[Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range

era; age; time; periodNakajima Miyuki

Era – Miyuki Nakajima (Full)

This song was released in 1975 as Miyuki Nakajima’s second single, and since then many alternate versions have been made and numerous artists have covered it—a true classic.

Despite the weight of more than 40 years and the many deep meanings it seems to contain, I think it’s extremely difficult to sing this song the way Miyuki Nakajima herself would.

However, the composition itself—both the melody and the chord progression—is very simple, almost a textbook example of 1970s folk, so even those who aren’t very confident singers will likely find it relatively approachable.

For women in their 40s, each of you has surely passed through your own “era,” so if you sing while recalling the “times” you’ve lived through, I’m sure you’ll deliver a performance that truly resonates with listeners.

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Kei Takahata

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mysteryKomatsu Miho

Miho Komatsu – Nazo

For those who have just entered their 40s, I recommend Nazo, sung by Miho Komatsu.

This song was used as the opening theme for the anime Detective Conan, and it’s such a classic that anyone who watched the early seasons has likely heard it at least once.

Because it’s a theme song for a show aimed at children, the vocal lines are kept simple throughout.

Many people might feel it sounds a bit high, but the overall range is actually narrow, so even people in their 40s who struggle with pitch or high notes should be able to sing it without trouble.

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Ryo

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Don’t give up on your dreamsOkamura Takako

Don't Give Up on Your Dreams – Takako Okamura (Full)

This was Takako Okamura’s fifth single, released in February 1987.

It’s a song with a very straightforward melody line and lyrics that leave a strong impression.

Compared to many modern songs that tend to be a bit more twisted, I think this one is very easy to sing even for people who aren’t confident singers.

The vocal range it uses isn’t very wide either, and combined with its bright tone, it’s surely a track that’s easy to sing and makes singing enjoyable even for those who struggle with it.

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Kei Takahata

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Tears aren’t just for show.Nakamori Akina

[Official] Akina Nakamori / “Tears Aren’t Just for Show” (Live in ’87: A HUNDRED days at Tokyo Kosei Nenkin Kaikan, 1987-10-17) AKINA NAKAMORI

Akina Nakamori’s 10th single overall, released in November 1984.

Lyrics and composition by Yosui Inoue.

Many people cite “not being able to hit high notes” as a reason they struggle with singing, but since this song was created for Nakamori—whose charm lies in her naturally lower voice—it doesn’t require extreme high notes.

That makes it an easy challenge even for those who aren’t good with high registers.

Reflecting the era in which it was released, the melody follows in the vein of Showa kayō and New Music, making it very easy to remember and sing.

It’s a great recommendation for people who feel they’re not good at singing!

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Kei Takahata

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Don’t give upZARD

Don't Give Up – ZARD (Full)

This is the sixth single by ZARD, a representative Being-label artist that dominated the J-POP scene in the 1990s, centered around Izumi Sakai, who sadly passed away suddenly in 2007.

The song was used as the ending theme for the first season of the TV drama “Reiko Shiratori de Gozaimasu!” and remains a go-to motivational anthem that you still hear in many contexts today.

While the driving tempo and the intricate melody that appears at the start of the chorus can make it feel challenging, its catchiness makes it easy to remember and sing.

Women in their 40s who likely listened to it during their school days might find themselves reliving their youth when singing it at karaoke.

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Hoshino Takashi

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DiamondsPRINCESS PRINCESS

Princess Princess 'Diamonds <Diamond>'

This is the seventh single by Princess Princess, a band that became an iconic presence in the J-POP scene of the 1980s and 1990s and influenced countless other groups.

Known as one of the band’s signature songs—with another signature track, “M,” included as the B-side—it’s easy to see why this became their biggest hit, achieving million-selling status.

Its upbeat rhythm and catchy melody make it a joy to sing, and women in their 40s—the generation that grew up with it—will likely have a great time singing it with friends.

Although the tempo is fast, the melody is simple, so if you stay calm and focus on not drifting off the beat, you’ll be able to sing it well.

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Hoshino Takashi

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Voice of the SeaKiritani Kenta

"The Voice of the Sea" Full ver. / Urashima Taro (Kenta Kiritani) [Official]

Kenta Kiritani’s hit number “Umi no Koe,” which became a nationwide success as a commercial jingle.

While it’s not particularly tied to the generation of women in their 40s, it’s a song that many people have likely heard.

As it’s sung by an actor whose main profession isn’t singing, the overall vocal line is crafted to be easy for non-professionals to sing.

With its narrow vocal range, it’s very singable even for women, though there is one point to watch out for: the key change in the latter half.

It’s a relatively straightforward modulation, so with practice you should be able to handle it.

If you want to make it sound even better, focus on articulating the first phrase after the key change clearly.

Since the song doesn’t require vibrato, as long as your enunciation is solid, it will sound professional.

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Ryo

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