Karaoke songs that make it easy to score 100 points [for women]
With the rise of K-pop in recent years, the difficulty level of Japanese music has risen significantly.
In karaoke scoring—where pitch control is paramount, especially because melodies now tend to jump more drastically—there seem to be far fewer songs with which you can realistically aim for a perfect 100.
So this time, we’ve selected easy-to-sing tracks, focusing on recent releases, that you can target for a 100! We’ve also included concrete technique explanations from a vocal coach, so be sure to read through to the end!
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Easy-to-score 100 points karaoke songs [For Women] (91–100)
SmileMori Nana
This is a digital-only single by Nana Mori, who is active as an actress, released on July 19, 2020.
As a single, it marks her debut song.
As I mentioned at the beginning of this article, the best way to aim for a perfect 100 in karaoke is to choose a song that seems easy to hum along to! The track I’m introducing here fits that criterion perfectly, don’t you think? There’s a slightly high-pitched section in the D-melody after the instrumental break, so if you’re not confident with high notes, try lowering the key when you sing.
Unfit to be a loverKoresawa
Koresawa is an artist who performs without showing her face, taking the stance of “I want you to listen to the songs, not look at my face.” The teddy bear you often see seems to stand in for her! Now, since “Koibito Shikkaku” has no intro, make sure to clearly imagine the opening pitch before you start singing.
If you switch between chest voice and falsetto for the A melody, B melody, and the chorus, you may find it easier to hit the pitches accurately.
If you sing carefully with the scoring system in mind, you should be able to get higher marks.
Give it a try and practice!
Karaoke Songs That Make It Easy to Score 100 Points [For Women] (101–110)
La La LaDaikoku Maki
This is Maki Ohguro’s 10th single overall, released on February 20, 1995.
The mid-1990s, when this song came out, was a time when million-selling hits were being churned out in J-pop, and having songs sung in karaoke was a major factor in boosting sales.
This track was likely created with that strongly in mind as well: over a warm, easy-to-sing beat, it features an extremely catchy, singable melody and lyrics.
Of course, Maki Ohguro herself is a singer with very strong vocal ability, but by having her sing a simple melody like this, it makes listeners feel that it seems “easy to sing.” And indeed, the melody is crafted to be truly simple and singable, so by all means, try aiming for a perfect score.
You might get a higher score if you don’t focus too much on imitating Ohguro’s own vocal style and instead make it your top priority to straightforwardly trace the melody and lyrics.
Love isKato Miria
This is Miliyah Kato’s 10th single, released in June 2007.
At first listen, many people might feel it’s quite difficult to sing, but the backing chord progression uses the classic ballad “Canon progression”—or rather, it’s arranged almost like putting vocals on Pachelbel’s Canon—so if you tackle it without hesitation, you should be fine.
When you get to the high notes near the end of the chorus, be mindful of keeping your head voice from bursting out too sharply; try to sing as gently as possible and give it a go.
missing youTomioka Ai
Ai Tomioka is a female singer-songwriter who has gained popularity for her message-driven songs that speak for young people.
While her main style is J-pop, she’s also influenced by Taylor Swift, and you can sense a touch of Western country music in her tracks.
Among her songs, the one I especially recommend is “missing you.” This piece is a gentle J-pop track with a hint of country flavor.
The vocal range is narrow and there are no belt parts, making it easier to aim for a perfect score.
Definitely give it a try.
bleeding loveHirate Yurina
Yurina Hirate, who served as the center of Keyakizaka46 and is known for her stylish musicality, has recently been active as a solo artist.
She’s been releasing tracks that leverage the sleek vocals and refined musical sensibility she showed during her Keyakizaka days.
Among her works, the one I especially recommend is “bleeding love.” It leans toward deep house, and the production takes the spotlight more than the vocals.
As a result, the vocal lines are very simple—if you stay on pitch and in time, there’s little risk of losing points.
There are a fair number of sustained notes, so if you’re aiming to score higher, make sure to add solid vibrato.
All of the Youthsuis from Yorushika
Suis, the female singer who is widely popular across generations as the vocalist of Yorushika, is also active as a solo artist and recently drew attention with a new cover release.
That cover is Wakamosu no Subete (All About the Youth).
It’s a rendition of the famous song by the popular band Fujifabric, arranged with a gentler vocal approach than the original.
Although this piece includes many lower-register parts, its overall vocal range is quite narrow, so as long as you adjust the key to suit your voice, it’s perfectly singable for women as well.