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Enthralling mood kayō: A collection of classic Showa-era songs

Suddenly, but what kind of image do you all have of “mood kayō” (mood ballads)?

If you’re from a younger generation, you may not have even heard of the genre “mood kayō” in the first place.

Born in the postwar era, mood kayō is, as the name suggests, a form of kayōkyoku (Japanese popular song), but its definition is actually quite ambiguous.

You could say it’s a genre that values sentiment—indeed, the very “mood”—more than strictly musical elements.

This time, we’re focusing on this uniquely alluring, adult music born of the Shōwa era—mood kayō—and have gathered some representative classics.

Whether you’re a young music fan curious about Shōwa-era kayōkyoku or someone who lived through those times, please enjoy!

Enthralling mood kayō: A collection of Showa-era classics (31–40)

Such is a woman’s soliloquyMasuiyama Tashirō

Released in 1977 (Showa 52).

During his active career he rose as high as East Ozeki, a distinguished sumo wrestler, but when he sings he looks every inch a born vocalist.

In any case, that sweet voice is extremely appealing, and back then he became a hot topic for how well he sang.

This song, too, tenderly portrays the feelings of a woman taking her first plunge into the nightlife business.

Perhaps he learned plenty about the world of alcohol during his years as a rikishi?

White StraitŌtsuki Miyako

This is a single released by Miyako Otsuki in 1992, which was used as the theme song for the TBS daytime drama 30 series “Yurusare nu Uta” (“The Unforgiven Song”).

It won the Grand Prize in the Kayōkyoku/Enka category at the 34th Japan Record Awards.

Although it peaked at No.

30 on the Oricon charts, it enjoyed a long run with 40 chart appearances.

It is one of Miyako Otsuki’s signature songs, performed at the 43rd NHK Kōhaku Uta Gassen.

Sōemonchō Bluesheiwa katsuji to daakuhosu

Soemoncho Blues (Katsuji Heiwa and the Dark Horse)
Sōemonchō Bluesheiwa katsuji to daakuhosu

With a husky, cool voice resonating with a nihilistic edge, this song conveys a sense of resolute grace, as if casting off a finished love into the night streets, by belting out its heartrending lyrics with a soulful male vocal power.

The luscious tone of the saxophone also dramatizes the song’s world.

Your BluesYabuki Ken

In Memoriam: Ken Yabuki — Your Blues
Your BluesYabuki Ken

Sung with such rich emotion it feels as if infatuation has crossed into a curse, this song—with its overly simple chorus that repeats “you, you…” like frantic scrawl in a notebook—evokes the madness of a woman reliving nights of lament, sending chills down your spine.

Nakanoshima BluesAkiniba Yutaka & Aronaitsu

Nakanoshima Blues (Hiroshi Uchiyamada and the Cool Five / cover song)
Nakanoshima BluesAkiniba Yutaka & Aronaitsu

Cool Five also sing this song, but this is the original, the real deal.

It’s Showa-era blues by men who lived their lives in the nightlife of Sapporo.

Released in 1973, it created a buzz and was later issued in a nationwide edition.

It’s a masterpiece that radiates deep melancholy.

Enthralling mood kayō: A collection of Showa-era masterpieces (41–50)

Love VacationZa Pīnattsu

The Peanuts – A Vacation of Love
Love VacationZa Pīnattsu

The Peanuts are a female duo that represents the Showa era.

The word “vacance,” which is commonplace today, became a hot topic in Japan at the time this song was released as a stylish French term.

A cover version was released in Russia, and the song became a big hit there as well.

lieNakaijō Kiyoshi

With his sweet looks and piercing gaze that make him popular with women, Kiyoshi Nakajo’s hit song paints vivid scenes in the mind by presenting various details that reveal fragments of the life the couple shared, drawing listeners to empathize with a woman mourning the lies of the man she loves.