[Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
As you enter your 40s, not only does age-related decline set in, but the cumulative effects of lifestyle habits like drinking and smoking can also make it harder to produce your voice.
If you feel you’re tone-deaf, you may be even more sensitive to these changes.
This time, we’ve selected karaoke songs that are easy to sing for women in their 40s who struggle with being tone-deaf!
We also touch on specific tips, so if you want to build your vocal technique and overcome tone-deafness, don’t miss this!
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[Women in their 40s] Songs Even the Tone-Deaf Can Sing! Karaoke Tracks That Fit the Female Vocal Range (61–70)
Angel’s RestHisamatsu Fumina

Fumina Hisamatsu is a female singer who gained popularity for her musical style that incorporates glam rock and soft rock into J-pop.
She has a slightly low, full-bodied voice, and is known for vocals as robust as those of male rock singers.
Among her songs, the one I especially recommend is Tenshi no Kyūsoku (Angel’s Rest).
If you’re a rock fan in your late 40s, you might have listened to it back in the day.
While the song is notable for its powerful melody, it sits mostly in the low-to-mid range and has a narrow vocal range, making it a piece that doesn’t depend heavily on the singer’s specific timbre.
Consider adding it to your repertoire.
Azure RabbitNoriko Sakai

Noriko Sakai, affectionately known as Nori-P, has also been active as a singer and has left behind several classic songs.
Among them, the one I especially recommend for women in their 40s as an easy song to sing is Aoi Usagi (Blue Rabbit).
Incorporating elements of kayōkyoku, it features a mellow, distinctly Japanese melody throughout that’s easy to sing.
In addition, there are no high-register parts, so women in their 40s should be able to sing it without difficulty.
If you like mature melodies, be sure to give this song a try.
If spring comes tomorrowMatsu Takako

Takako Matsu has appeared in numerous masterpieces as an actress and found success as an artist as well.
Although she hasn’t been particularly active as an artist recently since Frozen, women in their 40s likely watched her at the exact time she was thriving as a musical artist.
Ashita, Haru ga Kitara is a classic from the period when Takako Matsu was enjoying major success as an artist.
Arranged as a simple pop song reminiscent of Kiroro, it features a chorus with a slightly higher range; however, the vocal line is generally easy, with rhythms and melodies that are straightforward to follow.
You’re My Only Shinin’ StarNagayama Miho

“You’re My Only Shinin’ Star” is a song by Miho Nakayama, written and composed by Toshiki Kadomatsu, released in November 1999 as her 25th single.
It was also used as an insert song in the TBS drama Mama wa Idol, in which she starred.
The song is notable for its very smooth and beautiful melody, and since the vocal range it requires isn’t particularly wide, it should be enjoyable even for women who aren’t confident singers to choose as a karaoke number.
Kadomatsu later released a self-cover version as well, so you might want to check that out too!
My RevolutionWatanabe Misato

Misato Watanabe’s fourth single, released in January 1986, is her biggest hit.
Tetsuya Komuro, who composed the song, had already debuted as part of TM NETWORK at the time but was still relatively unknown, and this track helped establish his reputation as a composer.
The song has been used many times in commercials, so many women in their 40s—even those not particularly interested in music—will likely find the melody familiar.
Its vocal range isn’t too wide and it’s very easy to sing, so I hope even those who aren’t confident singers will give it a try with ease!
PRIDEImai Miki

It’s a song that was chosen as the theme for the TV drama “Doc” and is also well known for having been produced by the world-renowned musician Tomoyasu Hotei, who is famous as the guitarist of BOØWY.
As one of Miki Imai’s signature and biggest hit songs, it’s always performed at her concerts, so it’s likely a classic that every woman in her 40s—the generation that grew up with it—will know.
With its relaxed tempo and simple melody, it’s easy to sing at karaoke and is recommended for those who aren’t confident in their singing.
I miss youBEGIN

BEGIN is a band from Okinawa that has been active for many years.
With songs like Umi no Koe, which gained popularity through commercials, they’re still going strong at the forefront today.
Among their works, the song I especially recommend is Koishikute.
It sings of a faint, nostalgic love from the past and is arranged throughout with a blues feel.
While blues may often evoke a masculine image, this track also suits a woman’s supple vocal tone perfectly.
There aren’t any particularly high parts, so it’s easy to sing—even while having a drink.



