A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
These days, many songs for both women and men are in higher keys, so there are probably many women with lower voices who feel, “I can’t find songs I can sing because my voice is low,” or “I’m looking for lower-key songs for karaoke.” Forcing yourself to sing songs that don’t suit your natural voice can hurt your throat, and it can be stressful when you can’t sing the way you want.
But don’t worry! There are plenty of songs that sound captivating even with a low voice.
In this article, we’ll introduce lots of songs that women with lower ranges can sing comfortably and confidently.
Find your new favorite track!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Female vocal songs where women with low voices can shine
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [For women] Songs with a narrow vocal range that are easy to adjust the key for!
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Even if you’re tone-deaf, it’s okay! Easy karaoke songs for women
- Karaoke songs that make it easy to score 100 points [for women]
- [For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
- [Karaoke] A compilation of Vocaloid songs that are easy to sing even for people with low voices
Women Artists (131–140)
slashyama
Released as a digital single by yama in April 2023, with a CD single scheduled for release in May of the same year.
It was selected as the opening theme for the TV anime Mobile Suit Gundam: The Witch from Mercury Season 2.
Over a dramatically unfolding backing track that blends a weighty, hard rock sound with lavish string arrangements, you can fully savor yama’s powerful vocals that rival those of male singers.
Yama is a singer whose slightly husky, and somewhat masculine, voice is especially appealing, making this a great song for low-voiced female singers to try at karaoke.
There are sections that require fairly high notes, so practice singing them without straining your throat.
Gold ~Until We Meet Again~Utada Hikaru
This is Hikaru Utada’s 15th digital single, released in July 2023.
It was chosen as the theme song for the film “Kingdom: The Flame of Destiny.” Hikaru Utada, who performs this song, is a singer known for her beautifully subdued and composed vocal style, and I find her voice especially captivating when she sings melodies in the mid-to-low range.
In particular, this track I’m introducing here is centered around mid-to-low vocal lines, with hardly any parts that require high notes, making it one of the best choices for lower-voiced women to select for karaoke.
Throughout the entire song, focus on singing each word of the lyrics with care and precision.
companion on the road; fellow traveler; taking someone along (often unwillingly)Hoshimachi Suisei
Suisei Hoshimachi is the VTuber currently drawing the most attention in the music scene.
Since “Bibideba” became a nationwide hit, many of you may have started following her work from there.
In that case, I highly recommend “Michizure.” While she often sings songs that frequently switch between chest voice and falsetto, this track has a narrow range and a gentle vocal line, making it easy to sing not only for women with lower voices but also for those who aren’t confident in their singing.
Consider adding it to your repertoire.
sunflowerAdo
This is Ado’s 21st digital-only single, released in November 2023.
It was selected as the theme song for the TBS Tuesday drama “18/40: If It’s the Two of Us, Dreams and Love Too.” Ado, who sings this, is a vocalist known for her deeply resonant and captivating low register, so I feel it’s one of the best choices for women with lower voices to select at karaoke and showcase their charm.
In the song, the sections that go a bit higher are sung in falsetto, so please practice switching registers smoothly.
Also, even in the powerful chorus parts, be careful not to let the singing itself become rough.
Saitei Kaiwaituki.
It’s a song that sticks in your head because the same phrase repeats in the chorus.
The overall range is wide (F3 to C#5), but it’s mostly sung in the mid to low register, so the key is to keep your voice from getting heavy.
If your pitch drops, you’ll tend to sing from your throat, so be careful to avoid that! Before singing, try lifting your facial muscles and eyebrows to make a surprised expression—this helps you produce sound easily without straining your throat.
It also makes it easier to stay on pitch overall, so I highly recommend this face! For the low notes, project your voice toward a close distance, and for the high notes in the chorus, aim your voice farther away than yourself—this keeps your vocal cords vibrating consistently, so give it a try! Get everyone hyped during the chorus!
Cutie HoneyKōda Kumi
This is Kumi Koda’s 11th single, released in May 2004.
It’s a remake and rearrangement of the theme song from the popular 1973 anime Cutie Honey.
While the original featured an adorably cute, quintessentially Showa-era anime vocal style, this remake is arranged to make the most of Kumi Koda’s slightly lower, sultry voice, making it easy to sing for women with lower ranges—in fact, it’s a song that truly shines when sung by lower-voiced women.
Combined with a very singable melody characteristic of Showa anime songs, it could be considered a top pick for women who struggle with high notes.
However! Even with a low voice, be sure to aim for a resonant, well-supported tone, okay?
ElectricityUtada Hikaru
It’s a track with an authentic electro, dance-beat-infused sound where the rhythm and the groove of the vocals are key.
It might seem difficult when you first listen, but once you get the feel for the rhythm, you’ll be fine.
By the way, it’s easier to catch the groove in this song by counting the off-beats rather than the usual downbeats.
Instead of counting “1, 2, 3, 4,” count “1-and-2-and-3-and-4,” where the “and” is the off-beat.
If you’re not used to it, you might gradually slip out of time, but try to work through that.
Also, the vocal range isn’t that high, so you can sing it lightly without bracing yourself.
At first, it’s fine to sing everything connected and flowing.
Definitely try to catch this groove and enjoy Hikaru Utada’s song!