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Nostalgic yet fresh!? Classic masterpieces of Japanese rock from the 1970s and 1980s

I think it’s fair to say that up through the 1980s, Japan’s rock scene was, in a sense, the golden age of Japanese rock.

From the 1990s onward—after the Heisei-era “Ika-ten” band boom—rock became, for better or worse, a polished “product.” In contrast, up until the ’80s, it was truly an age of fierce rivalry, with uniquely individual rock bands and rock singers flourishing.

Here, I’ll introduce some “classic rock masterpieces” from the era before Japanese rock came to be labeled J-ROCK or J-POP.

For those who experienced that time in real time, I hope this brings back fond memories; for younger listeners who didn’t live through Showa in real time, I think you’ll find it fresh and exciting.

Please surrender yourself to the sounds of Japan’s good old rock and enjoy.

Nostalgic yet fresh!? Classic hits of Japanese rock from the 1970s and 80s (81–90)

EverydayJITTERIN’JINN

Jitterin' Jinn / SINKY-YORK (Jitterin’ Jinn / SINKY-YORK) [MV]
EverydayJITTERIN'JINN

This is the group that shot to fame after appearing on the legendary late-night show that sparked a major band boom, TBS’s “Yūji Miyake’s Ikasu Band Tengoku.” They might be the best-selling band that never became the Grand Ika-Ten King.

For the record, BEGIN were the second Grand Ika-Ten Kings.

I always think JITTERIN’JINN’s sound comes from the overlap of talents: vocalist Reiko Harukawa’s cool, nonchalant delivery; guitarist Jinta Haya’s many iconic riffs; drummer Miyuki Irie’s sharp, piercing attack; and more.

“EVERYDAY” was their debut single.

It’s a pure-hearted breakup song that says, “We broke up, but I still love you,” and it’s still heartbreaking to hear today.

The understated, matter-of-fact way the song handles such a painful farewell also became a talking point.

The Original Takagi Boo LegendKinniku Shoujo Tai

A rock band led by Kenji Ohtsuki.

The distinctive face paint is striking, isn’t it? The band is made up of members with strong individual personalities besides Ohtsuki, and that diversity directly shapes their broad musical range.

Even though their sound is gritty, straight-ahead rock, the lyrics can be darkly humorous or cynical… that contrast is one of their charms.

The song title Ganso Takagi Boo Densetsu (The Original Boo Takagi Legend) might make you think, “Are they a comedy band?” but it’s actually about the sorrows of love.

Playing the role of a clown, the narrator shouts, “I’m just like Boo Takagi from The Drifters!” It’s a track that could be called the very essence of what’s known as Kinjō—short for Kinniku Shōjo Tai.

I CAN BEkome kome CLUB

When they first debuted, I remember thinking what a groundbreaking band had arrived.

They were a powerful, large ensemble with a horn section and dancers in the back.

At the time, they had twin vocalists: Carl Smokey Ishii and James Onoda.

Galaxy Express 999Godaigo

It was Godiego’s 11th single, released in July 1979.

Chosen as the theme song for the first theatrical anime film of the same name, based on Leiji Matsumoto’s work, it became a huge hit.

More recently, EXILE has covered it, making it popular across a wide range of listeners, regardless of age or gender.

The slightly short, lively rock intro alone used to make hearts race with excitement.

Centered on the departure of the anime’s protagonist, Tetsuro Hoshino, the lyrics hint at adventures to come, which may be one reason for their broad appeal.

Hideyuki Takakuwa’s clear, translucent vocals were also unlike anything in Japan’s music scene up to that time.

I LOVE YOUOzaki Yutaka

Special feature clip from the film “Hot Road”: Yutaka Ozaki’s “I LOVE YOU”
I LOVE YOUOzaki Yutaka

Released in 1991 as Yutaka Ozaki’s 11th single, this classic has since been covered by numerous musicians, including Hikaru Utada and Kobukuro.

It’s a ballad with a piano-centered, acoustic sound that strikes a chord, weaving a poignant love story between a young man and woman.

As you listen, it may bring back fragile yet beautiful memories of an awkward youth.

It’s also recommended to immerse yourself in the version now carried on by his son, singer-songwriter Hiroya Ozaki, and experience its unique world.

Beautiful NameGodaigo

This is Godiego’s 9th single, released in April 1979.

The song’s gentle mood, which conveys their wish for children around the world to be happy, is part of its appeal.

It was the supporting song for the International Year of the Child in 1979 and was also featured on NHK’s “Minna no Uta,” making it a piece often heard close to children.

A major point is that the song exists not only with Japanese lyrics but also in various other languages, strongly expressing a wish for world peace.

Loved for many years, it was even used at the closing ceremony of the Tokyo Paralympics in 2021.

Nostalgic yet fresh!? Classic Japanese rock masterpieces from the 1970s and 80s (91–100)

The Punk Pupation GirlTogawa Jun

The category of “idiosyncratic female singers with a distinctive worldview” is no longer unusual, but Jun Togawa can be considered a pioneer of it.

This “Punk Insect Metamorphosis Girl” is also included on her 1984 solo album “Tamahime-sama,” and is, remarkably, a punk-style arrangement of Pachelbel’s Canon.

You can strongly feel her uniqueness, which has influenced many musicians.