Recommended Japanese karaoke songs for men in their 60s
A karaoke selection for men in their 60s that brings back the youth of the Showa era.
Relive summer memories with Yosui Inoue’s “Shonen Jidai,” the ache of love with Chiharu Matsuyama’s “Koi,” and let Koji Tamaki’s vocals express mature allure to the fullest.
The timeless hits you hummed in your youth will shine anew at karaoke today.
From folk to J-pop, these are songs loved across generations.
Sing a nostalgic tune, and emotions you’d nearly forgotten will vividly return, filling your time with comfort.
Use this article as a guide for your song choices and enjoy wonderful moments with your friends.
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Recommended Japanese karaoke songs for men in their 60s (51–60)
California ConnectionMizutani Yutaka
Actor Yutaka Mizutani has long been popular for his understated, nuanced performances.
Younger people may primarily associate him with “Aibou,” but for men in their 50s, his image as an artist might be just as strong.
Speaking of Mizutani’s classic songs, there’s “California Connection.” It’s a refined piece that exudes an adult atmosphere, built around a gently undulating vocal line with little dramatic fluctuation throughout.
The range is narrow and it doesn’t demand complex vocal techniques, making it exceptionally easy to sing.
Sunset SongKondō Masahiko
As a leading idol of the Showa era, Masahiko Kondo left behind many classic songs.
While many men have little interest in male idols, I imagine quite a few men in their late 50s made an exception for this song, “Yuuyake no Uta.” This work exudes a mature, understated cool, featuring a melody with a hint of enka.
The vocal range is fairly average, but because the vocal lines embody the familiar enka-like feel that Japanese listeners are accustomed to, it’s very easy to sing.
Strawberry Statement, Once Againbanban
This song by Banban is a masterpiece that represents the folk movement of the 1970s.
It portrays tender yet bittersweet memories of youth, as the narrator looks back on a student-days romance, prompted by a rerelease of a film.
Many people can relate to the protagonist’s realistic, down-to-earth portrayal—where youthful ideals meet reality, and he chooses to cut his hair and take a job.
Released in August 1975, the song is also famous as the first piece ever written and provided by singer-songwriter Yumi Arai.
Banban’s harmonies blend beautifully with Arai’s lyrics and melody, and the song became a major hit, reaching No.
1 on the Oricon charts.
Beloved as a song that evokes nostalgia for youth, it’s also known for being easy to sing at karaoke.
TSUNAMISazan Ōrusutāzu
Known as a masterpiece that likens the pain of heartbreak to a tsunami, this work is a moving love song celebrated as one of Southern All Stars’ signature pieces.
It’s a gem of a ballad that expresses the sorrow of losing someone dear through a grand melody, fully showcasing Keisuke Kuwata’s exceptional songwriting and composing talent.
Released in January 2000, it topped the Oricon weekly charts and won the Japan Record Award the same year.
It was also selected as the theme song for the popular segment “Mirai Nikki III” on the TV program “U-nan no Hontoko!,” becoming a classic beloved across generations.
As a heartwarming song that offers comfort to those carrying the pain of losing someone special, it’s also highly recommended for karaoke.
Recommended Japanese karaoke songs for men in their 60s (61–70)
Please, God!Za Tenputāzu
A youthful prayer, staking sweet feelings on God, resounds alongside a heartfelt longing for love.
The Tempters’ passionate message is vividly colored by Kenichi Hagiwara’s husky voice and the band’s unified performance.
Released in March 1968, the song reached No.
2 on the Oricon chart and was also used in a Kanebo cosmetics commercial.
Its sound, infused with blues and R&B elements, continues to shine as a symbol of the golden age of Group Sounds.
This classic, which gently embraces the hearts of youth troubled by love, is perfect for moments when you want to be honest with your pure feelings or reaffirm your thoughts for someone special.
A world without youZa Bībāzu
A masterpiece woven from a psychedelic rock sound and a wistful melody, this is The Beavers’ second single, released in November 1967.
Its heartrending tune vividly portrays the pain of a broken heart.
Showcasing beautifully balanced twin vocals and the twin-guitar virtuosity of Hideki Ishima and Masayuki Hirai, the track reached No.
57 on the Oricon chart.
The band also appeared on the TV program “Young 720” that same year.
It’s a song to play on nights when you want to soothe a love-broken heart, or on a quiet afternoon when you’re nostalgic for your youth.
The lights of Sakhalin do not go outZa Jenoba
A crowning achievement of 1960s Group Sounds from Crown Records.
With a bittersweet melody and lyrics in the style of a Russian folk song that weave in images of the northern provinces, this soul-stirring track moves every listener.
It builds a one-of-a-kind world that feels both nostalgic and fresh.
The Genova’s debut single from February 1968 is known as a unique outlier within the 1960s Group Sounds scene, and it recorded an astonishing sales figure of over 100,000 copies.
Seamlessly blending electric guitar and band-driven sound with elements of kayōkyoku, this work lingers as a gem of a ballad that stands beside the aching hearts of those who’ve lost their hometown or their love.
It’s a classic to be heard on a quiet night by anyone who has known heartbreak or parting, or who carries deep feelings within.