Packed with slap groove vibes! A collection of songs with cool bass
Hey everyone, do you like low end? In this article, we’ll introduce songs with awesome bass parts—mainly Japanese rock, with some J‑POP too.
From tracks with flashy riffs and slap, to funky, rolling bass lines, grooves that hit even with fewer notes, and tunes with stellar tone design—we’re picking from all angles.
You can just surrender to the sound and vibe out, or use it to find your favorite bassist and think, “I want to play like that!”
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Packed with slap-bass groove! A collection of songs with awesome bass (51–60)
Moon BowlSakanakushon
Sakanaction is a five-member rock band whose obsessively crafted sound production and live staging—both laser-focused on audio quality—send fans into a frenzy.
Tsuki no Wan, included on their concept album Adapt, was selected as the song for Toyota’s Yaris Cross commercial.
The bass slapping that shapes the track’s dynamics maintains a restrained tone without being needlessly showy, yet it still asserts a clear presence.
It’s a pop tune brimming with bass appeal, where tight slap lines effectively color the airy ensemble.
It’s not me unless it’s meGesu no Kiwami Otome.
When it comes to Gesu no Kiwami Otome, you might strongly associate them with Enon Kawatani’s irresistibly catchy lines.
But prepare to be amazed by this deceptively effortless yet incredibly intricate bassline.
It’s as if the bassist is soloing the entire time—an insanely busy flurry of notes—delivered with flawless, jaw-dropping groove.
DOGLANDPEOPLE 1
PEOPLE 1 is a three-piece pop band garnering attention mainly online for their literary-tinged songs and original artwork.
Their 13th digital-only single, DOGLAND—used as the ending theme for episode 10 of the TV anime Chainsaw Man—is a track whose sound, in sync with the anime’s dark atmosphere, creates an addictive pull.
The melodic bassline stands out without getting buried, even amid the thrilling ensemble.
It’s an aggressive rock tune in which the bass continues to form the core throughout the song’s rapidly shifting structure.
mixed nutsOfisharu Higedan Dism
Official HIGE DANDism is a piano-pop band that has taken the J-pop scene by storm with high-level song structures and a subtle pop sensibility that never feels forced.
This track is their seventh digital single and was selected as the opening theme for the anime SPY×FAMILY.
Its thrilling, jazz-tinged arrangement really amps up the excitement.
The prominent walking bass, combined with the jazzy arrangement, gives the song a sense of swell and speed.
It’s an upbeat tune where you can enjoy the bass even while following the melody.
[Packed with Slap Groove Vibes!] A Compilation of Songs with Awesome Bass (61–70)
dining tablenatori
Singer-songwriter Natori, whose debut digital-only single “Overdose” generated a huge response and has been gaining popularity especially among younger listeners.
The digital-only single “Shokutaku,” released on October 13, 2023, pairs cynical lyrics with a shuffle-beat groove for a stylish effect.
The hard-edged bass that comes to the forefront in the intro and interludes, along with its memorable phrases, helps create a palpable tension throughout the track.
It’s a dark pop tune where the slap-bass solo is another highlight you won’t want to miss.
I’m a messMY FIRST STORY
Known by the abbreviation “Maifasu,” MY FIRST STORY is a rock band whose overwhelming vocal prowess and heavy rock sound send fans into a frenzy.
“I’m a mess,” included on their 8th single “Confession,” is a track that also drew attention as a viral hit on TikTok.
The tight bassline creates a strong groove, and the effective use of slap bass further highlights the instrument’s presence.
It’s a rock tune with an impressive bass sound that strikes a perfect balance—never too forward, yet never buried in the ensemble.
Stratocaster SeasideSuspended 4th
One of the signature songs by Suspended 4th, the band that gained buzz with their street live performances.
It features an incredibly catchy guitar riff, a wild vocal, and top-tier musicianship across all instruments—but bassist Hiromu Fukuda’s playing really steals the show.
Right from the intro, a distorted 16th-note line delivers overwhelming presence, and once the first verse hits, a barrage of slap phrases takes over—an absolute highlight reel.
The pre-chorus and chorus aren’t slapped, but the groove is off the charts throughout.
Give it multiple listens and study it closely!
