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[BOØWY’s Masterpieces] A comprehensive showcase from hidden fan favorites to signature hits!

The songs of BOØWY, the legendary band that blazed across Japan’s 80s rock scene, still carry an undying sense of innovation and beauty.

Many of you may find your hearts seized by Kyosuke Himuro’s sensuous vocals and Tomoyasu Hotei’s inventive guitar sound—hearing them even now can send a thrill through you.

In this article, we introduce the gems they left behind, along with the stories behind them.

Longtime fans can relive the excitement of their first listen, while those new to BOØWY can immerse themselves in the band’s richly layered world and enjoy the journey.

[BOØWY’s Masterpieces] A Comprehensive Showcase from Hidden Favorites to Signature Hits! (51–60)

GUERRILLABOØWY

A track included on the first album “MORAL,” featuring an impressive guitar riff, ska-core-like chopping, and unison phrases with vocals reminiscent of the Beatles.

It’s a song packed with guitar highlights!

RATSBOØWY

A song from the era when they were still writing their name as “Bōi” in kanji for “Bowie.” It kicks off with a sprightly rhythm and riff, but the lyrics sung there are thorny—like spitting in disgust after suffering and agonizing over heartless human relationships.

The gimmick where they deliberately drop into silence midway is brilliant, too.

PLASTIC OCEANBOØWY

This is a track from the fourth album, JUST A HERO, which was included only on the cassette and CD versions and not on the vinyl record.

It’s an upbeat, catchy song with a bright shuffle rhythm.

It’s also very rare for BOØWY in that the lyrics are entirely in English.

BEAT EMOTIONBOØWY

BOØWY dominated Japan’s rock scene in the 1980s.

Their 1986 album BEAT EMOTION debuted at No.

1 on the Oricon chart.

With Kyosuke Himuro’s alluring vocals and Tomoyasu Hotei’s technical guitar weaving a thrilling, exhilarating sound, it’s sure to resonate across generations.

It’s a must-listen not only for rock fans but also for anyone interested in ’80s music.

As a timeless classic still beloved by many, this masterpiece is well worth revisiting.

[BOØWY’s Masterpieces] A comprehensive showcase from hidden fan favorites to signature hits! (61–70)

ENDLESSBOØWY

The song that closes the first album “MORAL,” credited with lyrics by “MOONLIGHT,” refers to Keisuke Gekkou, who was on the staff at the time.

It’s a track that clearly stands apart from the others, like a mysterious piece of loop music.

LIKE A CHILDBOØWY

In this song, Hotei’s guitar riffs—precisely executed through his light fret movements and fingering—and Matsui’s keyboard-driven, techno-like steady rhythm feel fresh.

It skillfully fuses the most exciting elements of rock and disco without cooling the intensity of either.

RENDEZ‐VOUSBOØWY

Rendez-Vous (Live In Hamburg July 1987)
RENDEZ‐VOUSBOØWY

A track included on BOØWY’s sixth album, PSYCHOPATH.

It starts in a minor key with a slightly heavy feel, but once the song kicks in, it takes on a pop tone.

The vocals are in a major key while the guitar in the interlude is in a minor key, making for a playful song.

Although it sounds like a live recording, it was actually recorded in the studio, with the live feel intentionally crafted for fun.