Unrequited love songs from the Showa era. Those nostalgic classics.
In this article, we introduce unrequited love songs from the Showa era.
If you spent your youth around the time these were released, you’ll likely find many nostalgic tracks.
You might even rediscover a song you listened to when you were in love and feel those forgotten emotions return.
Some are love songs that portray impossible romances and heartbreak, but if you’re looking for Showa-era unrequited love songs, be sure to give these a listen.
No matter your generation, if you’ve experienced love, you’re sure to find at least one song you can relate to.
Unrequited Love Songs from the Showa Era: Those Beloved Classics (1–10)
Silhouette RomanceOhashi Junko
A classic ballad that portrays a mature romance with a hint of jazz.
Its standout feature is, above all, the sigh-like vocal delivery.
The way you ease off the voice and blend in breath defines the song’s atmosphere.
The overall range is F3 to C#5; while the chorus reaches some higher notes, you can generally sing it at a relaxed tempo in a composed manner.
If you sing too strongly from the start, you’ll lose contrast with the chorus, so keep the volume around 60% for the first verse.
In the chorus, you might feel tense, but prepare your voice and project it forward with clarity.
When hitting the high notes, think of climbing stairs step by step—this mindful approach helps you build momentum and reach them more easily!
I like you.Shimizu Shota
A cell phone suddenly rings on a sleepless night.
Starting from that everyday moment, this is an unrequited love song that makes your chest ache.
The protagonist is afraid to take a step forward for fear of breaking the relationship, yet can’t suppress the overflowing feelings.
Shota Shimizu’s sweet, heartrending vocals gently cradle a lovestruck heart.
Released as a single in December 2009, it’s also included on the album Journey.
At the time, it topped mobile distribution charts, capturing the hearts of many young listeners.
It’s a song to play when your feelings for someone are about to spill over, or when you need a little courage.
Ballad of the RainYubara Masayuki
As a song that symbolizes the shift from the decline of Group Sounds in 1971 to the era of kayō ballads, Masayuki Yuhara’s signature solo work is indispensable.
Set against a backdrop of urban rain, this piece quietly gives voice to lingering feelings for a departed lover, with baritone-centered vocals and strings heightening its wistful mood.
Released as a single in April 1971, it is a self-cover of a track that originally appeared as a B-side during his Swing West days.
In October, it topped the weekly charts for three consecutive weeks and ranked eighth on Oricon’s year-end chart.
It also won the Hope Prize at the Japan Cable Awards, cementing Yuhara’s status as a vocalist.
A classic perfectly suited for reflecting on a lost love alone on a rainy day.
LetterYuki Saori
Released as a single in July 1970, this signature song cemented Saori Yuki’s reputation as a serious vocalist following her hit the previous year.
The lyrics, depicting a woman who has resolved to part ways quietly putting away each shared memory, are deeply moving.
Layer upon layer of symbolic imagery rises like a film and converges, in the end, on a farewell letter penned through tears—a structure that even feels literary.
Yuki’s crystalline voice, set against the lyrical melody, conveys a poised, restrained adult parting with elegance.
The single topped the Oricon weekly chart for six consecutive weeks, and she won the Vocal Performance Award at that year’s Japan Record Awards.
It’s a recommended listen for anyone facing the end of a romance or wishing to observe the rituals of parting in a quiet light.
Passionate loveSaijō Hideki
Opening with a striking phrase, this song portrays a passionate love that the singer is determined to pursue even against others’ opposition.
Released in May 1974 as Hideki Saijo’s 9th single, it stands as a quintessential example of funky kayō, with lyrics by Kazumi Yasui and composition/arrangement by Koji Makaino.
A buoyant, leaping beat led by the horn section underpins Saijo’s dynamic shouts, directly expressing the unstoppable impulse of love.
Though it peaked at No.
2 on Oricon, it stayed on the charts for 19 weeks and ranked No.
8 for the year.
Its powerful TV performances also became a hot topic, cementing Saijo’s image of passion and action.
It’s a classic Showa-era tune that gives you a push when you can’t hold back your feelings for someone and want to charge ahead.