[Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range

Don’t give up on your dreamsOkamura Takako

Don't Give Up on Your Dreams – Takako Okamura (Full)

This was Takako Okamura’s fifth single, released in February 1987.

It’s a song with a very straightforward melody line and lyrics that leave a strong impression.

Compared to many modern songs that tend to be a bit more twisted, I think this one is very easy to sing even for people who aren’t confident singers.

The vocal range it uses isn’t very wide either, and combined with its bright tone, it’s surely a track that’s easy to sing and makes singing enjoyable even for those who struggle with it.

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Kei Takahata

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rainbow-coloredayaka

Nijiiro – Ayaka (Full)

This is Ayaka’s 13th single overall.

It was released digitally first in April 2014, followed by a CD release in June of the same year.

The song has a lightly bouncing, brisk rhythm, but the overall feel is very calm.

It’s the kind of piece that would suit women in their 40s—not just that they can sing it, but it might actually feel even more fitting for those around that age.

Ayaka is often seen as an authentic singer with a bit of a black music flavor, so some people might hesitate to try her songs.

However, this track has a very cute and simple melody, making it relatively approachable even for those who aren’t confident in their singing.

As mentioned, the slightly bouncy rhythm is a signature of the song, so try to sing it with an overall cute vibe to keep it from feeling heavy.

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Kei Takahata

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sunflowerAdo

[Ado] Sunflower

Ado’s song “Himawari,” released in July 2025 as the theme for the TBS drama “18/40: Dreams and Love If We’re Together,” features a restrained approach compared to her usual high-tone vocals and powerful shouts.

That said, the vocal range spans from mid1 G# to hi D#, which is by no means narrow, and the melody has considerable leaps.

It’s best to thoroughly learn the vocal line beforehand before attempting it.

By the time you can sing this piece well, you should have overcome being tone-deaf.

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Ryo

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To the futureKiroro

To the Future – Kiroro (Full)

Released in June 1998 as Kiroro’s second single.

Since it became a staple song for graduation ceremonies, many people probably picture those scenes when they hear it.

The track came out toward the end of the 1990s, a period often called the J-pop bubble when million-sellers were coming out one after another.

While other artists were making their melodies and chord progressions increasingly complex to break new ground, Kiroro arrived with a simplicity in melody, chords, and arrangement that felt almost like an antithesis to that trend—and it was wonderfully refreshing.

Built on an extremely familiar, easy-to-hum melody, this song is highly recommended even for those who aren’t confident singers.

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Kei Takahata

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Tears aren’t just for show.Nakamori Akina

[Official] Akina Nakamori / “Tears Aren’t Just for Show” (Live in ’87: A HUNDRED days at Tokyo Kosei Nenkin Kaikan, 1987-10-17) AKINA NAKAMORI

Akina Nakamori’s 10th single overall, released in November 1984.

Lyrics and composition by Yosui Inoue.

Many people cite “not being able to hit high notes” as a reason they struggle with singing, but since this song was created for Nakamori—whose charm lies in her naturally lower voice—it doesn’t require extreme high notes.

That makes it an easy challenge even for those who aren’t good with high registers.

Reflecting the era in which it was released, the melody follows in the vein of Showa kayō and New Music, making it very easy to remember and sing.

It’s a great recommendation for people who feel they’re not good at singing!

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Kei Takahata

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DiamondsPRINCESS PRINCESS

Princess Princess 'Diamonds <Diamond>'

This is the seventh single by Princess Princess, a band that became an iconic presence in the J-POP scene of the 1980s and 1990s and influenced countless other groups.

Known as one of the band’s signature songs—with another signature track, “M,” included as the B-side—it’s easy to see why this became their biggest hit, achieving million-selling status.

Its upbeat rhythm and catchy melody make it a joy to sing, and women in their 40s—the generation that grew up with it—will likely have a great time singing it with friends.

Although the tempo is fast, the melody is simple, so if you stay calm and focus on not drifting off the beat, you’ll be able to sing it well.

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Hoshino Takashi

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ShipwreckNakamori Akina

Nanpasen (2014 Remaster)

It won the Gold Prize at the 29th Japan Record Awards in 1987.

Akina Nakamori’s husky, whispery voice really resonates in this song, and it’s highly recommended for those who struggle with high notes! The overall range is fairly wide, from D3 to C#5, but the song shines more in expressiveness than in vocal power.

The melody in the A section sits quite low, so be careful not to let your voice become mumbly.

Try taking plenty of air through your mouth and letting your voice ride on your breath.

The structure builds up from the chorus onward, so sing each of the opening notes clearly and deliberately.

Keep your facial muscles lifted and try to avoid using your throat as much as possible—you should find it easier to sing that way!

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Kubota Mami

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