RAG MusicClassic
Lovely classics

Classical Masterpieces: Recommended Works You Should Hear at Least Once

Classical music, the foundation of all music.

It began with chants sung in churches and led to the birth of countless composers and works.

In Japan, classical music remains close to us even today—taught in music classes and played as background music in a variety of settings.

In this article, we’ll introduce a wide range of classical pieces: from famous works you’ve likely heard somewhere at least once, to lesser-known pieces that will still linger in your ears.

Please enjoy these masterpieces of classical music—performed in many forms, from sacred music and symphonies to piano solos and concertos, including works arranged for different instruments.

Classical Masterpieces | Recommended Works You Should Hear at Least Once (21–30)

Symphony No. 1 in C minor, Op. 68Johannes Brahms

Brahms: 1. Sinfonie ∙ hr-Sinfonieorchester ∙ Stanisław Skrowaczewski
Symphony No. 1 in C minor, Op. 68Johannes Brahms

Brahms’s First Symphony, which he finally completed after the age of forty, came to fruition only after twenty-one years of deliberation from conception to completion in his effort to create a symphony worthy of succeeding Beethoven.

Crafted with fearsome care and burning passion, the work earned such high praise for its perfection that conductor Hans von Bülow called it “Beethoven’s Tenth Symphony.” Steeped in dramatic tension that seems to reflect Brahms’s own struggles, it embodies the trajectory “from suffering to victory.”

Symphony No. 6 in B minor, Op. 74 “Pathétique”Pyotr Tchaikovsky

Tchaikovsky Symphony No. 6 in B minor, Op. 74 “Pathétique” – Movement III – Karajan
Symphony No. 6 in B minor, Op. 74 “Pathétique”Pyotr Tchaikovsky

It is Tchaikovsky’s final symphony, and the subtitle “Pathétique” was chosen by the composer himself.

Tchaikovsky experienced as many as twelve bouts of depression in his life, and some say this work may reflect that state of mind.

Although the Pathétique is shrouded in a dark atmosphere overall, the third movement is enveloped in a glittering mood.

It fuses a scherzo with a march, beginning with a light, airy melody and culminating in a resplendent finale at the climax.

ValkyrieRichard Wagner

Wagner “Die Walküre,” Act I (complete) — conducted by Knappertsbusch / Flagstad
ValkyrieRichard Wagner

Conducted by Hans Knappertsbusch and performed by the Vienna Philharmonic Orchestra.

Raised in an environment rich in theater and music, Wagner was inspired by Beethoven and created the “music drama,” an opera in the form of a symphony.

PhoenixIgor Stravinsky

Stravinsky – Ballet music “The Firebird” (1910 version), Dutoit, Montreal Symphony
PhoenixIgor Stravinsky

Stravinsky is also one of the composers who represent modern music.

Although his style changed over time, one of the hallmark works from the period when he created highly impactful “primitivist” music—incorporating multiple tonal centers into his pieces and using rhythms rarely found in classical music—is The Firebird.

“Hallelujah Chorus” from the oratorio MessiahGeorg Friedrich Händel

Handel’s Messiah conducted by Georg Solti with the Chicago Symphony Orchestra.

Along with Bach, he is a representative composer of the Baroque era.

He primarily wrote music for the theater, such as operas and oratorios.

“Messiah” refers to the Savior and tells the story of Jesus Christ.

RequiemGiuseppe Verdi

Verdi: Requiem: Abbado / Berlin Philharmonic
RequiemGiuseppe Verdi

Verdi’s Requiem, conducted by Toscanini with the NBC Symphony Orchestra.

It is included on “Verdi: Requiem & Te Deum.” Known for celebrated works such as La Traviata and the Wagner-influenced Aida, Verdi is the greatest composer of Italian opera in the Romantic era.

Symphonie Fantastique, Op. 14Hector Berlioz

Berlioz: Symphonie fantastique op. 14 (full) | University Orchestra Weimar
Symphonie Fantastique, Op. 14Hector Berlioz

The best-known piece by the Romantic composer Berlioz.

The music unfolds according to the titles and program notes supplied by the composer himself, and according to these, the piece depicts a young artist, heartbroken, who takes opium to commit suicide; the dose is not fatal, and he instead experiences bizarre hallucinations.

The “young artist” is Berlioz himself, and the “beloved” is Harriet Smithson, the leading actress of a Shakespearean troupe.

Each of the five movements has a subtitle, giving the work a strong sense of narrative.