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Packed with slap groove vibes! A collection of songs with cool bass

Hey everyone, do you like low end? In this article, we’ll introduce songs with awesome bass parts—mainly Japanese rock, with some J‑POP too.

From tracks with flashy riffs and slap, to funky, rolling bass lines, grooves that hit even with fewer notes, and tunes with stellar tone design—we’re picking from all angles.

You can just surrender to the sound and vibe out, or use it to find your favorite bassist and think, “I want to play like that!”

[Packed with Slap Groove Vibes!] A Compilation of Songs with Awesome Bass (61–70)

Lazy SongJenīhai

Jenny High “Lazy Anthem”
Lazy SongJenīhai

It’s a playful track included on the album “Jenni-Hi Story.” The song features a buoyant piano riff performed by Takashi Niigaki, while Kazutoyo Koyabu and Cooky! lay down a rock-solid rhythmic foundation that gives the sound real depth—it’s incredibly pleasant to listen to.

Lyrically, it comically portrays a slightly sloppy everyday life that’s a bit different from the ideal, making you feel that being imperfect isn’t so bad.

The track was released in November 2019 as an advance single from the album.

On days when things just aren’t going well, listening to it might lighten your heart with its humorous worldview.

Chungking ExpressUNISON SQUARE GARDEN

UNISON SQUARE GARDEN “Koisuru Wakusei” MV
Chungking ExpressUNISON SQUARE GARDEN

UNISON SQUARE GARDEN is a three-piece rock band that has gained popularity for songs that blend complex, gimmick-filled arrangements with pop melodies.

The lead track from their ninth album, “Ninth Peel,” titled “Koisuru Wakusei,” features catchy, glamorous choruses and horn tones.

Even within the pop ensemble, the bass lines assert a strong presence—something that feels quintessentially UNISON SQUARE GARDEN.

As a three-piece—the smallest possible lineup—the bass sound stands out with even greater definition, making this a refreshing, high-energy tune.

Friday Nightnatori

Singer-songwriter Natori, whose 2022 release “Overdose” created a huge buzz and drew attention especially among younger generations, has been in the spotlight.

The third digital single, “Friday Night,” also made waves with the anecdote that Natori wrote it just two months after starting his music career.

Its groovy ensemble is driven by the bass line, which gives the entire track a crisp sense of dynamics.

Though it runs under three minutes, the dramatic arrangement showcases real talent—a new-generation pop tune.

Charlesbarūn

A song released by singer-songwriter Keina Suda under his Vocaloid producer name, Balloon.

From 2017 to 2019, it consistently ranked near the top of karaoke charts, especially among young listeners.

While the track has plenty to enjoy—catchy melodies and memorable guitar arpeggios—the bassline, which actually shapes the overall atmosphere and beat of the song, is exceptional.

The fully grooving bass creates both a sense of speed and a powerful swell, making it a number that simply can’t be discussed without mentioning the bass.

CubeHoshino Gen

Gen Hoshino – Cube (Official Video)
CubeHoshino Gen

This song sung by Gen Hoshino was written as the theme for the film “CUBE: Once You Enter, There’s No Turning Back.” Its rapidly shifting arrangement and beats create a thrilling number that echoes the film itself.

The destructive bassline, which gives the ensemble a sense of speed, further clarifies the track’s avant-garde character.

Even amid the complex arrangement, the bass provides a solid presence and core—listen with a focus on the bass in this track.

It’s because I listened to Bach’s melody at night.Sakanakushon

Sakanaction / 'It's Because I Listened to Bach's Melody at Night.' - Music Video -
It’s because I listened to Bach’s melody at night.Sakanakushon

Sakanaction’s eccentricity is on full display in the supremely feel-good number “It’s Because I Heard Bach’s Melody at Night.” It’s a track that couldn’t be more comfortable to listen to, and you can really sense the extraordinary attention to detail in the bass tone.

It’s a song where you can fully savor Sakanaction’s master-craft sound creation—bass included.

The LiveDragon Ash

The Live feat. KenKen /Dragon Ash
The LiveDragon Ash

Dragon Ash is a five-piece rock band that has remained at the forefront of the loud rock scene within J-POP with their heavy, genre-blending sound.

“The Live,” a track from their 10th album THE FACES, packs a powerful punch with aggressive rap and cynical lyrics.

The bass solo, featuring jaw-dropping slap technique, asserts a commanding low-end presence while injecting a strong sense of groove.

It’s a cool rock tune that makes you want to focus not only on the solo but on the bass work throughout the entire track.