A famous piece by Georg Philipp Telemann. Popular classical music.

Paris QuartetsGeorg Philipp Telemann

G.Ph. Telemann: Paris Quartet No. 1 in D major (1/2)

Georg Philipp Telemann, who enjoyed great popularity and fame in early 18th-century Germany, was also a highly popular composer in France.

In 1704, when he became Kapellmeister to Count Promnitz in Poland, Telemann studied the French style favored by the count and reportedly composed as many as 200 French-style orchestral suites over the course of two years.

Although Telemann was very popular in France, his busy schedule meant he did not actually visit until 1737, when he traveled to Paris for eight months.

A collection of quartets published in 1730 under the title “Quadori” became a hit, and leading French musicians who admired the works wished to perform with Master Telemann, making this collaboration a reality.

The pieces he wrote in the French manner specifically for this trip are the “Nouveaux quatuors en six suites,” which are now known as the celebrated “Paris Quartets.” Please enjoy Telemann’s masterpieces shaped by French influence while comparing them with his earlier works.

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12 Fantasias for Solo ViolinGeorg Philipp Telemann

Jean-Baptiste Poyard – Telemann, violin fantasia n°9

When we think of “unaccompanied” music, we tend to picture composers like Johann Sebastian Bach.

In fact, Georg Philipp Telemann had a close friendship with Bach, who is often called the “Father of Music.” Telemann’s Twelve Fantasias for Solo Violin share much with other works of the same period and have become an important part of the Baroque violinist’s repertoire.

As you listen, you’ll hear phrases that unmistakably evoke Baroque music—familiar to anyone who knows the era well.

These pieces make superb use of the violin’s qualities, skillfully incorporating arpeggios and multiple stops, where two or more strings are played at once—so rich it’s hard to believe it’s just a single violin.

Watching a violinist play them with brilliance is enough to inspire anyone who dreams of becoming one.

With all twelve fantasias to explore, you’re sure to find a favorite.

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Sonata in A Minor for Oboe and Basso Continuo, TWV 41:a3Georg Philipp Telemann

Telemann Oboe Sonata

Let me introduce an elegant sonata for oboe and basso continuo.

This Baroque masterpiece will make you feel as if you’ve been invited to a courtly ball.

It consists of four movements, each with a distinct character: a gentle “Siciliana,” a lively “Spirituoso,” an expressive “Andante,” and a brilliant “Vivace.” The oboe’s sweet tone and the basso continuo’s exquisite harmony are truly captivating.

It’s recommended for those interested in Baroque music or looking for a piece with a calm atmosphere.

First published in a music journal between 1728 and 1729, this work promises a graceful listening experience.

Oboe Concerto in E minor, TWV 51:e1Georg Philipp Telemann

G. P. Telemann: Oboe Concerto in E minor, TWV 51:e1

This work fully brings out the oboe’s charm.

Structured in four movements—an elegant first, a brilliant second, an emotionally rich third, and a light, lively fourth—it captivates with its variety.

You can enjoy the oboe’s mellow timbre and virtuosic passages, along with its beautiful blend with the strings.

Believed to date from the 1710s, the piece remains beloved by many performers and is often featured in concerts today.

It’s an ideal introduction to classical music and a wonderful way to savor the allure of Baroque music.

Concerto in D major for Four Violins, TWV 40:202Georg Philipp Telemann

Telemann – Concerto for 4 Violins in G major TWV 40:201 – #CroBaroque

Georg Philipp Telemann composed a wide range of chamber works, featuring many different instrumentations.

This piece is written for four violins and is a masterpiece that brings out the instrument’s beauty.

While standard ensembles often include lower voices such as viola, cello, or double bass, this work skillfully divides the four violin parts among melody, accompaniment, and obbligato counter-melodies that highlight the main line, keeping the listener engaged throughout.

The harmony is excellent, and many sections make effective use of rhythm.

It’s a highly recommended Telemann work not only for listeners but also for violinists who will enjoy performing it.

If your university orchestra or music circle is looking for new repertoire, this could be an outstanding choice.

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Concerto for Flute, Violin, and Cello, TWV 53:A2Georg Philipp Telemann

G.Ph. Telemann: Concerto in A major for Flute, Violin and Cello, TWV 53:A2

This piece is a concerto featuring flute, violin, and cello as solo instruments.

It consists of four movements, each with a distinctive character.

The first movement is calm and stately, the second brims with lively brightness, the third is graceful and light, and the fourth concludes with power.

The work highlights dialogue among the solo instruments and masterful ensemble interplay, offering a rich taste of Baroque expressivity.

It is included in the 1733 publication Tafelmusik and was composed to be performed at aristocratic banquets of the time.

Highly recommended for those interested in Baroque music.

Sonata in F major for Oboe and Basso Continuo, TWV 41:F3Georg Philipp Telemann

G.P. Telemann Sonata in F major, complete; Gonzalo X. Ruiz, baroque oboe with Voices of Music

Sonata in F major for oboe and basso continuo, TWV 41:F3.

I.

Andante, II.

Vivace, III.

Grave, IV.

Allegro.

Gonzalo X.

Ruiz, Hanneke van Proosdij, William Skeen, David Tayler.