Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.
If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.
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[Women in their 50s] Easy-to-sing karaoke songs even if you're not confident in your pitch (41–50)
I can’t stay a daydreaming girlAikawa Nanase
This was Nanase Aikawa’s debut single, released on November 8, 1995.
It came out right in the golden age of J-pop and became a huge hit, so as of 2021, there may hardly be anyone in their 50s who hasn’t heard it at least once.
I was also involved in composing and other work with the same label as Aikawa at the time, so this song left a particularly strong impression on me personally.
Musically, it has a very memorable, singable chorus melody and impactful lyrics, so I think it’s a safe and easy pick as karaoke material.
Don’t give up on your dreamsOkamura Takako
“Don’t Give Up on Your Dreams,” released in 1987 by singer-songwriter Takako Okamura—who was also active as part of the female vocal duo Amin—won broad support across generations, even being included in middle school music textbooks at the time.
The richly melodic synth lines unfold over a lively rhythm.
Because the song maintains a steady tension throughout, it’s recommended for those who struggle with adding dramatic dynamics.
It’s a message song that cheers on everyone doing their best in everyday life.
Aim for a supple, relaxed vocal tone and give it a try at karaoke.
Roppongi HeartbreakAn Ruisu
Released in October 1984, this was Ann Lewis’s 24th single.
Including her own self-cover, it’s been covered by many singers.
The song came out in what you could call the eve of the 1980s band boom, and it became a staple for female-vocal bands to cover in high school and college light music clubs.
Reflecting Ann Lewis’s sound orientation—she had close ties with the so-called Japanese metal scene at the time, including people like ACTION!’s Yoshiro Takahashi—the arrangement is strongly rock-influenced, while the catchy melody also foreshadows later-era J-pop.
It was relatively easy for amateur bands of the time to copy and comfortable to sing, which likely contributed to its popularity.
I bet quite a few people performed this at school festivals back then.
Give it a shot and sing it with style!
rainMoritaka Chisato
Chisato Moritaka has left behind many classic songs as an idol.
She’s also well known for having many easy-to-sing tracks thanks to her vocal timbre and singing ability.
Among her works, the one I especially recommend for women in their 50s as an easy song to sing is “Ame” (Rain).
It was her 11th single and enjoyed nationwide popularity.
The key reason this song is so singable is its narrow vocal range.
Since Chisato Moritaka herself isn’t a singer with an especially wide range, there are no high notes in the verses, the pre-chorus, or the chorus.
On top of that, it’s built on a relaxed, easy-to-grasp rhythm, which makes it easier to catch the cue for the entrance.
Definitely give it a try.
NO.NEW YORKBOØWY
A signature rock number from the 1982 album “MORAL,” later re-recorded as the B-side to the single “BAD FEELING.” Its driving rhythm and Kyosuke Himuro’s shouts are the main attractions, making it a staple that recreates the heat of youth.
The overall vocal range is D#3–A4, which should be comfortable for many male singers.
Since it’s a band-oriented track, locking into the rhythm makes it fun to sing.
As long as you don’t lag behind the tempo, a slightly rough delivery will still land stylishly.
There are call-and-response shout sections mid-song, so getting the crowd involved is part of the fun!
Lullaby of the Holy MothersIwasaki Hiromi
Released in May 1982, this was Hiromi Iwasaki’s 28th single.
It was also used as the ending theme for the two-hour drama series Tuesday Suspense Theater.
Initially, only one chorus was produced for the drama’s ending theme, but due to the strong response after the broadcast, the rest of the song was quickly created and it was released as a single—so the story goes.
As you’d expect from a song by Hiromi Iwasaki, who was renowned for her vocal ability, this track can be a bit challenging for those who aren’t confident singers.
That said, the composition itself isn’t particularly difficult, so even people who don’t sing often should definitely give it a try.
To achieve the powerful high notes in the chorus like Iwasaki herself, you might need to take some vocal training lessons.
If the high notes are tough, try lowering the key.
Nancy of Summer ColorsHayami Yū
Amid the idol boom of the 1980s, Yū Hayami achieved especially remarkable success.
She has produced many classic songs, and among them, “Natsuiro no Nancy” garnered particularly great popularity.
Although the song stands out for its bright and refreshing melody, the vocal line is surprisingly gentle in its rises and falls, and the range isn’t very wide.
The pitch is easy to follow as well, making it a singable choice for women in their 50s who are familiar with the track.
Consider adding it to your repertoire.