Do you want to sing at karaoke but worry that you can’t stay on pitch or can’t project your voice? Especially if it’s been a while since you last went, it can be hard to decide which songs you can sing comfortably.
So this time, we’re introducing karaoke songs for men that you can enjoy singing without worrying about being off-key.
We’ve picked tracks with simple melodies and a manageable vocal range that people of any age can enjoy, so give them a try at your next karaoke session!
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Japanese karaoke songs that are easy for men in their 60s to sing
- Karaoke songs that are sure to get a 60-something man fired up
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
- [For men in their 70s] A collection of easy-to-sing songs even for people who are tone-deaf
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Recommended Japanese karaoke songs for men in their 60s
- Karaoke songs you’ll want to sing for men in their 70s: Enka and nostalgic Showa-era pop
- Even karaoke beginners can relax! Easy-to-sing songs for men
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Karaoke songs recommended for men with low voices or who are good at singing in a low register
[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing karaoke songs (1–10)
Premonition of Loveanzenchitai

This is a representative ballad by Anzen Chitai from the 1980s, characterized by a relaxed melody and a tempo that isn’t too fast.
The overall vocal range of the song is C#3 to G#4, with many lower notes, so expressiveness is more important than pure vocal power.
I think the calm voice of a man in his 60s would really shine here.
In terms of singing style, it’s easy to add dynamics between the verse and the chorus: sing the verse softly, almost as if you’re speaking, and then pour your emotions into the higher notes of the chorus and sing out fully.
That way, it won’t feel flat, and it will be easier for listeners to enjoy.
DepartureMatsuyama Chiharu

It’s Chiharu Matsuyama’s debut song, released in 1977, and one of his signature works.
This song is a memorable one for me because I performed it as a duo with a student, singing while playing.
The structure repeats the opening melody several times, and the chorus finally appears toward the end.
The overall vocal range is C#3 to B4, with a big lift at the chorus, so the high notes come at the end.
It might be a bit high, but if you nail the high part, it’s a really cool song.
Be careful not to force the high notes and strain your throat.
Sing so that your head and chest resonate and your whole body carries the sound.
Since you’ll need plenty of breath, try to inhale deeply using diaphragmatic breathing, and make a conscious effort to project your voice accordingly.
Parting at 22kaze

With a folk-like, simple chord progression and a conversational melody, this is a song you can sing without straining your voice.
Emotion matters more than technique, and even if you’re not confident at singing, a calm tone unique to men in their 60s can convey plenty of charm, making it a safe choice to try at karaoke.
Also, since few people sing folk songs, performing it in a relaxed, listening-focused way will gently touch listeners’ hearts.
When you sing, don’t belt—deliver it as if you’re speaking to match the song’s mood.
Because a spoken style uses more breath, practicing with humming and lip rolls beforehand will make it easier to produce your voice.
Lingering Snowiruka

“Nagori Yuki” is easy to sing in the original key even for men.
It’s a gentle, tender song, so instead of belting the high notes, try using falsetto to convey a sense of poignancy.
Since it doesn’t require intricate techniques, it’s also a good choice for people who aren’t confident singers to try in a natural, relaxed style.
When you sing, keep your throat generally open and let the voice come out comfortably.
Before singing, lift your facial muscles and eyebrows, then send your voice gently forward.
Doing this lets not only your voice but also your breath flow out together, helping you produce a very pleasing singing tone.
outdatedKawashima Eigo

Singer-songwriter Eigo Kawashima, whose refined musicality earned him immense support from men.
For those in their 60s, he might be the perfect artist.
Kawashima produced many masterpieces, but the one I especially recommend is “Jidai Okure” (Behind the Times).
A no-nonsense piece portraying a man that men admire, it became a major hit in the 1980s.
What’s more, it’s a very singable song: the range is narrow, there are few long notes, and it doesn’t require much vibrato, so even those who aren’t confident in their singing should be able to handle it without trouble.
I can’t say it.Gō Hiromi

Released in 1994 as Hiromi Go’s 66th single.
The song was used as the theme for the TBS drama “Omiai no Tatsujin” and as the ending theme for the Fuji TV show “Kamioka Ryūtarō ni wa Damasarenai zo!” It sold over 350,000 copies and became a long-running hit.
It is also one of the most popular ballads by Hiromi Go.
Gatchaman SongShimon Masato

It’s the theme song from the anime Science Ninja Team Gatchaman, which started airing in 1972, and many people sing it as an anison (anime song) staple! The melody line is very simple, and the structure repeats through verse three.
However, if you don’t raise the energy toward the latter half, it can feel flat and people may lose interest, so make sure to deliver each verse with intention.
Also, for the call-and-response part in the third verse, it’s more fun to “shout” than to “sing” it—really crank up the hype and get everyone to join in! It’s a song you can power through with momentum, so even those who aren’t confident singers can enjoy performing it!



