.
Body and SoulBillie Holiday
Composed by Johnny Green in 1930, this song was written for actress and singer Gertrude Lawrence, but it was ultimately introduced in a Broadway revue by Libby Holman.
To this day, it is a ballad that has been performed, loved, and well known among many singers and instrumentalists.
Among vocal versions, Billie Holiday’s rendition is particularly famous, and the song can be said to suit her character.
Autumn LeavesCannonball Adderley
This piece is known in Japanese as “Kareha” (Autumn Leaves).
Although it originated as a chanson, it may be the most frequently performed jazz standard in the world, including by amateurs.
One of the joys of jazz standards is hearing them in a variety of arrangements and tempos, so let this be your invitation to experience many different versions of “Autumn Leaves.”
Take The A TrainDuke Ellington
This piece is performed by the legendary jazz figure of the 1960s, pianist Duke Ellington, leading his orchestra.
It’s a jazz standard, and its swing beat and walking bass create an irresistibly light, uplifting arrangement.
This is also a song that helped spread the charm and joy of jazz around the world.
A Sunday Kind Of LoveEtta James
The jazz classic “A Sunday Kind of Love,” sung by jazz singer Etta James, is a relaxed waltz in 3/4 time.
Her powerful, moody vocals and the lush orchestral arrangement create an indulgent, dreamy atmosphere.
Close your eyes and you can almost see the mirror ball spinning and hear her voice as she sings with the backing band behind her.
Blue BossaJoe Henderson
Recorded in 1963 on Page One.
Composed by trumpeter Kenny Dorham, this tune features a lively Latin rhythm.
Dorham’s trumpet has depth, offering a glimpse into his career.
Joe Hen’s saxophone playing feels free and youthful.
McCoy Tyner’s piano showcases impressive dexterity.
It’s a catchy and accessible piece.