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[Advanced] Super cool if you can play it! Selection of famous piano pieces

When you think of classical piano pieces, many people probably imagine graceful melodies and gentle, soothing works.

However, in this article we’re introducing pieces that overturn that image: fiercely beautiful, dynamic, and cool classical piano works by various composers—aspirational, advanced-level repertoire for learners who dream of becoming top pianists.

These cool classical pieces have great performance impact, so they’re guaranteed to shine at recitals and studio concerts!

If you’re looking for technically challenging and dazzling piano works, don’t miss this!

[Advanced] Super cool if you can play them! Selection of piano masterpieces (71–80)

Barcarolle, Op. 60, CT 6, in F-sharp majorFrederic Chopin

[10 Minutes Concert] No. 5 Piano: Mao Fujita Chopin: Barcarolle in F-sharp major, Op. 60, CT 6
Barcarolle, Op. 60, CT 6, in F-sharp majorFrederic Chopin

A “barcarolle” is a piano piece inspired by the gondolas of Venice, the city of water, said to originate from the songs that boatmen would hum while rowing.

As a genre in classical music, the barcarolle has been left to us by various composers, beginning with pieces included in Mendelssohn’s Songs Without Words; in this article, however, we focus on the particularly famous solo piano work by Frédéric Chopin.

While a typical barcarolle is set in a relaxed 6/8 meter, Chopin’s Barcarolle employs 12/8 time to create a grand and elegant atmosphere.

Written in the later period of Chopin’s life, it is highly regarded and demands an advanced level of technique.

On a hot summer’s day, listen to this piece while picturing a gondola gliding over sunlit waters.

12 Etudes Op. 25, No. 10Frederic Chopin

2021 PTNA Special Grade Second Round – Chopin: Études, No. 10, Op. 25-10, CT 35 – Piano: Reo Gojo
12 Etudes Op. 25, No. 10Frederic Chopin

Even when we say a piano piece is difficult, the nature of that difficulty varies widely.

There are pieces that demand rapid fingerwork with dense notes, or great stamina, among other challenges.

But perhaps the most straightforward marker of high difficulty is, after all, octaves.

Chopin’s masterpiece Étude Op.

25, No.

10 is a work in which octaves pose a major challenge.

Because it’s hard to play without solid hand positioning, it’s an ideal piece for gauging a performer’s fundamental level.

Concert Allegro in A major, Op. 46Frederic Chopin

Mei-Ting Sun – Allegro de concert in A major, Op. 46 (second stage, 2010)
Concert Allegro in A major, Op. 46Frederic Chopin

Chopin’s solo piano piece “Allegro de concert,” known as a notoriously difficult work.

From within it, I’d like to recommend the “Allegro de concert in A major, Op.

46.” What makes this piece especially challenging is, above all, the rapid octaves.

Beyond hand size, it demands swift and precise positioning, making it a high-difficulty work.

Yet it’s not merely difficult—the refined pianistic effects that are quintessentially Chopin are outstanding.

Be sure to give it a listen.

Piano Sonata No. 18, K. 576Wolfgang Amadeus Mozart

[Pianist Yuki Kondo] Mozart: Piano Sonata No. 18 (1/3) / Mozart Piano Sonata in D major, K.576, 1st movement – Yuki Kondo
Piano Sonata No. 18, K. 576Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart’s final piano sonata is technically demanding and distinguished by its contrapuntal passages.

Notably, in the first movement both hands begin in unison, and the trills and development of the themes are striking.

In the second movement, scale passages and counterpoint stand out.

The lively final movement calls for precise articulation.

This work requires not just nimble fingers but a delicate touch that conveys musical depth.

With diligent practice, it can shine on any stage.

Highly recommended for those aiming for the highest levels of piano performance.

Years of Pilgrimage, Book II: Italy, S.161 — No. 7 “Après une lecture de Dante – Fantasia quasi Sonata”Franz Liszt

2020 PTNA Special Grade Semifinal – Shunta Morimoto / Liszt / Années de pèlerinage, Second Year: “Après une lecture du Dante”
Years of Pilgrimage, Book II: Italy, S.161 — No. 7 “Après une lecture de Dante – Fantasia quasi Sonata”Franz Liszt

For those who want to perform a lesser-known piece at a piano recital, I recommend Liszt’s “Années de pèlerinage, Deuxième année: Italie, S.161, No.

7 ‘Après une lecture du Dante – Fantasia quasi Sonata.’” In terms of difficulty, it’s easier than Chopin’s Fantasy and not prohibitively hard, yet it’s perfect for showcasing solid technique.

Unusually for Liszt, it has a high performance payoff, so it’s enjoyable even as a straightforward piece.

The leaps in the coda are quite challenging, so if you’re confident in your technique, definitely give it a try.

Scherzo Focoso, Op. 34Charles Valentin Alkan

Charles-Valentin Alkan – Scherzo-focoso, Op. 34
Scherzo Focoso, Op. 34Charles Valentin Alkan

A dazzling piano piece where supreme virtuosity and passion merge, captivating audiences from start to finish.

A fervent, flame-like energy inhabits every tone drawn from the fingertips, irresistibly gripping the listener’s heart.

Composed by Charles-Valentin Alkan in 1847, this work demands both advanced technique and profound expressiveness—truly worthy of center stage at any recital.

Marked by energetic, vibrant expression, it fills the hall with an overwhelming presence.

It’s recommended for those who wish to enthrall their audience while making full use of their pianistic abilities.

Performers who combine rich musicality with exceptional technique are sure to deliver a magnificent rendition.

Concert Etudes, 8 Pieces: No. 5 “Joke”Nikolai Kapustin

This is a vibrant piece that fuses classical music with jazz.

Included in the 1984 album “Eight Concert Etudes, Op.

40,” it has a light, witty character that tickles the listener’s imagination.

Skillfully incorporating jazz elements such as swing and boogie-woogie while honoring classical formal beauty, it’s an irresistibly appealing work.

Rhythmic, dynamic phrases unfold one after another, enveloping the entire hall in a joyful atmosphere.

Performed by world-renowned pianists like Nikolai Petrov and Marc-André Hamelin, this piece is perfect for those who want to showcase both technique and expressive power.

It’s sure to create a captivating, unforgettable stage.