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Nostalgic yet fresh!? Classic masterpieces of Japanese rock from the 1970s and 1980s

I think it’s fair to say that up through the 1980s, Japan’s rock scene was, in a sense, the golden age of Japanese rock.

From the 1990s onward—after the Heisei-era “Ika-ten” band boom—rock became, for better or worse, a polished “product.” In contrast, up until the ’80s, it was truly an age of fierce rivalry, with uniquely individual rock bands and rock singers flourishing.

Here, I’ll introduce some “classic rock masterpieces” from the era before Japanese rock came to be labeled J-ROCK or J-POP.

For those who experienced that time in real time, I hope this brings back fond memories; for younger listeners who didn’t live through Showa in real time, I think you’ll find it fresh and exciting.

Please surrender yourself to the sounds of Japan’s good old rock and enjoy.

Nostalgic yet fresh!? Classic Japanese rock hits from the 1970s and 80s (21–30)

CRAZY DOCTORLOUDNESS

LOUDNESS – CRAZY DOCTOR (Japanese Version)
CRAZY DOCTORLOUDNESS

Formed in 1981 mainly by former members of LAZY and continuing to operate through multiple lineup changes, LOUDNESS is an indispensable presence among rock bands of the 1980s.

Even now, as a Japanese heavy metal band, they rank among the world’s leading metal acts.

Their appeal lies in their heavy sound and technical performances, which greatly influenced not only listeners of the time but also musicians who went on to shape Japan’s music scene.

Misty LadyHamada Mari

A song by singer-songwriter Mari Hamada, who made her major debut with the catchphrase “Mari-chan is heavy metal” and boasted exceptional album sales for a female rock vocalist in the 1980s.

It’s the title track of her third album, MISTY LADY, and features an outstanding arrangement—with riffs that evoke Western rock and soaring high-tone vocals—that will grab rock fans of any generation.

The fusion of kayōkyoku (Japanese pop) and metal sounds feels of its time, yet even now comes across as a deft blend.

It’s an enduring rock number whose live-oriented arrangement is enough to make you grin.

Nostalgic yet fresh!? Classic Japanese rock masterpieces from the 1970s and 80s (31–40)

No Standing Still44MAGNUM

Said to be pioneers of Japanese metal and a four-piece rock band whose full-fledged return to activity in 2007 thrilled fans, 44MAGNUM.

“No Standing Still,” included on their first album DANGER, features drum beats that create both speed and heft, giving the track a cool metal edge.

The aggressive vocals riding on sharp-edged guitar tones are bound to captivate metal fans of any generation.

It’s a classic, old-school metal tune whose technical ensemble will get your adrenaline pumping.

White ChristmasJUN SKY WALKER(S)

White Christmas - J(S)W (JUN SKY WALKER(S))
White ChristmasJUN SKY WALKER(S)

A legendary rock band that boosted their profile through street performances in pedestrian zones and helped lead the band boom of the 1980s, JUN SKY WALKER(S).

Their third single, “Shiroi Christmas,” used in a Matsushita Electric (Panasonic) commercial for a CD radio-cassette player, became their first number-one hit on the Oricon singles chart.

The expansive strings and lyrical guitar ensemble evoke the wintry Christmas sky, just as the title suggests.

With sentimental vocals and a moving melody, it stands as a classic among Christmas songs.

AMERICAN KISSACTION

ACTION, a band that sparked buzz by singing in Japanese while delivering heavy hard rock.

Their attire and hairstyles evoke American rock bands and leave a strong impression.

Among their songs, AMERICAN KISS best captures the glamor of the Showa era.

Its brisk beat and passionate, chiseled guitar riffs are addictive.

The choreography—swinging the guitar dynamically in time with the rhythm—is cool, too.

With Yoshirou Takahashi’s assured vocal prowess, you’ll get to experience Showa-era rock.

Precisely because of the simple instrumentation, this is rock ’n’ roll that resonates—give it a listen.

JUST ONE MORE KISSBUCK-TICK

BUCK-TICK / JUST ONE MORE KISS【Victor Years】
JUST ONE MORE KISSBUCK-TICK

They drew attention with their look featuring dramatically spiked-up hair, then shot straight to stardom.

Their songs, infused with the influence of British rock, all have a powerful, robust backbone.

“Trying To See the Invisible Is a Misunderstanding—It’s All a Misunderstanding” also made waves for its long title.

This track, “JUST ONE MORE KISS,” is one of their signature songs and was used in a commercial for a CD radio-cassette player released by Victor.

Many of you may remember the catchphrase, “The deep bass goes bakuchiku (BUCK-TICK).” It’s nostalgic ’80s romance rock adorned with cool words like angel, devil, and momentary.

It would be a shame not to give it a listen!

Please, Time MachineSadisutikku Mika Bando

Here’s a song released by the Sadistic Mika Band in 1974, composed by Kazuhiko Kato.

As the title suggests, it has a timeless quality that feels both old and new, and it’s always full of charm whenever you listen to it.

The Sadistic Mika Band was active internationally, even going on overseas tours, and their name is said to be a play on John Lennon’s Plastic Ono Band.

Even after they disbanded, their reunions featuring guest vocalists became a hot topic.