Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.
If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.
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- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
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[Women in their 50s] Easy-to-sing karaoke songs even if you're not confident in your pitch (41–50)
Don’t give up on your dreamsOkamura Takako
“Don’t Give Up on Your Dreams,” released in 1987 by singer-songwriter Takako Okamura—who was also active as part of the female vocal duo Amin—won broad support across generations, even being included in middle school music textbooks at the time.
The richly melodic synth lines unfold over a lively rhythm.
Because the song maintains a steady tension throughout, it’s recommended for those who struggle with adding dramatic dynamics.
It’s a message song that cheers on everyone doing their best in everyday life.
Aim for a supple, relaxed vocal tone and give it a try at karaoke.
rainMoritaka Chisato
Chisato Moritaka has left behind many classic songs as an idol.
She’s also well known for having many easy-to-sing tracks thanks to her vocal timbre and singing ability.
Among her works, the one I especially recommend for women in their 50s as an easy song to sing is “Ame” (Rain).
It was her 11th single and enjoyed nationwide popularity.
The key reason this song is so singable is its narrow vocal range.
Since Chisato Moritaka herself isn’t a singer with an especially wide range, there are no high notes in the verses, the pre-chorus, or the chorus.
On top of that, it’s built on a relaxed, easy-to-grasp rhythm, which makes it easier to catch the cue for the entrance.
Definitely give it a try.
I am a piano.Takada Mizue
Mizue Takada, an idol singer who rose to popularity in the late 1970s.
She gained fame as the 18th Grand Champion on Fuji TV’s audition program “You Are the Star!” and went on to produce many classic songs, making full use of her vocal ability, which was among the highest even by idol standards of the time.
Among her works, the one I particularly recommend is “Watashi wa Piano” (“I Am a Piano”).
It’s a sultry piece, arranged overall in the lower-mid to mid vocal range.
Please give it a try and sing it.
SHOW MEMorikawa Yukari
Yukari Morikawa, who is also active as a TV personality and actress, released her cover of “SHOW ME” in 1987.
The song was originally released as the debut single by The Cover Girls, and in Japan both the original and the cover became hits.
It features the glamorous sound characteristic of dance music, with a lively disco-style beat.
The key to the chorus’s repeated phrases is to enunciate clearly with good contrast.
By distinguishing it from the A-melody’s more conversational singing part, you can make the chorus leave an even stronger impression.
Enjoy singing it while reminiscing about the good old days!
I can’t stay a daydreaming girlAikawa Nanase
This was Nanase Aikawa’s debut single, released on November 8, 1995.
It came out right in the golden age of J-pop and became a huge hit, so as of 2021, there may hardly be anyone in their 50s who hasn’t heard it at least once.
I was also involved in composing and other work with the same label as Aikawa at the time, so this song left a particularly strong impression on me personally.
Musically, it has a very memorable, singable chorus melody and impactful lyrics, so I think it’s a safe and easy pick as karaoke material.
foreignerKUBOTA Saki
A hit song by Saki Kubota released in October 1979.
With a Middle Eastern dulcimer used in the intro and elsewhere, and a title that suggests the same, the track evokes a strong Oriental image.
Incidentally, the subtitle “Theme of the Silk Road” was reportedly added later, inspired by the feel of the completed piece.
Structurally, it follows a classic Showa pop format: A part for the introduction, a B part (chorus) for development, and then a modified return to the A part for the close.
This makes it easy to remember even for people who don’t regularly listen to songs or music.
This may be the biggest difference between Showa-era hits and many contemporary songs, which often have more intricate structures and developments.
There aren’t any particularly difficult sections to sing, but it’s best to emphasize the contrast between the minor-key A part and the major development in the B part.
Rather than belting, singing with a bit of headroom—gently yet expansively—will suit the song better.
If the high notes are challenging for your range, try lowering the key a little.
Tears Flowing EndlesslyNatsukawa Rimi
This song was released in March 2000 as BEGIN’s 18th single, and Rimi Natsukawa’s version is a cover that came out in March 2001.
Although this article is written with the theme of recommending songs for people who aren’t confident singers, this particular track might be a bit challenging for them.
Since it was originally created as an “Okinawan song,” there are a few parts that require a folk-style melodic phrasing, and performing it well does call for a certain level of vocal technique.
That said, aside from those sections, the tempo is on the slower side and the rhythm is easy to catch, and the melody aligns very naturally with Japanese sensibilities.
So if you’re not confident in your singing, it’s perfectly fine to ignore the folk-style inflections and just sing the melody straightforwardly.
The high notes in the original key may be tough for some people, so feel free to lower the key when needed.
If you try singing it with a sense of the broad, gentle “swell” of Okinawa’s calm seas, you’ll likely find it feels just right!