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Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)

When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.

If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.

[Women in their 50s] Easy-to-sing karaoke songs even if you're not confident in your pitch (61–70)

UFOpinku redii

This was the sixth single by Pink Lady, a hit duo in Japan in the 1970s, released in December 1977—and their biggest hit.

As of 2019, if you’re in your 50s, this song needs no introduction! Many of you probably remember scenes in elementary school classrooms all over Japan where nearly every girl in the class was singing and dancing to this tune when it was a hit.

Maybe you, reading this now, were one of them.

A lot of people even copied the signatures of the two members of Pink Lady, didn’t they? Every time they released a new song, their costumes and choreography drew attention.

I don’t know whether the song was composed with that in mind, but the melody itself is very simple and easy to sing.

So even if you’re usually not confident about singing, I hope this song brings back memories of your elementary school days and that you give it a try.

And if you still remember the choreography, by all means, enjoy it with the moves!

A Good Day to Set Out on a JourneyYamaguchi Momoe

Momoe Yamaguchi - Good Day to Set Out on a Journey
A Good Day to Set Out on a JourneyYamaguchi Momoe

Momoe Yamaguchi’s 24th single, released in November 1978.

It drew attention for bringing in Shinji Tanimura of the then red‑hot band Alice as producer, and for being used as a Japanese National Railways travel promotion song.

It became Yamaguchi’s biggest hit.

The song structure feels like A–B–A’, embodying classic Showa-era kayōkyoku and the New Music techniques of the time, and each section’s melody is very clear and easy to remember.

The vocal range used also sits comfortably for most singers, so even those who aren’t confident in their singing will likely find this song approachable.

Precisely because of that, if you sing it too flatly, the performance can lose focus, so be sure to draw a sharp contrast between the A and B sections.

Singing the B section with strength yet tinged with sorrow is the key to performing this song well.

Azure RabbitNoriko Sakai

Noriko Sakai “Blue Rabbit” Music Video
Azure Rabbit Noriko Sakai

Noriko Sakai’s 27th single, released in May 1995.

It also served as the theme song for the drama “Hoshi no Kinka” and became her biggest hit.

Composed by Tetsurō Oda, who churned out hit songs in 90s J-pop, the track is clearly crafted with the karaoke market in mind, making it very easy to sing even for those who aren’t confident singers.

That karaoke-friendly quality was a major factor for a song to become a hit back in the 90s.

Many of you probably loved the drama as well, so take a trip down memory lane and give it a sing.

By the way, real rabbits don’t actually die from loneliness (lol).

Cinderella HoneymoonIwasaki Hiromi

Hiromi Iwasaki — Cinderella Honeymoon
Cinderella HoneymoonIwasaki Hiromi

Hiromi Iwasaki’s classic “Cinderella Honeymoon,” frequently used on variety shows and the like, was once treated almost like a comic song, but nowadays it can surely be called a guaranteed crowd-pleaser.

The song’s easiest-to-sing point is, above all, the chorus.

While the highest notes appear in the pre-chorus, that high phrase only lasts about three to four seconds, and the chorus itself sits in the mid-to-lower range, making it a song that doesn’t depend on the singer’s vocal range.

lover; mistress; extramarital partnerTeresa Ten

Teresa Teng left us with many timeless songs.

For women in their late 50s, many of her hits are likely cherished memories of their youth.

Among them, the one I especially recommend is Lover.

Many people may have resonated with its lyrics, which poignantly depict a mature romance.

What makes this song particularly easy to sing is its kayōkyoku-style vocal line.

The range is neither too wide nor too narrow, and the rhythm is easy to follow, so for those who find melodies common in enka and kayōkyoku easy to sing, this can be considered a low-difficulty song.

If the mid-to-high notes in the chorus feel challenging, try lowering the key by one semitone.

Dancing HeroOginome Yōko

Yoko Oginome / Dancing Hero (Eat You Up) (Official Music Video)
Dancing HeroOginome Yōko

Yoko Oginome’s seventh single, released in November 1985.

It was a big hit for Oginome, and in 2017 it became a hot topic as the “Bubble Dance” performed by the dance club of Osaka Toinaka High School.

By the way, the original song is Angie Gold’s “Eat You Up,” and this is its cover.

Since it was a hit as dance music, many women in their 50s as of 2020 probably danced to it in their youth at places like Juliana’s.

As you’d expect from a release in the idol pop genre, the melody is very simple and accessible, with hardly any sections that seem difficult to sing, so even those who aren’t confident singers can probably choose it at karaoke without worry.

A classic whose vintage dance beat brings back fond memories!

Wasshoi!Aikawa Nanase

"Wasshoi!" LIVE @ NANASE'S DAY 2025
Wasshoi!Aikawa Nanase

Nanase Aikawa was recently appointed as the Japan–Brazil Friendship and Goodwill Ambassador.

Her song “Wasshoi!” was released in 2025 with the theme of connecting Brazil and Japan.

The piece intentionally incorporates a distinctly Japanese-style melody, featuring several enka-like phrases.

As a result, it’s naturally crafted to be easy for Japanese listeners to sing, but since the end of the chorus holds a long note at a slightly higher pitch, be careful not to let your voice crack there.

If you set the key to suit this section, there aren’t any particularly difficult elements, so please use this as a reference.