Karaoke songs that are easy to sing even for tone-deaf beginners, recommended for women in their 60s
Even if you’re not confident at singing, there are times when you want to belt out a song at karaoke and feel great.
This time, we’ve put together a selection of songs for women in their 60s that are both nostalgic and easy to sing.
People often assume that enka or kayōkyoku suit those in their 60s, but we’ve also included many folk and pop songs from the 1970s—the era when today’s sixty-somethings likely spent their youth.
We’ve focused on songs with melodies that seem easy to sing, and some articles include tips on how to sing them well.
Find your favorite tune and enjoy singing!
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- [For women in their 70s] A collection of songs that are easy to sing even for people who are tone-deaf
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- Love songs that resonate with women in their 60s: gem-like romance tunes that revive memories of youth.
- Recommended for millennial women who aren't confident singers: easy-to-sing karaoke songs
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- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
Karaoke songs recommended for women in their 60s that are easy to sing even for those who are tone-deaf (61–70)
CHA-CHA-CHAIshii Akemi

Akemi Ishii’s classic “CHA-CHA-CHA.” Rooted in Italo disco, this track has a distinctly period feel and became a major hit in the late ’80s.
It’s a bright, danceable song, yet the vocal line is surprisingly simple, without dramatic leaps in pitch.
Although it mainly sits in the mid-to-high to high register, the overall range is narrow, so as long as you adjust the key to suit yourself, it’s singable for any voice type.
If you want to enjoy a dose of nostalgia while you sing, be sure to check it out.
Please give me wingsakai tori

A song released by the folk group Red Bird on February 5, 1971, as the B-side to “Takeda no Komoriuta.” Later, after Shoji Hashimoto of the textbook publisher Kyoiku Geijutsu Sha included it in school textbooks, it became well-known as a choral piece and began to be frequently featured in educational settings from the late 1970s.
For that reason, in Japan it’s a beloved song familiar to people of all ages—something nearly everyone can sing.
Many of you reading this may also have performed it in your school choir competitions.
Because its melody and lyrics are likely recognizable to almost anyone, even those who’ve grown distant from singing as adults may find it easy to add to their karaoke repertoire.
Please enjoy singing it as you reminisce about your elementary and junior high school days!
Cinderella HoneymoonIwasaki Hiromi

Hiromi Iwasaki’s classic “Cinderella Honeymoon,” frequently used on variety shows and the like, was once treated almost like a comic song, but nowadays it can surely be called a guaranteed crowd-pleaser.
The song’s easiest-to-sing point is, above all, the chorus.
While the highest notes appear in the pre-chorus, that high phrase only lasts about three to four seconds, and the chorus itself sits in the mid-to-lower range, making it a song that doesn’t depend on the singer’s vocal range.
I’m falling in love with you againSakamoto Fuyumi

A gem of a love song by Fuyumi Sakamoto that gently portrays a rekindled romance blossoming between a long-married couple.
The serene melody and her emotive vocals weave a harmony that deeply resonates with listeners.
With warm, tender strokes, it depicts the precious affection found in everyday moments and gratitude for the many years overcome together.
Released in January 2009 as the coupling track to “Pirates of Asia,” the song also became beloved as the theme for Sanwa Shurui’s Mugi Shochu iichiko commercial.
It is included on the album “Love Songs ~ Mata Kimi ni Koishiteru ~,” and has earned support from a wide range of generations.
A recommended track for anyone wishing to rediscover the value of time spent with someone dear.
BirdsongSugita Kaoru

A song produced as an insert track for the drama Ikemaka Genta 80 Kilos (starring Toshiyuki Nishida), featuring Kaoru Sugita—who broke out playing Yukino Asai in the first series of the smash-hit drama Mr.
Kinpachi in Class 3B—released in June 1981.
It’s said that a version sung by Toshiyuki Nishida was also used in the same drama.
As is characteristic of early ’80s pop songwriting, this track sits somewhere between Showa-era kayōkyoku and new music, and when you listen now, it’s built around a very nostalgic, approachable melody.
For some people, the B melody—the chorus—may be a bit demanding in the higher range, so be mindful of the key you choose and focus on singing the melody straightforwardly.
Love VacationZa Pīnattsu

A classic that weaves the sweet memories of summer sun and love with a light, jazzy rhythm and the duo’s beautiful harmonies.
Its lyrics poetically depict lovers talking about love by the seaside, while its fresh arrangement brilliantly blends different musical genres.
After its release in April 1963, The Peanuts performed the song at the 14th NHK Kōhaku Uta Gassen.
It was also used as the campaign song for Toray’s summer wear “Vacance Look,” helping popularize the word “vacance” in Japan.
The swingy four-beat rhythm is easy on the ears, making it a cheerful song to sing.
It’s a perfect pick for those who want to have fun and liven things up with friends.
ScandalTeresa Ten

Teresa Teng’s songs are full of that quintessential ’80s vibe.
You can especially hear it in the synthesizers and the vocal lines.
This track, “Scandal,” is unusual for a Teresa Teng song in that its vocal line is crafted more like a 1970s idol tune.
It features a melody that leans somewhat toward doo-wop, and in contrast to the sprightly rhythm, the vocal line is characterized by a narrow range and gentle, gradual pitch movement.



