Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.
If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.
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[Women in their 50s] Easy-to-sing karaoke songs even if you're not confident in your pitch (41–50)
ambushIshikawa Hitomi
Hitomi Ishikawa, a female singer who was hugely active in the late 1970s.
Her voice exudes femininity, yet her vocals also convey a compelling strength—that was her distinctive appeal.
Among her songs, the one I especially recommend is Machibuse (“Ambush”).
While it has a slightly wide vocal range, the high notes feature surprisingly short sustained tones, so it’s easy on the throat.
As long as you can keep your pitch steady, it’s a song that anyone can sing well.
SWEET MEMORIESMatsuda Seiko
Seiko Matsuda, an idol who enjoyed immense popularity as a classic, orthodox idol, is known for her pure, unadorned, beautiful voice.
Among her songs, the one I particularly recommend is SWEET MEMORIES.
This mellow piece has a somewhat wide vocal range, but its easy-to-follow rhythm and dynamics make it a song you can perform without much strain.
Some women in their 50s may find it harder to project their voices, but in that case, it’s perfectly fine to lower the key.
Set it to a key that’s comfortable for you and give it a try.
Roppongi HeartbreakAn Ruisu
Released in October 1984, this was Ann Lewis’s 24th single.
Including her own self-cover, it’s been covered by many singers.
The song came out in what you could call the eve of the 1980s band boom, and it became a staple for female-vocal bands to cover in high school and college light music clubs.
Reflecting Ann Lewis’s sound orientation—she had close ties with the so-called Japanese metal scene at the time, including people like ACTION!’s Yoshiro Takahashi—the arrangement is strongly rock-influenced, while the catchy melody also foreshadows later-era J-pop.
It was relatively easy for amateur bands of the time to copy and comfortable to sing, which likely contributed to its popularity.
I bet quite a few people performed this at school festivals back then.
Give it a shot and sing it with style!
rainMoritaka Chisato
Chisato Moritaka has left behind many classic songs as an idol.
She’s also well known for having many easy-to-sing tracks thanks to her vocal timbre and singing ability.
Among her works, the one I especially recommend for women in their 50s as an easy song to sing is “Ame” (Rain).
It was her 11th single and enjoyed nationwide popularity.
The key reason this song is so singable is its narrow vocal range.
Since Chisato Moritaka herself isn’t a singer with an especially wide range, there are no high notes in the verses, the pre-chorus, or the chorus.
On top of that, it’s built on a relaxed, easy-to-grasp rhythm, which makes it easier to catch the cue for the entrance.
Definitely give it a try.
foreignerKUBOTA Saki
A hit song by Saki Kubota released in October 1979.
With a Middle Eastern dulcimer used in the intro and elsewhere, and a title that suggests the same, the track evokes a strong Oriental image.
Incidentally, the subtitle “Theme of the Silk Road” was reportedly added later, inspired by the feel of the completed piece.
Structurally, it follows a classic Showa pop format: A part for the introduction, a B part (chorus) for development, and then a modified return to the A part for the close.
This makes it easy to remember even for people who don’t regularly listen to songs or music.
This may be the biggest difference between Showa-era hits and many contemporary songs, which often have more intricate structures and developments.
There aren’t any particularly difficult sections to sing, but it’s best to emphasize the contrast between the minor-key A part and the major development in the B part.
Rather than belting, singing with a bit of headroom—gently yet expansively—will suit the song better.
If the high notes are challenging for your range, try lowering the key a little.
TouchIwasaki Yoshimi
Released in March 1985, this is Yoshimi Iwasaki’s 20th single.
It served as the theme song for the hit anime Touch, based on the original work by Mitsuru Adachi.
It’s a classic that has been covered by many singers, most notably by Noriko Hidaka, who voiced the heroine Minami Asakura in the anime.
With a wistful melody much loved by Japanese listeners and an easy-to-sing structure, it’s a strongly recommended choice for those who aren’t confident in singing and want something for karaoke.
The key should be manageable for most people in the original key.
It also has a pleasantly brisk, slightly rockabilly-style rhythm, so when you sing it, be careful not to let the rhythm get heavy.
Slow motionNakamori Akina
“Slow Motion,” released in 1982 as Akina Nakamori’s debut single when she was 16, drew attention for her glamorous looks and crystal-clear voice, putting her name on the map.
With its light, upbeat rhythm and careful, note-by-note phrasing, it’s also recommended for women in their 50s who aren’t confident singers.
The song features a conversational delivery in the verse that expands toward the chorus.
Take slow breaths and sing it relaxed.
It’s sure to be a hit at karaoke with people of the same generation.
