Karaoke songs that are easy to sing even for tone-deaf beginners, recommended for women in their 60s
Even if you’re not confident at singing, there are times when you want to belt out a song at karaoke and feel great.
This time, we’ve put together a selection of songs for women in their 60s that are both nostalgic and easy to sing.
People often assume that enka or kayōkyoku suit those in their 60s, but we’ve also included many folk and pop songs from the 1970s—the era when today’s sixty-somethings likely spent their youth.
We’ve focused on songs with melodies that seem easy to sing, and some articles include tips on how to sing them well.
Find your favorite tune and enjoy singing!
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- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
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- [For women in their 70s] A collection of songs that are easy to sing even for people who are tone-deaf
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- Love songs that resonate with women in their 60s: gem-like romance tunes that revive memories of youth.
- Recommended for millennial women who aren't confident singers: easy-to-sing karaoke songs
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- [Calling all low-voiced women in their 40s!] Songs that are easy to sing at karaoke
- [Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
Karaoke songs recommended for women in their 60s that are easy to sing even for those who are tone-deaf (71–80)
Equator Girl: Dokki!Yamashita Kumiko
One of Kumiko Yamashita’s signature songs, ‘Equator Girl Doki!,’ features a sound that blends techno kayō with rock elements.
Its catchy musical style made it a major hit in the 1980s.
Although the song has a bright feel and might seem somewhat high, its overall vocal range isn’t very wide.
Additionally, there are very few long sustained notes, so even those who aren’t confident in their breathing or stamina can sing it without trouble.
If you enjoy upbeat tracks, consider adding this one to your repertoire.
BirdsongSugita Kaoru
A song produced as an insert track for the drama Ikemaka Genta 80 Kilos (starring Toshiyuki Nishida), featuring Kaoru Sugita—who broke out playing Yukino Asai in the first series of the smash-hit drama Mr.
Kinpachi in Class 3B—released in June 1981.
It’s said that a version sung by Toshiyuki Nishida was also used in the same drama.
As is characteristic of early ’80s pop songwriting, this track sits somewhere between Showa-era kayōkyoku and new music, and when you listen now, it’s built around a very nostalgic, approachable melody.
For some people, the B melody—the chorus—may be a bit demanding in the higher range, so be mindful of the key you choose and focus on singing the melody straightforwardly.
Crossing Amagi PassIshikawa Sayuri
This is a song released by Sayuri Ishikawa in July 1986, which won the Gold Prize at the 28th Japan Record Awards that same year.
There’s also an anecdote that, amid the karaoke boom at the time, it was created as a high-difficulty piece that only Ishikawa could sing, so it might be a bit challenging for those who aren’t confident singers.
However, the melodic development is likely much easier to memorize than modern pop, making it a quintessential example of “Showa kayō” style—so try learning it and give it a go.
As for enka’s unique vocal techniques, it’s perfectly fine to ignore them if they seem too difficult and just sing it your own way!
Let me stay for the night.Kobayashi Sachiko
It’s a classic Showa-era kayokyoku that has an enka flavor, with striking rock-style guitar solos and riffs.
“Hitoban Tometene,” released by Sachiko Kobayashi in 1985, was composed by Katsuhiko Miki, who also worked on one of Kobayashi’s signature songs, “Moshikashite.” The overall key is on the lower side, and it’s the kind of song that expresses a sultry melody through the appeal of the low register, so it’s perfect for those who struggle with high notes.
The enka-style kobushi (ornamental turns) and vibrato are kept to a minimum, making it a great piece for beginners to enka to try!
Green Que Sera SeraOka Midori
It’s a fun, upbeat Reiwa-era rhythm kayō masterpiece that makes any Japanese person want to clap along and start dancing! “Midori no Que Sera Sera” is a song released by Midori Oka in 2021, and as the title suggests, you can sing it comfortably with a carefree “que sera sera—whatever will be, will be” feeling.
The instantly catchy chorus sticks after one listen, and if everyone in your karaoke group sings it together, it’ll definitely liven up the room.
The signature enka vocal flourishes—like heavy kobushi and wide vibrato—are kept modest, and the more natural delivery makes it approachable even for those who feel unsure about singing traditional enka.
First and foremost, have fun and sing along to the cheerful rhythm!
Crimson Japanese lantern (plant)Oka Midori
It’s a hidden gem that, while reminiscing about the Hozuki Market held in Asakusa, highlights its intense passion even more by choosing a calm, beautiful delivery instead of putting overt resentment over betrayal front and center.
Although it’s positioned as the coupling track to the single “Namidauta,” released in February 2024, it’s sure to be irresistible for those who love Midori Oka’s mysterious side.
The melody doesn’t demand particularly difficult techniques and is relatively easy to sing, so I encourage you to give it a try at karaoke.
With songs like this, it’s harder to express the simmering, uncontrollable emotions in a restrained way than to showcase technique, so be sure to read the lyrics carefully before you sing!
Kiyamachi in the RainOka Midori
Composed by Tetsuya Gen, who is said to have helped establish Midori Oka’s signature style, Ameno Kiyamachi was released in 2017 as a double A-side single with Sado no Yuubue, one of the three works in the “Mysterious Enka Trilogy.” It’s a classic, heart-wrenching enka song where vivid scenes of falling rain are artfully interwoven with the psychology of a love that has ended.
Overall, the pitch sits on the higher side, so it may be challenging for those who struggle with high notes.
However, the melody is straightforward and easy to remember, and the intonation is easy to grasp, so lowering the key should make it quite singable.