[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
Do you want to sing at karaoke but worry that you can’t stay on pitch or can’t project your voice? Especially if it’s been a while since you last went, it can be hard to decide which songs you can sing comfortably.
So this time, we’re introducing karaoke songs for men that you can enjoy singing without worrying about being off-key.
We’ve picked tracks with simple melodies and a manageable vocal range that people of any age can enjoy, so give them a try at your next karaoke session!
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Japanese karaoke songs that are easy for men in their 60s to sing
- Karaoke songs that are sure to get a 60-something man fired up
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
- [For men in their 70s] A collection of easy-to-sing songs even for people who are tone-deaf
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Recommended Japanese karaoke songs for men in their 60s
- Karaoke songs you’ll want to sing for men in their 70s: Enka and nostalgic Showa-era pop
- Even karaoke beginners can relax! Easy-to-sing songs for men
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Karaoke songs recommended for men with low voices or who are good at singing in a low register
[Men in Their 60s] Even If You're Not Good at Singing, It's Okay! Easy Songs to Sing at Karaoke (21–30)
BoyhoodInoue Yosui
“Shonen Jidai” is even featured in music textbooks.
I used to sing it in music class back in my school days.
The overall vocal range is C#3 to F4, and since it’s in textbooks, I feel like it’s a key that’s easy for anyone to sing.
When you sing it at karaoke, using a soft, airy tone like Yosui Inoue conveys a gentle atmosphere.
If you don’t land firmly on the ends of phrases and instead let them trail off, you can also express a sense of fragility.
For the opening, rather than imitating too much, it’s better to come in clearly—this adds contrast and makes it easier to listen to.
Try to sing with care for the words.
Rainy BlueTokunaga Hideaki
It’s a quintessential heartbreak ballad from the late Showa to early Heisei era, and when you sing it at karaoke, it really lends itself to a gentle, heartfelt delivery.
Since it’s a ballad, the tempo is slow, and you can take solid breaths with each phrase, so it’s easy to sing.
The overall vocal range is quite wide, from B2 to C#5, but you might not need to worry about technique—just lean into the emotion and push through.
The melody at the end of the song gets very climactic, so there are probably many people who practice just that part.
Use your falsetto well, avoid over-belting, and aim to resonate more in the head voice as you sing!
loveMatsuyama Chiharu
It’s a love ballad by Chiharu Matsuyama, and it’s the kind of song where you really need to be mindful of the spaces, or you won’t quite catch the groove.
If you only look at the lyrics, you might feel like singing line after line without pause, but if you place each phrase carefully and let the resonance linger, it will deepen the sense of poignancy.
The overall vocal range is C3 to G4, so it’s not too high and there’s no need to belt.
When the chorus comes, project your voice, add clear dynamics, and sing with confidence—the performance will land stylishly.
That way, even listeners who don’t know the song will recognize where the chorus is and will be able to groove along with you!
They were youngOzaki Kiyohiko
I once had a student in their sixties who sang nothing but Kiyohiko Ozaki songs! If you don’t sing regularly, it might be hard to get your voice out, but “Futari wa Wakakatta” doesn’t go very high, so I think you can sing it in a relaxed way.
The melody is simple, so it’s also a good one to learn anew.
The beginning sits quite low, so make sure to resonate your voice so it doesn’t get muffled.
Try raising your hands to head level and slowly project your voice toward them.
Your facial muscles will naturally lift, and you should feel the resonance in your head, making it easier to hear your own voice.
When the chorus comes, it’s good to consciously sing out more firmly!
Becoming a Thousand WindsAkiyama Masashi
Thanks to Masafumi Akikawa, who comes from a classical vocal background, the song became a huge hit, and many people probably try to imitate it at karaoke.
It’s a piece that shines even when sung naturally rather than with classical technique, so relax and sing it in your own voice.
The overall vocal range of the song is B2 to F#4, so it tends to pull toward the lower register.
Before you start singing, try adopting the kind of facial expression Akikawa uses—this helps open the throat and makes it easier to use your breath, so this part is worth imitating! Low notes can unconsciously strain your throat, so if you project your voice slowly straight out in front of you, your body will resonate and the sound will come out more easily.
Try doing this consciously!
scarecrowsadamasashi
Masashi Sada is a singer-songwriter renowned for his unparalleled, exquisitely crafted lyrics.
If you’re in your 60s, chances are you’ve encountered his music at least once.
Among his many songs, the one I especially recommend is Kakashi (Scarecrow).
Centered on a delicate story and melody that evoke a distant hometown, the vocal line is intentionally understated.
It doesn’t require powerful projection, making it a perfectly singable choice for karaoke at second or third after-parties.
Sake, Tears, Men, and WomenKawashima Eigo
This song was included on Eigo Kawashima and Homo Sapiens’ debut album “Jinrui” (Humanity) and was released in 1976.
Written and composed by Eigo Kawashima, it was issued as a single the same year and used in a commercial for the sake brand Kizakura.
As one of Kawashima’s signature songs, it has been covered and passed down by many artists.