Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.
If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.
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[Women in their 50s] Easy-to-sing karaoke songs even if you’re not confident in your pitch (71–80)
Blue airmailArai Yumi
A female singer-songwriter with a wide musical range who enjoys overwhelming support from men and women in their 50s and 60s, Yumi Arai—better known as Yumi Matsutoya.
Among her songs, one I especially recommend for women in their 50s is Aoi Airmail.
This piece is a gentle ballad that portrays thoughts of a lover far away.
With its relaxed rhythm, I think it’s very easy for women in their 50s to sing.
The vocal range is also narrow, making it a comfortable choice for late-night karaoke.
Red Sweet PeaMatsuda Seiko
Seiko Matsuda’s eighth single, released in January 1982.
The songwriting credit is listed as Kureta Karuho, but that’s actually Yumi Matsutoya! Perhaps thanks to bringing in Yuming, the melody is very easy to remember, with a warm, truly “spring-like” feel, making it a lovely tune that anyone can hum along to.
In terms of pitch, the high notes shouldn’t be much of an issue, but when singing it at karaoke, it’s important to adjust the key so you can finish the final “Akai Sweet Pea~” in chest voice rather than falsetto—this makes it sound just right.
Give it a try and sing your heart out!
I’m glad I met you.Koizumi Kyoko
Kyoko Koizumi, an idol who was hugely active from the late ’80s through the ’90s.
Her song “Anata ni Aete Yokatta” was released in 1992, and from around this track she began putting out increasingly original, distinctive songs.
This work emphasizes catchiness, featuring a very singable vocal line throughout.
In particular, the range—mid1 G# to hi B—is quite narrow for a female song, so as long as you adjust the key, it should be easy for singers of any voice type to perform.
Sinbad on the Shorepinku redii
The fourth single by Pink Lady, the superstar idol duo of the 1970s, released in June 1977.
As of 2020, women in their 50s are the perfect “right-on-target” generation for Pink Lady! Many of you probably have memories of singing and dancing together in your elementary school classrooms.
While Pink Lady themselves are very capable vocalists, the songs are characterized by the quintessential Showa-era pop “accessibility.” So not just with this track—please sing along with all those nostalgic memories!
stationTakeuchi Mariya
The city pop boom, which helped spark a revival trend, has gained worldwide recognition as a music genre representing Japan, and Mariya Takeuchi is known as one of its iconic artists.
That said, city pop leans heavily on R&B and funk elements, making it quite challenging.
Even so, for those who want to sing Mariya Takeuchi’s songs, I recommend Eki (Station).
It’s a work rich with the essence of Showa-era kayōkyoku, so I think it’s very easy to sing even for women in their 50s.
I’m falling in love with you againSakamoto Fuyumi
A gem of a love song by Fuyumi Sakamoto that gently portrays a rekindled romance blossoming between a long-married couple.
The serene melody and her emotive vocals weave a harmony that deeply resonates with listeners.
With warm, tender strokes, it depicts the precious affection found in everyday moments and gratitude for the many years overcome together.
Released in January 2009 as the coupling track to “Pirates of Asia,” the song also became beloved as the theme for Sanwa Shurui’s Mugi Shochu iichiko commercial.
It is included on the album “Love Songs ~ Mata Kimi ni Koishiteru ~,” and has earned support from a wide range of generations.
A recommended track for anyone wishing to rediscover the value of time spent with someone dear.
Playback Part 2Yamaguchi Momoe
This was Momoe Yamaguchi’s 22nd single, released on May 1, 1978.
At the time of its release, it sold over 500,000 copies, so there’s probably hardly anyone who hasn’t heard it at least once.
The chorus lyrics are especially memorable, aren’t they? (It’s a shame I can’t quote them…) I’m listening to the song again for the first time in decades to write this article, and I’m struck by how remarkable Yamaguchi’s vocal ability is.
Even as an idol back then, her singing was truly outstanding! That said, it’s still a Showa-era kayōkyoku number.
Musically, there aren’t any particularly difficult melodies or rhythms, so feel free to pick it for karaoke and have fun with it.
If you can even capture a hint of that slightly bad-girl vibe when you sing it, that would be perfect!