Chopin’s masterpieces. Popular classical music.
Are you looking for famous piano pieces and beautiful melodies?
Here are some masterpieces and recommended works by Frédéric Chopin, a pianist and composer who represents the early Romantic era in Poland.
Chopin composed as many as 21 nocturnes, and he also left a wealth of piano works in many other styles—such as mazurkas, waltzes, and polonaises—which is why he is known as the Poet of the Piano.
Let yourself be captivated for a while by the beautiful melodies woven by Chopin.
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Chopin’s masterpieces. Popular classical music (91–100)
Waltz in E-flat major, Op. 18 “Grande valse brillante”Frederic Chopin
It is one of the most well-known waltzes composed by Frédéric Chopin, the Polish composer hailed as the “poet of the piano.” When Chopin came to Vienna from Warsaw, the waltz was in vogue there.
This piece was written after his visit to Vienna and is considered the work most influenced by the Viennese waltz.
It features a characteristically light, waltz-like rhythm and a brilliant melody, making it a very approachable piece.
Waltz No. 4 in F major, Op. 34-3 “Minute Waltz”Frederic Chopin
Also known as the “Kitten Waltz” for its lively character, the Waltz No.
4 in F major, Op.
34-3 conjures up the charming image of kittens dashing about at play.
It’s a delightful piece that is often chosen for recitals and competitions, and is beloved for its strong performance impact.
Play the arpeggios in the opening boldly and proudly, and render the sparkling right-hand filigree with a bright, clear tone.
Keep the left-hand accompaniment as light and buoyant as possible; be sure to practice each hand separately with care so the left hand can move forward with ease.
Chopin’s masterpieces. Popular classical music (101–110)
Waltz No. 4 in F major “Kitten Waltz”Frederic Chopin
Also known as the “Kitten Waltz” for its lively character, the Waltz No.
4 in F major, Op.
34 No.
3 conjures up an adorable scene of kittens darting around at play.
It is often chosen for recitals and competitions and is beloved for its strong performance impact.
Like the well-known “Minute Waltz,” Waltz No.
6 in D-flat major, Op.
64 No.
1, its tempo is brisk and the melody whirls by rapidly.
Although it isn’t as famous as the “Minute Waltz,” it is one of Chopin’s representative waltzes and a piano piece well worth knowing alongside it.
Waltz No. 6, Op. 64 No. 1 “Minute Waltz”Frederic Chopin
For intermediate players, “Minute Waltz” is a timeless classic.
It’s frequently used in variety shows and commercials, so it’s sure to make a strong impression in recitals.
The key feature of this piece is its bouncy, skipping melody.
How accurately you can play this section will significantly affect the overall impression.
Once you’re comfortable with the fast passages, try focusing on the graceful melody in the middle section as well.
This will make the overall contrast clearer and enhance its impact.
If you’re an intermediate player—or a beginner on the verge of intermediate—be sure to give it a try.
Waltz No. 10Frederic Chopin
Waltz No.
10 in B minor, Op.
69, No.
2 by Frédéric Chopin evokes a feeling as if your chest is tightly gripped by a melody suffused with melancholy.
Composed when Chopin was around 19, it stands out for its simple structure and unadorned, memorable tune.
While the main theme is filled with heartache, the middle section warms into a tender, happy mood, as though reminiscing about joyful days long past.
Yet that warmth is fleeting, and we are drawn back into deep sorrow.
Why not listen to it when you want to linger in a bittersweet mood or gently work through your sadness?
Berceuse in D-flat major, Op. 57Frederic Chopin
The Lullaby in D-flat major, Op.
57, was composed in 1844 and dedicated to Miss Élise Gavard upon its publication in 1845.
It has a unique structure among Chopin’s works in that it is written entirely at dynamics ranging from pianissimo to piano.
Etude Op. 10 No. 4Frederic Chopin
Chopin’s demanding piece, Etude Op.
10 No.
4.
It requires a combination of techniques and presents difficulties throughout.
Among them, the most challenging spot is probably the right hand in measures 29–30.
You have to handle the fingering while keeping the wrist supple, but because it’s hard to connect legato, the performance tends to become stiff.
Even professionals often end up sounding rigid with this etude, so be sure to check it out.