[Men in their 60s] Even if you're not good at singing, it's okay! Easy-to-sing songs for karaoke
Do you want to sing at karaoke but worry that you can’t stay on pitch or can’t project your voice? Especially if it’s been a while since you last went, it can be hard to decide which songs you can sing comfortably.
So this time, we’re introducing karaoke songs for men that you can enjoy singing without worrying about being off-key.
We’ve picked tracks with simple melodies and a manageable vocal range that people of any age can enjoy, so give them a try at your next karaoke session!
- [For People in Their 60s] Ranking of Easy-to-Sing Karaoke Songs [2026]
- Japanese karaoke songs that are easy for men in their 60s to sing
- Karaoke songs that are sure to get a 60-something man fired up
- [Even If You're Tone-Deaf, It's Okay!] Easy-to-Sing Karaoke Songs and Practice Tracks
- [For men in their 70s] A collection of easy-to-sing songs even for people who are tone-deaf
- [For People in Their 60s] Karaoke Songs That Get the Crowd Going: Ranking [2026]
- [Men in Their 50s, Gather Up!] Classic Karaoke Crowd-Pleasers & Easy-to-Sing Hits
- Recommended Japanese karaoke songs for men in their 60s
- Karaoke songs you’ll want to sing for men in their 70s: Enka and nostalgic Showa-era pop
- Even karaoke beginners can relax! Easy-to-sing songs for men
- A love song that makes a man in his sixties relive his youth. Timeless classics that rekindle the romances of those days.
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- Karaoke songs recommended for men with low voices or who are good at singing in a low register
[Men in their 60s] No worries if you’re not good at singing! Easy-to-sing karaoke songs (41–50)
Travel Lodgeyoshida takurou
Singer-songwriter Takuro Yoshida, known for his refined musicality, has a large male fanbase.
Even today, many men in their 60s are surely still captivated by him.
Among Yoshida’s songs, the one I especially recommend is Tabi no Yado (Inn on the Journey).
It features a distinctly understated, mature sound, blending folk with elements of blues and kayōkyoku (Japanese popular song).
Since there are no high parts at all, it’s very manageable even for men who find high notes difficult.
Be sure to add it to your repertoire.
Northern SpringSen Masao
This is the 24th single by Japanese enka singer Masao Sen, released in April 1977.
It’s one of the classic Showa-era kayōkyoku songs, known for achieving million-seller status after 92 weeks on the Oricon charts from its initial debut.
Much like Masao Sen’s image, the song is very friendly and easy to remember, making it one of the best karaoke recommendations even for people who aren’t confident singers.
If you understand the lyrics and imagine the scenes in the song’s world as you sing, you’ll enjoy it more and be able to sing it nicely!
If I Could Play the PianoNishida Toshiyuki
Toshiyuki Nishida, who has left a strong mark in many works as a renowned actor.
He’s a versatile performer, and for a time he was active as a musical artist as well.
When it comes to songs that represent him, isn’t it, after all, “Moshimo Piano ga Hiketa Nara” (“If Only I Could Play the Piano”)? It’s characterized by a very calm vocal delivery, with a relatively even melodic contour and a narrow range.
It’s ideal for karaoke when you’re getting tired and want to sing something that can be performed softly.
Oh, sake!Yoshi Ikuzo
Men in their 60s are the generation that experienced the dawn of kayōkyoku, rock, and folk music, and they can also be said to be very familiar with enka.
In particular, many have deep knowledge of modern enka, which differs from those based on traditional folk songs.
The song I recommend is Yosh Ikuzo’s “Sake yo.” As an enka piece, it is very easy to sing, with no kobushi that require complex pitch ornamentations.
The vocal range is also not wide—mid1 C# to mid2 F—so even men in their 60s, an age when projecting the voice can become difficult, should be able to sing it comfortably.
With a fiery heartKobayashi Akira
This is a single released by Akira Kobayashi in 1985, with lyrics by Yū Aku and music composed by Eiichi Ohtaki.
The song was used in a commercial for Ajinomoto General Foods (AGF) “Maxim,” and it won the Gold Award at the 28th Japan Record Awards.
It is a powerful track supported particularly by men and is regarded as one of Kobayashi’s signature songs.
At all times.Makihara Noriyuki
A signature work by Noriyuki Makihara that delivers a universal message about living true to yourself, carried by a powerful yet gentle melody.
It’s a classic imbued with a strong resolve to value your true self, even while grappling with doubts and anxieties in life.
Also included on the album “Who Will You Share a Happy Yawn With?”, it became a massive hit, surpassing one million copies within six months of its June 1991 release.
It was chosen as the entrance march for the 64th National High School Baseball Invitational Tournament in spring 1992.
The melody is marked by an acoustic guitar and a calm tempo, making it easy to sing.
It’s a song that resonates at life’s crossroads or when you feel you might lose yourself, and it’s cherished by many.
The Camellia Sasanqua InnŌkawa Eisaku
This is the 32nd single by Japanese enka singer Eisaku Okawa, released in August 1982.
It has sold over 1.8 million copies in total, becoming Okawa’s biggest hit.
On New Year’s Eve 1983, it won the Long-Seller Award at TBS’s 25th Japan Record Awards, and on the same day Okawa also achieved his long-cherished first appearance on NHK’s 34th Kouhaku Uta Gassen.
In terms of musical style, it’s quintessential enka through and through, which makes it easy for the general public to sing, yet the deeper you explore the song, the more profound it becomes.
I hope everyone enjoys it in their own way.
When you sing the title call in the song, don’t tighten your throat—sing it out resonantly!