Recommended karaoke songs for male vocalists with high voices
In recent years, the number of male artists with high-tone voices has increased significantly.
Some naturally have high voices, while many others use techniques like mixed voice and belting to hit high notes.
This time, we’ll introduce a wide range of karaoke songs recommended for people with high voices!
Of course, they’re great for men with naturally high voices, but also for those who want to be able to sing in the higher range or practice their mixed voice.
These tracks are perfect as practice songs, too!
Why not use the songs we introduce as a reference and belt out high-tone vocals at karaoke to your heart’s content?
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Recommended karaoke songs for male vocalists with high voices (161–170)
Professionalism feat. HannyaAli
ALI is a band acclaimed even by hardcore music aficionados for their highly original sound that blends genres like funk, soul, and jazz.
Lately, “Professionalism feat.
Hannya” has been getting a lot of attention.
This track is also perfect for men with higher voices.
Grounded in funk, it features smooth, moderate high notes that appear throughout the chorus.
If you’re into Black music, definitely give it a try.
CounterattackMAZZEL
One of Japan’s leading boy groups, MAZZEL.
Their authentic dance music, on par with K-pop, is loved by a wide range of listeners regardless of gender.
Among MAZZEL’s tracks, the one especially recommended for men with higher voices is “Counterattack.” The chorus sits in the mid-to-high range, and the bridge features quite high falsetto, making it a must-listen for those who want to showcase their upper register attractively.
It’s also a great pick for karaoke, where it tends to go over well.
Don’t Tell NobodyONE OR EIGHT
ONE OR EIGHT is a boys group from Japan.
Thanks in part to K-pop’s influence, Japanese boys groups have been leveling up, and among them, they’re getting attention for their especially strong performances.
Of all their songs, the one I particularly recommend is “Don’t Tell Nobody.” The song’s structure is very much in line with recent boys group tracks, featuring multiple high-register parts.
It’s demanding, but for men with higher voices, those high notes shouldn’t pose much difficulty.
over the topMiyamoto Hiroji
Hiroji Miyamoto, the vocalist of Elephant Kashimashi, has been active for many years.
Lately he’s also been thriving as a solo artist, winning support from younger generations thanks to his highly original musicality and vocals.
His new song “over the top” is perfect for savoring soaring high notes.
While it doesn’t feature much of the trendy falsetto, it repeatedly showcases a powerful mixed voice instead.
If you’re a man who has ever admired strong, high-pitched vocals, this is a track you’ll want to check out.
accent colorBialystocks
The song “Sashi-Iro,” featured in the Namacha commercial, is a classic by the band Bialystocks, who had been drawing attention since their indie days, and it saw a revival hit thanks to the ad.
The real charm of the track lies in the chorus.
The falsetto that unfolds from the gentle vocals is incredibly soothing and brings an indescribable sense of bliss.
Beyond the pleasing high notes, the subtle touches of Black music influence are another key appeal of this song.
Be sure to check it out.
Black and WhiteDa-iCE
When people hear about a high-register dance vocal group, many likely think of Da-iCE first.
They’re well known for their mixed voice and falsetto, and “Black and White” is a piece where you can especially savor their smooth high notes.
The track as a whole is a dance-leaning R&B number, featuring a wide array of high-register techniques, from standard falsetto to shout-tinged falsetto and powerful mixed voice.
A bird that cannot flyyuzu
This song is one where Yuzu’s Iwasawa takes the lead vocals, and it’s quite high-pitched.
The A section sits low and is sung almost like spoken word, so it’s relatively easy and calm, but the pitch shoots up right at the start of the B section.
The highest note is C#5 in the chorus, and there are lots of long sustained notes, so it can be tough unless you’re constantly resonating in the head.
For reference, my student also struggled quite a bit from the B section, but once they worked on a head voice that resonates up top, they were able to sing the whole song.
Because it’s a high song, you might focus only on the high notes, but the surprising pitfall is actually the low parts.
It’s easy for the pitch to sag and turn into a throaty sound, so keep your eyebrows raised even as the melody changes—just like Iwasawa does—when you sing.
Aim for Iwasawa’s crystal-clear voice!
