Packed with slap groove vibes! A collection of songs with cool bass
Hey everyone, do you like low end? In this article, we’ll introduce songs with awesome bass parts—mainly Japanese rock, with some J‑POP too.
From tracks with flashy riffs and slap, to funky, rolling bass lines, grooves that hit even with fewer notes, and tunes with stellar tone design—we’re picking from all angles.
You can just surrender to the sound and vibe out, or use it to find your favorite bassist and think, “I want to play like that!”
- [Low End] A Collection of Japanese Songs Featuring Standout Bass Solos [2026]
- [Low End] A collection of Japanese songs with high-difficulty bass parts [Cool]
- [2026] Easy J-Pop and Japanese Rock Songs Recommended for Beginner Bassists
- Western songs with cool bass lines: classic and popular tracks recommended for bassists
- [Subwoofer Required] Popular tracks with deep, heavy bass — recommended songs
- A compilation of cool Japanese rock band songs. Recommended tracks for cover bands.
- Practice songs for beginner electric bass players
- [J-Pop/Rock] A roundup of bands with cool singing bassists
- [J-Pop] A Compilation of Songs with Awesome Drums [2026]
- 【2026】A Roundup of Japanese Bassists: From Big Names to Rising Stars
- From rock numbers to dance tunes! Cool songs of the Reiwa era
- Master one song over summer break! Recommended practice songs to level up your bass
- A collection of cool songs that sound great when sung by women, originally male songs
[Packed with slap-groove vibes!] A compilation of songs with cool bass (71–80)
90’S TOKYO BOYSOKAMOTO’S
With Hama Okamoto’s ultra-gritty, sexy bassline setting a heavy mood, “90’S TOKYO BOYS” oozes vibe.
It’s a track steeped in a city-boy aesthetic, and there’s no question that the sleek style is the work of the bass.
Feel that bass rhythm—it’s a song that makes you want to sway your body as you listen.
Ain’t Nobody KnowHoshino Gen
A track overflowing with Gen Hoshino’s urban vibe, “Ain’t Nobody Know.” The short-sustain synth bass sounds incredibly cool.
With 16-beat hi-hats and a rhythmic bass, it’s a rich, luxurious way to listen to music—like sipping an exquisite coffee or a fine drink.
Song of the DeadKANA-BOON
Formed in a high school light music club, KANA-BOON is a four-piece rock band that has been expanding its popularity both in Japan and overseas, particularly across Asia and South America.
Their 18th single, “Song of the Dead,” is a striking track with positive lyrics, selected as the opening theme for the TV anime Zom 100: Bucket List of the Dead.
The bass playing, which alternates between tight and groovy in just the right places to color the song, may not be flashy, but it functions as a core element of the band’s sound.
It’s a rock tune we especially want people who don’t usually pay attention to the bass to hear—one that lets you feel the unsung powerhouse of the ensemble.
Sparkle DancerFurederikku
Frederic is a four-piece rock band.
Their track “Sparkle Dancer” is a feel-good number with a bassline that makes effective use of rests.
In addition to picked playing, there are sections with slap, creating a sound that bass lovers won’t be able to resist.
In particular, the transition into the C section features high-register phrases that skillfully use the upper frets to lift the mood.
What’s more, the craftsmanlike performance—never overly showy and always serving the song as a whole—brings out the bass’s appeal to the fullest.
Indigo squaredYorushika
The contrast between the rock-like, simple root-note parts and the moving bass lines that add color to the song is fantastic.
It’s a track by Yorushika, a band also known for hits like “Ghost in a Flower,” included on their third album, “Dakara Boku wa Ongaku wo Yameta” (I Quit Music), released in 2019.
The driving tempo pairs perfectly with vocalist suis’s clear, expansive voice, making it emotionally stirring.
Another draw is the deep lyrical world crafted by the composer n-buna.
Highly recommended for those who want speedy, solid bass.
sugoi kawaii JYOCHOJYOCHO
JYOCHO is a four-piece band whose high-level musicality has been drawing attention.
“sugoi kawaii JYOCHO,” included on their first album ‘Utsukushii Shūmatsu Cycle’ (Beautiful Terminal Cycle), is a live staple that lets you fully experience the band’s virtuosity in under two minutes.
The bass playing—employing techniques like tapping and slapping—particularly stands out even within an ensemble where every part can take the lead.
It’s a track that reaffirms the coolness of the bass: supporting the song’s low end while shining with a strong presence.
muddywakazaemon
Amid a sludgy, oozing groove, the bass darts around freely in all directions.
Composed by bassist Wakazaemon and released in 2019, this track feels like turning one’s inner downer vibes straight into music—something I think will especially resonate with younger listeners.
From a bass-playing standpoint, the wah-inflected phrases really stand out.
The contrast between the quirky, slappy-pecking tone and the heavy, thudding sections is just perfect.
Get a taste of Wakazaemon’s originality for yourself.