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For Advanced Players: Showstopping Classics to Play at a Piano Recital

A piano recital is a perfect opportunity to showcase the results of your accumulated practice to a wide range of people, including family and friends.

Advanced piano pieces that require high-level technique are sure to make a strong impression at a recital.

In this article, we introduce standout works that are perfect for performers with a fair amount of experience to present at a recital.

Some pieces are highly challenging yet don’t necessarily convey their difficulty to listeners.

However, the selections we introduce here are all captivating works that will draw the audience in.

Choose pieces that are a step above your usual practice repertoire, trust in the effort you’ve put in so far, and perform with confidence!

[For Advanced Players] Emphasis on Listening Appeal! Classical Pieces to Play at a Piano Recital (51–60)

Etude Collection (Studies) No. 4, Op. 10-4 in C-sharp minorFrederic Chopin

Etude 10-4 – Chopin – 4K – Etude Op. 10 No. 4 – Chopin – Piano – piano – CANACANA
Etude Collection (Studies) No. 4, Op. 10-4 in C-sharp minorFrederic Chopin

A fiercely passionate piece that grips the listener’s heart and won’t let go.

Its rapid sixteenth-note passages and continuous intricate figures in both hands create an impact like a storm.

Composed in August 1832, this work is acclaimed as having artistic value that far surpasses a mere study.

It is recommended not only for those aiming to improve their piano technique, but also for anyone who loves passionate music.

While the performance demands advanced technique, the sense of accomplishment is all the greater.

If you want to experience the appeal of classical music, why not give it a try?

Transcendental Etude No. 7 ‘Heroic’Franz Liszt

2008 Prizewinner Commemoration – Yuto Ozaki / Liszt: Transcendental Étude No. 7 “Eroica”
Transcendental Etude No. 7 'Heroic'Franz Liszt

Franz Liszt’s representative collection of fiendish pieces, the Transcendental Études.

It includes extremely difficult works like Mazeppa and Feux follets.

This time, I’d like to introduce No.

7, “Heroic,” from the set.

In Japan, it’s also well known by its Italian title, Eroica.

What makes this piece particularly challenging is the sheer abundance of arpeggios.

While it isn’t the most advanced piece in the set overall, its arpeggios are extraordinarily difficult.

Gaspard de la nuit, No. 3: ScarboMaurice Ravel

Ota Shion / Ravel: Gaspard de la nuit – No. 3: Scarbo
Gaspard de la nuit, No. 3: ScarboMaurice Ravel

Among Ravel’s works, the piece said to boast one of the highest levels of difficulty is “Gaspard de la nuit, No.

3: Scarbo.” Although Ravel pioneered avant-garde expression, his individuality is on full display here as well: amid a barrage of rapid passages and demanding octaves, the performer must still achieve refined nuances.

In terms of sheer technical difficulty, it may be outmatched by some other formidable pieces; however, if you are playing at the limits of your ability, shaping the fine details becomes exceedingly challenging.

If you are confident in your expressive powers, by all means give it a try.

Legend S.175 No. 2 “St. Francis of Paola Walking on the Waves”Franz Liszt

Hayato Sumino / Liszt: “St. Francis of Paola Walking on the Waves” from Legends (2018 PTNA Special Grade Semifinal)
Legend S.175 No. 2 “St. Francis of Paola Walking on the Waves”Franz Liszt

Even when we speak broadly of “difficult pieces,” there are many kinds.

Some, like Mazeppa, are difficult in a single, concentrated way, while others, like the Toccata, are difficult because they incorporate a wide range of techniques.

The piece I’m introducing here, Legend S.175 No.

2 “St.

Francis of Paola Walking on the Waves,” belongs to the latter category.

Liszt’s distinctive fingering is clearly reflected in this work as well, and it also demands a fair amount of stamina.

Because there are so many techniques one must cover, it can feel more difficult than a typical piece would be judged to be.

For Advanced Players: Emphasis on Impressive Sound! Classical Music to Perform at a Piano Recital (61–70)

Chromatic Fantasia and Fugue in D minor, BWV 903J.S.Bach

Masaya Kamei / J.S. Bach: Chromatic Fantasia and Fugue in D minor, BWV 903 (2019 PTNA Competition, Special Grade Semifinal) – J.S. Bach: Chromatic Fantasia and Fugue
Chromatic Fantasia and Fugue in D minor, BWV 903J.S.Bach

A masterpiece by Johann Sebastian Bach, a representative composer of the Baroque era.

It is characterized by chromatic motion and is known for its innovative harmonic structure and bold expressiveness.

Composed between 1717 and 1723, this work consists of two parts—a fantasia and a fugue—brilliantly fusing free improvisatory elements with strict formal beauty.

Although it requires advanced technique and is intended for skilled performers, its musical depth is sure to resonate strongly with listeners.

Highly regarded even during Bach’s lifetime, this is a piece well worth the challenge.

Transcendental Études No. 4 “Mazeppa”Franz Liszt

Nobuyuki Tsujii / Liszt: Transcendental Études – No. 4 “Mazeppa”
Transcendental Études No. 4 “Mazeppa”Franz Liszt

Franz Liszt, a composer who wrote numerous highly challenging pieces and has long vexed many performers.

When asked to name a composer known for difficult works, most people probably think of Liszt, don’t they? Among his output, one piece in particular is famed for its difficulty: Transcendental Étude No.

4, “Mazeppa.” While the piece isn’t uniformly difficult in every aspect, its octaves and double notes are extraordinarily demanding.

The difficulty spikes dramatically from the Allegro deciso, so in practice, focus above all on taking positions with precision.

12 Etudes, Op. 25 No. 11 “Winter Wind”Frederic Chopin

One of Frédéric Chopin’s études, Etude Op.

25 No.

11, “Winter Wind.” It’s also widely known as the “Winter Wind Etude.” This piece torments pianists with its rapid sixteenth notes.

For players whose fingers don’t separate easily, it may feel extraordinarily difficult; however, for others, because it contains so much repetition, once you grasp the knack, you might find it surprisingly manageable.

Why not take it on as a test of your abilities?