Packed with slap groove vibes! A collection of songs with cool bass
Hey everyone, do you like low end? In this article, we’ll introduce songs with awesome bass parts—mainly Japanese rock, with some J‑POP too.
From tracks with flashy riffs and slap, to funky, rolling bass lines, grooves that hit even with fewer notes, and tunes with stellar tone design—we’re picking from all angles.
You can just surrender to the sound and vibe out, or use it to find your favorite bassist and think, “I want to play like that!”
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[Packed with slap-groove vibes!] A compilation of songs with cool bass (71–80)
Blade length: 200,000,000 centimetersMakishimamu Za Horumon
Maximum the Hormone’s “Hawatari 2 Oku Centi” kicks off with a satisfyingly distorted bass sound.
The song has extremely drastic tempo changes, and the moment it shifts into a high-speed two-beat, the 16th-note phrase on the open third string is irresistibly cool.
If you’re playing this song on a 4-string, tune only the 4th string down two whole steps to C.
That gives you an alternate tuning of C-A-D-G from the 4th string up, so it may take some time to get used to.
Also, since the tuning drops significantly, I recommend using heavier gauge strings to maintain tension.
MATSURI BAYASHIKEYTALK
MATSURI BAYASHI by KEYTALK is a track that evokes the atmosphere of Japanese festivals.
The mix puts the bass front and center, making it perfect for bass lovers.
It’s packed with ideas and techniques, so it’s an incredibly satisfying listen.
meteor showerPenthouse
A city-soul band formed in a University of Tokyo music circle, Penthouse delivers their second major digital single.
Written as the theme song for the TV drama “Crosstail: Detective School,” this track stands out with its vivid melodies featuring male–female twin vocals.
The bassline, moving with a delicate rhythm in sync with the drum beat, creates the groove of the song while enhancing the melody.
Its contrast with the piano phrases is exquisite, making for an invigorating piece.
[Packed with slap groove vibes!] A collection of songs with cool bass (81–90)
Where I BelongCö shu Nie
Savor a bassline that fuses coolness with artistry.
It’s a track by the rock duo Cö shu Nie, included on their album “7 Deadly Guilt,” released in September 2024.
You’ll be captivated by the avant-garde soundscape—shaped by odd time signatures—and lyrics that project a sense of loneliness.
The bass doesn’t just underpin the song; it moves front and center as the face of the work, and it’s electrifying.
A cutting-edge rock number that might reveal a new allure of the bass.
I want to go hang out.bakkudoroppu shinderera
Backdrop Cinderella is a four-piece rock band known for their unique sound that fuses folk music with rock and for their energetic live performances.
Their digital-only single “Asobi ni Ikitai,” released on March 18, 2023, is an impressive track whose lyrics and sprightly beat make you want to go somewhere, just like the title suggests.
The off-beat guitar cutting and interlocking bass line give the ensemble a sense of speed.
It’s a catchy rock tune where the bass steps forward at just the right moments to elevate the song—be sure to listen for that standout bass playing.
KUNOICHIBURNOUT SYNDROMES × ASCA
This work is a collaboration between the rock band BURNOUT SYNDROMES and ASCA, who is active as an anisong singer.
Released in 2023, the track is characterized by a musical style that fuses EDM with traditional Japanese flair.
The lyrics, which liken an impermissible love—two people who care for each other but cannot be together—to the relationship between a kunoichi and a samurai, are another highlight.
Although the song leans heavily into electronic music, it is unmistakably a band piece.
There’s even slap bass, and it’s performed live.
Let this be your chance to enjoy low-end sounds across a variety of music genres.
My name is Unrequited Loveindigo la End
Formed around Enon Kawatani and debuting simultaneously with Gesu no Kiwami Otome, indigo la End is a four-piece rock band.
Their 22nd single, “Namae wa Kataomoi,” features an ensemble that leaves a lasting impression, where a sense of weightlessness coexists with invigorating drive.
The catchy bassline, spanning from low to high registers, both underpins the track and gives it a sense of breadth.
It’s a rock tune whose pop melodies and arrangements feel pleasant, and one that really highlights the importance of the bass.