A selection of Takuro Yoshida’s moving masterpieces: timeless monuments of folk music that will never fade.
Takuro Yoshida has long been a driving force in Japan’s folk scene.
Even after stepping back from his career as an active artist in 2022, his songs continue to live on in the hearts of many.
In February 2026, there was delightful news: “Takuro Yoshida’s All Night Nippon Premium” was broadcast, and a concert—the first in seven years since 2019—was announced! What is the charm of Takuro’s sound that transcends generations? Through numerous masterpieces he created—such as “Let’s Get Married,” “Tabi no Yado,” and “Don’t Talk About Life”—we look back on the legacy he carved into the history of Japanese pop music.
- Takuro Yoshida Popular Song Rankings [2026]
- Carefully selected easy-to-sing songs by Takuro Yoshida! Enjoy classic folk song masterpieces
- [Touching the Heart] Timeless Ballad Masterpieces. A Collection of Unfading Classics and the Latest Songs [2026]
- Timeless classics only! Showa-era hit songs perfect for acoustic sing-alongs
- Kazuya Yoshii’s Most Popular Songs Ranking [2026]
- A roundup of debut songs by Japanese female artists from the 1970s
- A classic Japanese folk song passed down through generations of acoustic performances
- [Japanese Music] A Collection of Heart-Touching Hit Folk Songs from the 1970s
- A Collection of Heartfelt Guitar Love Songs [Great for Solo Acoustic Performances Too]
- The fiery soul and the roots of folk felt in Tsuyoshi Nagabuchi’s classic song
- [Showa Era] A roundup of nostalgic folk song classics and popular tracks you’ll want to sing at karaoke
- Inoue Yosui’s classic and popular songs
- Kazuyoshi Saito’s masterpieces and popular songs
A selection of Takuro Yoshida’s soul-stirring masterpieces: an eternal, unfading monument of folk music (21–30)
I want to become the wind.yoshida takurou

Takuro Yoshida often uses seasons and nature in his song titles, and that may well be the theme of his life’s work.
I also noticed there are few English titles.
There might be some, but with my limited knowledge I’m not sure.
This song, too, is a moving masterpiece.
If the spring wind is blowingyoshida takurou

It’s a duet with the popular idol of the time, Saori Minami.
Takuro Yoshida is known for his versatility and has provided songs to many artists in addition to performing his own.
You could say he was a pioneer of today’s idol production trend.
If you’re interested, check out his other songs as well.
A selection of Takuro Yoshida’s timeless masterpieces that strike the heart: an enduring monument of folk (31–40)
A Letter Waiting for Springyoshida takurou

If I remember correctly, this song is from about 30 to 40 years ago.
Among fans, it’s still hugely popular as a hidden gem.
It’s a classic folk song, and because there are no unnecessary sounds, the melody really sinks into your heart and becomes unforgettable.
It’s the feeling.yoshida takurou

It’s simple yet arranged on a grand scale—an outstanding song that goes beyond the boundaries of folk.
You can sense Takuro Yoshida’s breadth of talent in how effortlessly he releases a track like this.
The video also features a beautiful actress, which alone makes it worth watching.
Hiroshima I always used to seeyoshida takurou

The lyrics to this song were not written by Takuro Yoshida; they were penned by the late Osami Okamoto, known for “Erimo Misaki.” I feel it was highly significant that Yoshida, who didn’t sing anti-war songs during the folk boom of the 1970s, released this song after entering the 1980s.
The sorrow left behindyoshida takurou

This was their sixth single, released in 1972.
It’s another quintessential folk song, and its melody—singing of life’s ups and downs and hardships—really sinks in; it’s an outstanding track.
I think people older than me will remember many things when they hear this song.
I also want today’s young people to listen to it.
It might make it in time.yoshida takurou

It’s probably a studio take video from the included DVD.
Only Takuro Yoshida appears on screen, passionately singing with a guitar in hand.
Because of that, there’s nothing extraneous—just the strength of the song itself—which is the appeal.
It’s aimed at fans, but it’s worth it.


