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Lovely karaoke song

[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke

Do you want to sing at karaoke but worry that you can’t stay on pitch or can’t project your voice? Especially if it’s been a while since you last went, it can be hard to decide which songs you can sing comfortably.

So this time, we’re introducing karaoke songs for men that you can enjoy singing without worrying about being off-key.

We’ve picked tracks with simple melodies and a manageable vocal range that people of any age can enjoy, so give them a try at your next karaoke session!

[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing karaoke songs (91–100)

Catharsis of youthGō Hiromi

Precisely because you love someone, you can’t show your true self in front of them… This song portrays the difficulty of such delicate emotions.

Released in 1980 as the 36th single, “Wakasa no Catharsis” was used as an insert song in the drama “Mrs., Me, and Señor!” Its slightly ennui-laden mood pairs perfectly with Hiromi Go’s wistful vocals.

It’s cool yet heartbreaking—a work with a strikingly dual appeal.

Since the highest notes are quite low, even men who aren’t confident with high tones should find it easy to try.

Soap bubbleNagabuchi Tsuyoshi

Tsuyoshi Nagabuchi / Shabondama (1991)
Soap bubbleNagabuchi Tsuyoshi

The 24th single “Shabondama” became a million seller, aided by the popularity of the tie-in TV drama of the same name.

The lyrical guitar riff in the intro and the delicate acoustic guitar tones give the entire track a bittersweet feel.

With its low key, narrow vocal range, and minimal melodic movement, it’s approachable even for those who aren’t confident singers.

The emotionally charged lyrics evoke the image of someone struggling yet pressing forward, making it a song that will likely captivate listeners even at karaoke.

[Men in their 60s] Even if you're not good at singing, it's okay! Karaoke songs that are easy to sing (101–110)

Another SaturdayHamada Shogo

Another Saturday (We are still on the road.)
Another SaturdayHamada Shogo

It’s a bittersweet song that portrays episodes of a possibly unrequited love and the intensifying emotions that come with it.

Released in 1985 as the B-side to the single “LONELY – Ai to Iu Yakusokugoto,” it gradually became one of Shogo Hamada’s signature ballads despite not being the title track.

The progression, centered on piano with layered strings, accentuates the heartache and poignant atmosphere.

Its gentle, conversational tempo makes it easy to sing; conveying emotion while delivering it quietly and tenderly is key.

Until today and from tomorrowyoshida takurou

“Until Today and From Tomorrow” by Takuro Yoshida
Until today and from tomorrowyoshida takurou

It’s one of Takuro Yoshida’s signature songs, depicting someone looking back on their life and connections with others while pondering the road ahead.

Its popularity is evident from its use in various works, such as the 1972 film “Tabi no Omosa” and the 2001 film “Crayon Shin-chan: The Storm Called: The Adult Empire Strikes Back.” Centered on acoustic guitar—the hallmark of folk music—the simple sound enhances the clarity of the lyrics’ message.

The repeated, straightforward melody makes it easy to sing, and performing it in a relaxed, almost murmuring tone helps bring out the song’s atmosphere.

White Swingbiriibanban

Billy BanBan is a brother folk duo that is still active today.

They’ve created many classic songs over the years, but the one I especially recommend for men in their 60s is Shiroi Buranko (White Swing).

While it falls under the folk genre, it features a rhythm with a touch of soul-like Black music influence.

The vocal range is narrow and there are no parts that require belting, so it’s also great for those aiming for a high score at karaoke.

Definitely consider adding it to your repertoire.

White LabyrinthKisugi Takao

Takao Kisugi - White Labyrinth (Maze) with Paul Mauriat
White LabyrinthKisugi Takao

Takao Kisugi is a singer-songwriter who has produced many classic hits.

He is also active as a performer himself and gained popularity with his distinctive kayōkyoku style known as the “Kisugi sound.” Among his songs, the one I especially recommend is Shiroi Labyrinth (“White Labyrinth”).

Akina Nakamori has also sung this piece, which is characterized by its heartrending lyrics.

Although the song features many long tones, there are no parts that require belting, and the vocal range is narrow, so it’s relatively easy to sing even for men in their 60s who may find it hard to project their voices.

Sorry, tears.Tahara Toshihiko

It was released in 1989 as Toshihiko Tahara’s 36th single.

The song was used as the theme for the Fuji TV drama “Kyoshi Binbin Monogatari II” and as the commercial song for Suntory’s “Cider.” It became Toshihiko Tahara’s last single to reach No.

1 on the Oricon Singles Chart.