RAG MusicKARAOKE
Lovely karaoke song

[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke

Do you want to sing at karaoke but worry that you can’t stay on pitch or can’t project your voice? Especially if it’s been a while since you last went, it can be hard to decide which songs you can sing comfortably.

So this time, we’re introducing karaoke songs for men that you can enjoy singing without worrying about being off-key.

We’ve picked tracks with simple melodies and a manageable vocal range that people of any age can enjoy, so give them a try at your next karaoke session!

[Men in their 60s] No worries if you’re not good at singing! Easy-to-sing karaoke songs (41–50)

Stay 19 foreverHamada Shogo

This song portrays emotional currents that are more than just regret over the passing of one’s youthful school days.

It’s included on the 1986 album “J.BOY.” The acoustic guitar tones and layered choruses emphasize a refreshing atmosphere and warmth.

The lightness of the vocals also seems to evoke a sense of youth, doesn’t it? The gentle tempo, which invites a slow look back on memories, makes it easy to sing—so try performing it while savoring those recollections.

[Men in their 60s] It’s okay even if you’re not good at singing! Karaoke songs that are easy to sing (51–60)

Dramatic RainInagaki Junichi

Junichi Inagaki is a male singer known for his distinctive vocal delivery.

With a unique musical style that blends city pop and AOR into kayōkyoku, he has produced many classic songs.

Among them, the recommended track is Dramatic Rain.

Its range is relatively narrow at mid1 D# to hi A, and the vocal line has gentle rises and falls.

For men in their 60s who are accustomed to kayōkyoku melodies, it should be no problem to sing.

Be sure to check it out.

MasqueradeShonentai

It was released in 1985 as Shonentai’s debut single.

Despite being their debut, it won the Best New Artist Award at the 28th Japan Record Awards and ranked third on the 1986 Oricon annual singles chart, becoming Shonentai’s biggest hit.

It is also widely embraced as a crowd-pleaser at parties.

In the night sky after the rainImawano Kiyoshirō

Kiyoshiro Imawano - In the Night Sky After the Rain
In the night sky after the rainImawano Kiyoshirō

Speaking of Kiyoshiro Imawano, his musical style is striking for evoking nostalgic scenes within a punky vibe.

Among his works, “Ameagari no Yozora ni” especially showcases his musical character.

While the highest notes aren’t very high, the pitch mid2F# appears frequently, so when adjusting the key, it’s best to center your tuning around that note.

The lyrics are a bit risqué, but it’s a song that tends to get the crowd going at karaoke, so consider adding it to your repertoire.

Goodbye to sorrowanzenchitai

Anzen Chitai is a band that has built an era with a uniquely Japanese sound brimming with originality, fusing kayōkyoku, pop music, and rock.

They have so many hit songs that whatever you sing will likely get the crowd going, but this time I’d like to introduce “Kanashimi ni Sayonara,” which is especially easy to sing among their repertoire.

This work is a major-key ballad that, despite its sorrowful lyrics, somehow retains a refreshing tone.

The vocal range is quite narrow at mid1B to mid2F#, so if you adjust it to your optimal key, you should be able to sing it without difficulty.

Eris with Azure Eyesanzenchitai

The band Anzen Chitai has produced numerous hit numbers.

From ballads to rock-flavored pop, they’ve turned all kinds of works into popular songs.

The one I’d like to recommend this time is Aoi Hitomi no Erisu (Eris with Azure Eyes).

It’s a gentle ballad, yet it also has well-placed moments of lift.

Rather than a big, explosive build, it’s the kind of song that gives you chills and goosebumps.

Its vocal range is quite narrow at mid1 C to mid2 D#, and the melodic movement is smooth, making it exceptionally easy to sing.

Goodbye DayKisugi Takao

Takao Kisugi is one of the composers who defined the 1980s.

He wrote numerous classic songs such as “Silhouette Romance” and “Slow Motion,” and for a time he was also active as a singer-songwriter.

Among Kisugi’s many works, the one I especially recommend is “Goodbye Day.” It’s a piece where his signature ‘Kisugi style’ is in full bloom, but on top of that, it has a smooth finish and a very singable vocal line with a narrow range.

There are plenty of long tones, but the melodic contours are very gentle, so a man in his 50s should be able to sing it without any trouble.