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Classical Masterpieces: Recommended Works You Should Hear at Least Once

Classical Masterpieces: Recommended Works You Should Hear at Least Once
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Classical music, the foundation of all music.

It began with chants sung in churches and led to the birth of countless composers and works.

In Japan, classical music remains close to us even today—taught in music classes and played as background music in a variety of settings.

In this article, we’ll introduce a wide range of classical pieces: from famous works you’ve likely heard somewhere at least once, to lesser-known pieces that will still linger in your ears.

Please enjoy these masterpieces of classical music—performed in many forms, from sacred music and symphonies to piano solos and concertos, including works arranged for different instruments.

Classical Masterpieces: Recommended Works You Should Hear at Least Once (1–10)

Piano Concerto No. 2 in C minor, Op. 18Sergei Rachmaninov

Rachmaninoff: Piano Concerto no.2 op.18 Nobuyuki Tsujii blind pianist BBC proms
Piano Concerto No. 2 in C minor, Op. 18Sergei Rachmaninov

Sergei Rachmaninoff, born in Russia in 1873, was a multifaceted pianist as well as a composer and conductor.

Many of you may have heard his Piano Concerto No.

2.

It’s a familiar piece from the 2006 hit TV drama Nodame Cantabile.

Hiroshi Tamaki’s portrayal of Chiaki and his performance were so cool.

With this work, Rachmaninoff achieved success and secured his place as a composer.

It’s also famous for being featured in the 1945 British film Brief Encounter, where it became a major hit.

Because of the film’s storyline, the Piano Concerto No.

2 came to be associated with the image of a love piece.

It’s a number brimming with appeal, where intense and luscious melodies alternate again and again.

The flowing piano lines, full of drive, are also magnificent.

Among the many piano concertos, Rachmaninoff’s is one of the most popular.

Symphony No. 9 in E minor, Op. 96, “From the New World”Antonín Dvořák

Dvořák: Symphony No. 9 in E minor, Op. 95 “From the New World” — Karajan / Berlin Philharmonic, 1964
Symphony No. 9 in E minor, Op. 96, "From the New World"Antonín Dvořák

It’s such a famous piece that, along with Beethoven’s “Fate” and Schubert’s “Unfinished,” it’s known as one of the “Three Great Symphonies.” The theme of the second movement, arranged with lyrics as “Faraway Hills, the Sun is Setting,” is probably something even those not well-versed in classical music have heard at least once somewhere.

The “New World” in the title refers to America, and it was after Dvořák emigrated to the New World that he composed this work as a message to his homeland.

Symphony No. 9 in D majorGustav Mahler

Gustav Mahler – Symphony No. 9 (Gustav Mahler Jugendorchester, Claudio Abbado)
Symphony No. 9 in D majorGustav Mahler

Mahler’s last completed symphony, finished the year before his death.

Together with Das Lied von der Erde and the unfinished Symphony No.

10, it is known as the “Farewell Trilogy.” The Ninth Symphony, in particular, is imbued with a profound contemplation of death.

In the final five minutes of the fourth movement, the first violins play the closing section of the fourth song from Kindertotenlieder.

After composing that song, Mahler’s beloved eldest daughter, Maria, died before reaching the age of five, which lends the work an even deeper expression of his grief in the face of death.

Pictures at an ExhibitionModest Mussorgsky

M. Mussorgsky / Suite 'Pictures at an Exhibition'
Pictures at an ExhibitionModest Mussorgsky

Just as the Czech composer Dvořák had his counterparts, Russia also had composers known as the “Mighty Handful” or “nationalist school.” Mussorgsky was one of them.

Pictures at an Exhibition is not only one of the famous works of the late Romantic era but has also become a classic of Russian music.

Symphony No. 5 “Fate”Ludwig van Beethoven

Beethoven – Symphony No. 5 – Iván Fischer | Concertgebouworkest
Symphony No. 5 “Fate”Ludwig van Beethoven

A masterpiece by the great classical composer Ludwig van Beethoven that left a profound impact on history.

The opening motif—“da-da-da-DAAAHN”—is known around the world.

Written as Beethoven was losing his hearing and premiered in December 1808, the work consists of four movements and portrays a journey from anguish to joy through a dramatic shift from darkness to light.

In particular, the “fate motif” of the first movement recurs throughout all the movements, giving the work a cohesive unity.

The music seems to reflect Beethoven’s inner struggle and his triumph over it, resonating deeply with listeners.

This piece influenced many later composers as well—why not listen to it straight through, movement by movement?

BoleroMaurice Ravel

Ravel – Boléro | Alondra de la Parra | WDR Sinfonieorchester
BoleroMaurice Ravel

An orchestral piece composed in 1928 by the French composer Maurice Ravel.

Beginning with the quiet, repeated notes of the snare drum, its unique structure—built from only two melodies that gradually increase in volume and orchestration—makes it unlike any other work.

As various instruments such as the flute, clarinet, and trumpet take up the melody, the music unfolds over about 15 minutes toward a majestic climax.

Its charm lies in the beautiful melodies woven over a monotonous rhythm and the richly colored sonorities created by masterful orchestration.

Although it was first used as ballet music at its premiere, it has also become widely cherished as a concert hall piece.

The Rite of SpringIgor Stravinsky

Svetlanov Conducts: Stravinsky: The Rite of Spring
The Rite of SpringIgor Stravinsky

Alongside The Firebird and Petrushka, this is one of Stravinsky’s three great ballets and a seminal work of 20th-century primitivism.

“Primitivism” refers to an approach that, above all, elaborates rhythm among the elements of music to draw out the primitive energy and vitality inherent in sound.

The work’s subject—a ritual of the early Slavs who offer a living sacrifice to the sun god in celebration of spring sprouting from the earth—and its use of changing meters and accents that seem random, generating unremitting tension, exemplify the characteristics of primitivism.