Fuyumi Sakamoto Popular Song Ranking [2026]

A Man’s Love StorySakamoto Fuyumi22rank/position

I sang Fuyumi Sakamoto’s “Otoko no Jouwa.”

It was released in 1989 as Fuyumi Sakamoto’s fourth single.

This song became her first to enter the weekly top ten on the Oricon charts and won the 15th Japan Enka Grand Prize.

A version with spoken lines was released as her fifth single, and that version also became a hit.

Would you like some Noto?Sakamoto Fuyumi23rank/position

Noto Wa Irankai Ne

This is one of Fuyumi Sakamoto’s signature songs, evoking scenes of sharing drinks while reminiscing about one’s hometown.

The lyrics depict the sights and everyday life of Noto, imbued with a deep affection for one’s roots and a poignant yet passionate longing to return.

It’s remarkable how this warm worldview, combined with Sakamoto’s powerful yet embracing vocals, stirs a sense of nostalgia in listeners.

Released in May 1990 as her seventh single, the song won the Wire Music Award at the 23rd Japan Cable Radio Awards.

Its popularity is also evident from her performance of it at that year’s 41st NHK Kōhaku Uta Gassen.

For those striving away from home, hearing it may bring back memories of familiar landscapes and cherished loved ones.

Firefly LanternSakamoto Fuyumi24rank/position

Fuyumi Sakamoto – Fireflies’ Lanterns

Even among Fuyumi Sakamoto’s songs, Hotaru no Chochin stands out for its unique vibe and has gained popularity.

Rather than a kayōkyoku number, it leans heavily into pop elements, and for enka it’s quite rare in featuring a solid, weighty bassline.

The reggae-like bounce of the rhythm is also striking.

This piece prioritizes overall groove over elaborate phrasing.

As a result, there are no kobushi ornaments that require complex pitch bends.

The vocal range is also on the narrower side, so if you follow the vocal line carefully, it’s possible to aim for a high score.

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Ryo

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Original songSakamoto Fuyumi, Kitamura Takumi25rank/position

In the Clear Asahi commercial, Fuyumi Sakamoto appears alongside Takumi Kitamura, the vocalist of DISH//.

In the ad, the two perform a duet of the Clear Asahi jingle “Clear Boogie-Woogie.” This song, an arrangement of Shizuko Kasagi’s signature hit “Tokyo Boogie-Woogie,” has been given a more mature, jazz-inspired twist this time.

It’s striking how they meet each other’s gaze and sing joyfully together.

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Hane Keisuke

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I’ve always liked you.Sakamoto Fuyumi26rank/position

Fuyumi Sakamoto – I've Always Loved You

Among Fuyumi Sakamoto’s pop songs, “Zutto Anata ga Suki Deshita” is especially popular.

Many of you have probably heard Billy BanBan sing it in the iichiko commercial.

This piece contains none of the intricate vibrato ornamentation typical of enka.

Because the dynamics are emphasized throughout and there are no challenging elements like shouts or long sustained notes, even those who feel uneasy about singing enka should find it approachable.

Furthermore, its vocal range is quite narrow, making it easy to sing without strain even at a karaoke after-party.

It’s one of the easiest songs to sing in Fuyumi Sakamoto’s catalog, so be sure to check it out.

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Ryo

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Two in BloomSakamoto Fuyumi27rank/position

Futarizaki

When it comes to classic enka songs you’ll want to sing at a wedding or reception, this one is a must! Fuyumi Sakamoto’s gentle voice resonates deep in the heart.

Included on the album “Futari Saki,” released in July 1998, this song celebrates the importance of a couple’s bond and mutual support.

With lyrics by Koyomi Asa and composition by Chiaki Oka, it beautifully portrays two people overcoming life’s hardships together.

It’s a perfect choice not only for the bride and groom, but also for parents or relatives to sing at the reception.

There’s no doubt that Sakamoto’s warm vocals and the heartfelt lyrics will elevate the wedding atmosphere.

Soran BushiSakamoto Fuyumi28rank/position

Fuyumi's Soran Bushi ~ Fuyumi Sakamoto Cover by Fan Ruie

This is Soran Bushi performed by enka singer Fuyumi Sakamoto.

Also known as “Okiage Ondo,” Soran Bushi is often thought to suit a male voice, but Sakamoto’s powerful singing, resonating from deep within, makes you think, “A female rendition of Soran Bushi definitely works.”