Fuyumi Sakamoto Popular Song Ranking [2026]

To the Kumano RoadSakamoto Fuyumi36rank/position

Kumanojie

Set against the World Heritage–listed Kumano Kodo, a pride of Wakayama Prefecture, this song traces a journey of memories shared with a beloved person who has passed away.

Fuyumi Sakamoto’s richly expressive voice evokes both the quiet, sacred vistas of the pilgrimage route and the poignant recollections that tighten the chest.

Some listeners may find their hearts stirred by the image of the protagonist walking through places of remembrance while mourning someone they can no longer meet.

The track appears on the concept single “Furusato no Sora e,” released in September 2018.

It gently seeps into the hearts of those living away from their hometowns and those who carry precious memories close.

A Hundred Nights’ JourneySakamoto Fuyumi37rank/position

Fuyumi Sakamoto “Night Walk of a Hundred Nights” (released March 8)

Fuyumi Sakamoto has many famous songs, but among them, Hyakuyakō is known as one of her most heartrending tracks.

The piece has a very relaxed tempo and leans more toward kayōkyoku (Japanese popular song) than traditional enka.

There are none of the scale inflections typical of enka (kobushi); throughout, while there is some dynamic expression, the vocal line remains simple with relatively little dramatic fluctuation.

It may seem somewhat high at first, but the overall key is on the lower side, so as long as you set the key properly, anyone can sing it through.

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Kinokawa (Kii River)Sakamoto Fuyumi38rank/position

Fuyumi Sakamoto – Kinokawa

Set against a river flowing through Fuyumi Sakamoto’s hometown of Wakayama, this song is an epic, story-driven piece that portrays the bond passed down from mother to daughter to grandchild across three generations.

Released in March 2008, it serves as the concluding installment of the “Masterpiece Series,” based on Sawako Ariyoshi’s novels, and was also used as the ending theme for TBS’s “Kaiun Ongakudo.” Its universal theme— a mother’s deep love, single-mindedly praying for her child’s happiness, intertwining with the eternal flow of a river—resonates powerfully with listeners.

The fact that Sakamoto was appointed a “Hometown Ambassador” for Wakayama Prefecture in November of the same year further conveys the work’s heartfelt connection to her roots.

It is a song to hear when you want to be reminded of family bonds or to reflect on your hometown; its warm vocals will gently permeate the heart.

RashōmonSakamoto Fuyumi39rank/position

Fuyumi Sakamoto – Rashomon

Fuyumi Sakamoto is a female enka singer renowned for excelling at “male songs.” Among her works, one of the most popular male songs is Rashomon.

It’s a piece noted for its particularly serious melody even within Sakamoto’s repertoire, and it enjoys strong support from fans.

Although the song stands out for its power, the vocal line itself is simple and the range is relatively narrow.

The ornamental kobushi that require complex pitch movements appear only at the end of the chorus and involve upward and downward motion no more than twice, so anyone accustomed to singing enka should be able to perform it without difficulty.

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Flower in DrunkennessSakamoto Fuyumi40rank/position

Fuyumi Sakamoto – “Yoichūka” Full Ver.

Sakamoto Fuyumi’s song “Suichūka,” released in 2022.

Although Sakamoto Fuyumi studied under Futaba Yūrikō and has tackled challenging enka in her later years, she also works on catchier enka.

Among these, this piece is particularly easy to sing.

While there are some kobushi (ornamental vocal turns), the overall difficulty is low, and there are no repeated, dramatic ups-and-downs typical of elaborate kobushi.

The vocal range is somewhat wide, but even if your voice flips into head voice, it will sound like kobushi to listeners, making it easy to sing even for those with a narrower range.

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The sun rises.Sakamoto Fuyumi41rank/position

I sang Fuyumi Sakamoto’s “Hi wa Noboru” (The Sun Rises).

Released on May 11, 2005 (Heisei 17).

It’s a song very characteristic of Fuyumi Sakamoto, along the same lines as her more manly, chivalrous style from three years earlier.

Right after her debut she often sang about the subtleties of men’s and women’s hearts, but around this time she began incorporating plenty of natural imagery into her lyrics—things like spring, summer, autumn, winter, and flowers such as yamakawa-bana.

It peaked at No.

27 and sold 35,000 copies.

Snow Country: Komako, Her LoveSakamoto Fuyumi42rank/position

Fuyumi Sakamoto – Snow Country ~Komako, That Love~

Fuyumi Sakamoto is known as an enka singer with a wide range of expressions, and her gentle, velvety vocals in particular are highly acclaimed.

Among her songs, the piece that stands out as a popular, tender ballad-enka is “Yukiguni ~Komako Sono Ai~.” The phrasing is clearly defined, but there are relatively few ornate kobushi (melismatic ornamentations), so the overall difficulty is on the lower side.

Some people may find the sustained long note at the end of the chorus a bit high, so if you’re not confident in your vocal range, I recommend lowering the key by one semitone.

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