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[Couperin’s Piano Works] Introducing Masterpieces Left by a Renowned Keyboard Virtuoso of the Baroque Era

François Couperin, born in 1668 into the distinguished Couperin family that produced many musicians, contributed greatly to the development of the French Baroque.

Among his relatives, he is particularly renowned and is thus known as “Couperin le Grand.” He is famous for having left a large body of works for the harpsichord—a keyboard instrument in which strings are plucked by quills when the keys are pressed—and these pieces are now beloved by piano enthusiasts studying Baroque music.

In this article, we spotlight Couperin’s harpsichord works and present them alongside piano performance videos.

Playlist

[Couperin’s Piano Works] Introducing Masterpieces Left by a Renowned Keyboard Virtuoso of the Baroque Era
show_chartTitlePlaylistReview
1eastPièces de clavecin, Book II, Suite No. 6, No. 5: “The Mysterious Barricades”François Couperin
Pièces de clavecin, Book II, Suite No. 6, No. 5: “The Mysterious Barricades”François Couperinplay_arrow
A masterpiece of Couperin’s The Mysterious Barricades
2eastPièces de clavecin, Book III, Suite No. 14, No. 1: “The Love Nightingale”François Couperin
Pièces de clavecin, Book III, Suite No. 14, No. 1: “The Love Nightingale”François Couperinplay_arrow
Couperin’s The Nightingale in Love is a masterpiece that cleverly depicts birdsong.
3eastHarpsichord Pieces, Book III, Suite No. 14, No. 7: “The Bells of the Island of Cythera”François Couperin
Harpsichord Pieces, Book III, Suite No. 14, No. 7: “The Bells of the Island of Cythera”François Couperinplay_arrow
A piece by Couperin featuring impressive bell-like sounds
4eastPièces de clavecin, Book III, Suite No. 13, No. 2: “The Reeds”François Couperin
Pièces de clavecin, Book III, Suite No. 13, No. 2: “The Reeds”François Couperinplay_arrow
Couperin’s reeds, a poetic depiction of wind-swaying breezes
5eastHarpsichord Pieces, Book II, Suite No. 6, No. 8: “The Insect”François Couperin
Harpsichord Pieces, Book II, Suite No. 6, No. 8: “The Insect”François Couperinplay_arrow
Couperin, a natural depiction of insects
6eastHarpsichord Pieces, Book I, Suite I, No. 13: “The Bourbon Lady (Gavotte)”François Couperin
Harpsichord Pieces, Book I, Suite I, No. 13: “The Bourbon Lady (Gavotte)”François Couperinplay_arrow
An enchanting Gavotte by Couperin
7eastPièces de clavecin, Book III, Suite No. 17, No. 2: “The Little Windmill”François Couperin
Pièces de clavecin, Book III, Suite No. 17, No. 2: “The Little Windmill”François Couperinplay_arrow
Couperin’s Windmill, a Poetic Piece
8eastHarpsichord Pieces, Book III, Suite No. 13, No. 1: “The Lily Blossoms”François Couperin
Harpsichord Pieces, Book III, Suite No. 13, No. 1: “The Lily Blossoms”François Couperinplay_arrow
The Lily Blooms of Couperin
9eastPièces de clavecin, Book III, Suite No. 18, No. 3 “La religieuse Monique”François Couperin
Pièces de clavecin, Book III, Suite No. 18, No. 3 “La religieuse Monique”François Couperinplay_arrow
Couperin’s Pieces de clavecin, with The Nun as a representative work
10eastHarpsichord Pieces, Book IV, Suite No. 23, No. 2: “The Knitting Women”François Couperin
Harpsichord Pieces, Book IV, Suite No. 23, No. 2: “The Knitting Women”François Couperinplay_arrow
The elegance of Couperin’s mature-period masterpieces
11eastPièces de clavecin, Book III, Suite No. 13, No. 3: “The Ribbon for the Bodice”François Couperin
Pièces de clavecin, Book III, Suite No. 13, No. 3: “The Ribbon for the Bodice”François Couperinplay_arrow
The Charm of Couperin’s “The Ribbon on the Breast Ornament”
12eastHarpsichord Pieces, Book II, Suite No. 6, No. 1: “The Harvesters”François Couperin
Harpsichord Pieces, Book II, Suite No. 6, No. 1: “The Harvesters”François Couperinplay_arrow
A masterpiece that expresses Couperin’s pastoral landscapes in sound
13eastPièces de clavecin, Book III, Suite No. 13, No. 4: “The French Temperament, or The Domino”François Couperin
Pièces de clavecin, Book III, Suite No. 13, No. 4: “The French Temperament, or The Domino”François Couperinplay_arrow
An elegant harpsichord piece depicting Couperin’s masquerade ball
14eastHarpsichord Pieces, Book III, Suite No. 18, No. 6: “Tick-Tock-Choc, or The Olive Press”François Couperin
Harpsichord Pieces, Book III, Suite No. 18, No. 6: “Tick-Tock-Choc, or The Olive Press”François Couperinplay_arrow
Couperin’s Baroque music, characterized by humor and sophistication