Karaoke songs that are easy to sing even for tone-deaf beginners, recommended for women in their 60s
Even if you’re not confident at singing, there are times when you want to belt out a song at karaoke and feel great.
This time, we’ve put together a selection of songs for women in their 60s that are both nostalgic and easy to sing.
People often assume that enka or kayōkyoku suit those in their 60s, but we’ve also included many folk and pop songs from the 1970s—the era when today’s sixty-somethings likely spent their youth.
We’ve focused on songs with melodies that seem easy to sing, and some articles include tips on how to sing them well.
Find your favorite tune and enjoy singing!
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Recommended karaoke songs for women in their 60s that are easy to sing even for those who are tone-deaf (81–90)
Second LoveNakamori Akina
A heartrending love ballad released in November 1982 that delicately portrays the feelings of a girl inexperienced in romance.
Within its gently enveloping, warm melody, the bashfulness and bittersweet longing of a girl in love are woven.
The song earned Ms.
Nakamori her first-ever No.
1 on the Oricon Weekly Chart and is regarded as one of her signature works.
Since June 2024, it has also been used as the departure melody at Seibu Ikebukuro Line’s Kiyose Station, continuing to be cherished across generations.
With its relaxed tempo and tender melodic line, this piece is also an easy, soothing choice to sing at karaoke.
Hello, baby.Azusa Michiyo
Released in 1963 (Showa 38), this is Michiyo Azusa’s big hit.
As the title suggests, it’s sung gently, brightly, and briskly, as if cooing to a baby, so it’s a tune that just about anyone can hum along to with ease.
The B section calls for a slightly more projected, soaring style of singing, so be mindful to use solid vocal production there.
Since Michiyo Azusa herself had considerable vocal prowess, faithfully recreating her performance might make this a somewhat challenging song to sing.
Graduation PhotoArai Yumi
“Graduation Photo” is one of Yumi Arai’s signature hit songs, with both lyrics and music by Arai herself.
It is also known as a quintessential graduation song.
The track is included on her 1975 album COBALT HOUR.
As the title suggests, many people may have sung it as a class chorus during their school days or at graduation ceremonies.
The song has been covered by many artists, so if you’re interested, try searching online and enjoy the various versions.
It could also be helpful as a reference when singing it at karaoke!
Jindo MonogatariTendō Yoshimi
Released in 1996 as Yoshimi Tendo’s 32nd single.
Inspired by the sea-parting phenomenon at Jindo, South Korea, the song expresses longing for a faraway loved one.
It sold over 1.3 million copies, becoming Tendo’s first million-seller and biggest hit.
It also remains enduringly popular for karaoke.
Northern innMiyako Harumi
Released in 1975 as Harumi Miyako’s 66th single.
With lyrics by Yū Aku and music by Asei Kobayashi, it sold over 1.4 million copies, achieving million-seller status.
It won the Grand Prize at both the 18th Japan Record Awards and the 9th Japan Cable Radio Awards, and the double win was a sensational first in history at the time.
It is one of Harumi Miyako’s most popular signature songs.
Fleeting LoveKouzai Kaori
It was released in 1991 as Kaori Kozai’s third single.
The song was a major hit, selling over 800,000 copies in total and marking Kozai’s best-selling record.
It won the 24th Japan Cable Radio Awards and the Gold Disc Award at the 33rd Japan Record Awards, and with this song she made her first appearance at the 42nd NHK Kōhaku Uta Gassen.
Karaoke songs recommended for women in their 60s that are easy to sing even for those who are tone-deaf (91–100)
As I am in love…Akimoto Junko
It was released in 2008 as Junko Akimoto’s third single.
It reached number one on the Oricon Weekly Singles Chart, drawing attention as the oldest artist ever to achieve a No.
1.
At the 50th Japan Record Awards, it won the Excellence Award, and she made her first appearance at the 59th NHK Kōhaku Uta Gassen.
The song received strong support from women of the same age group, particularly housewives.