A famous piece by Georg Philipp Telemann. Popular classical music.

Trio Sonata in D minor, TWV 42:d4, for Flute, Oboe, and Basso ContinuoGeorg Philipp Telemann

G. P. Telemann / Trio Sonata in D minor, TWV 42:D4 (from “Der getreue Musik-Meister”) Ensemble Ami

This is a lovely duo piece for flute and oboe.

The beautiful melodies woven by the flute and oboe are striking, gracefully supported by the continuo.

Each of the four movements has its own character, offering plenty to enjoy—from the relaxed first movement to the lively finale.

Telemann’s delicate musicality shines throughout, making it an ideal piece not only for Baroque enthusiasts but also as an introduction to classical music.

Composed while Telemann was serving as music director in Hamburg in 1721, it is a masterpiece that fully showcases his talent—well worth a listen.

Concerto in G major for Four Violins, TWV 40:201Georg Philipp Telemann

Telemann Concerto for 4 violins (in G)

Georg Philipp Telemann, who was also a violinist, composed a concerto for violins.

This piece, written for four violins, is notable for its Baroque-era rarity: it forgoes basso continuo accompaniment and features no bass part.

Consisting of four movements, it explores different emotions and musical ideas in each.

While it demands advanced technique and rich expressiveness from the performers, listeners are treated to a captivating work where brilliant melodies intertwine with deft virtuosity.

It’s recommended not only for those interested in Baroque music but also for anyone wishing to savor the allure of the violin.

A masterpiece that showcases Telemann’s musical talent to the fullest—why not add it to your repertoire?

Concerto in E minor, TWV 52:e3, for Flute and ViolinGeorg Philipp Telemann

REBEL in Europe, June 2011 – Telemann Concerto for flute and violin TWV 52:e3

This concerto by Georg Philipp Telemann, a Baroque-era composer of many talents, is packed with the charm of Baroque music.

Featuring the flute and violin as the leading voices, it weaves beautiful melodies as the two instruments engage in a lively dialogue.

A manuscript copy from the 1740s survives, allowing us to sense the atmosphere of the time.

With a performance time of about 10 minutes, it’s conveniently short and perfect as an introduction to Baroque music.

Incorporating elements of both French and Italian styles, it has a cosmopolitan flavor, making it a great recommendation for those looking to broaden their classical music horizons.

Do give it a listen and let yourself sink into an elegant mood.

Oboe Concerto in C minor, TWV 51:c1Georg Philipp Telemann

David Cyzak Performing Telemann’s Oboe Concerto In C Minor TWV 51:c1

Let me introduce a piece by Georg Philipp Telemann that features the oboe as the main instrument.

The work consists of four movements and is characterized by a dynamic development that alternates between slow and fast sections.

The oboe’s beautiful melodies and its dialogue with the supporting strings captivate the listener.

Telemann’s delicate yet richly expressive musicality is on full display here, offering a full taste of the charm of Baroque music.

Although Telemann composed more than 3,000 works, this piece stands as one of his most representative and remains beloved by many today.

It’s a recommended choice not only for those interested in Baroque music, but also as an introduction to classical music.

Trumpet Concerto in D major, TWV 51:D7Georg Philipp Telemann

Giuliano Sommerhalder – Telemann Concerto – Baroque trumpet

When it comes to the most prolific composer in the classical world, Georg Philipp Telemann is often cited, with estimates of over 4,000 works.

Among them is a piece that spotlights the trumpet: the Trumpet Concerto in D major, TWV 51:D7, one of the great solo trumpet works of the Baroque era.

Trumpets of the time could not change pitch as freely as modern instruments and were still undergoing improvements.

This piece emerged during the period when it finally became possible to alter pitch to some degree.

The high-register trumpet then was an instrument called the tromba, and this concerto makes full use of it as a solo instrument.

Watching performances, you can see the instrument is longer than today’s trumpet and is played in a higher register.

Its beautiful tone is wonderfully bright and soothing.

expand_lessRaise the rankingexpand_morelower

sai-kisaragi

Report a problem

Flute Concerto in G major, TWV 51:G2Georg Philipp Telemann

Pahud／Telemann：Flute Concerto in G major

This work is packed with the allure of Baroque music.

The harmony between flute and strings is beautiful, showcasing Telemann’s brilliance.

Comprising four movements, the piece is accessible and direct, yet never superficial.

It incorporates elements of Italian and French musical styles, as well as traditional Polish influences, appealing to a wide audience.

With remarkable balance and beauty, its melodic severity is tempered by elegance.

It is recommended not only for lovers of Baroque music but also for those interested in classical music.

Through this work, you can fully savor Telemann’s musical world.

Tafelmusik Overture (Suite) in E minor – 1. Ouverture: Lentement – Vite – LentementGeorg Philipp Telemann

Part I. Overture in E minor: I. Ouverture: Lentement – Vite – Lentement

I would like to introduce a work by Georg Philipp Telemann, a German composer who epitomizes the late Baroque and is indispensable when discussing the genre of Tafelmusik.

Tafelmusik refers to a form of music intended to be performed at banquets and feasts.

Telemann composed three collections of chamber music that were favored at courtly banquets; each collection includes different types of instrumental ensemble pieces such as orchestral suites, concertos, quatuors, trio sonatas, and solo sonatas.

This Overture (Suite) in E minor from Tafelmusik is one of those pieces.

Among the many works, this piece serves as the opening overture—like the title screen music in a video game—and acts as a tutorial for understanding Tafelmusik.

If you’re unsure where to start because there are so many pieces, why not begin with this overture and step into Telemann’s world of Tafelmusik?

expand_lessRaise the rankingexpand_morelower

sai-kisaragi

Report a problem