Whose song is it? The catchy Docomo commercial track. A history of Docomo CM songs [2026]
You probably see Docomo commercials quite often when watching TV, since they’re from one of the major mobile carriers!
With popular actors, actresses, and musicians appearing in them, many people keep an eye on these ads, don’t they?
Docomo’s commercials feature a wide range of music, from classic hits from Japan and abroad to recent chart-toppers, and even original tracks made just for the ads.
In this article, we’ll round up all the songs that have been used in Docomo commercials so far!
See if you can find the track that caught your ear in a CM.
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[Whose Song Is It?] The catchy NTT Docomo commercial track. A history of Docomo CM songs [2026] (91–100)
MUSEME:I
Inspired by the muse she admires, this coming-of-age story about a girl pursuing her dreams has become a song that resonates with ME:I.
Its urban sound—blending funk, city pop, disco, and jazz—stands out against a retro aesthetic that evokes 1990s culture.
Released in April 2025, the track has been airing since February 2025 as the tie-in song for NTT DOCOMO’s TV commercial for the new smartphone, Galaxy S25 Ultra.
With its sophisticated, city-centric sound and powerful message, it’s a supportive anthem that gently encourages everyone striving toward their dreams.
Slave To The RhythmMichael Jackson
A track that drew attention because Docomo was quick to use it as a commercial song even before its official release.
Although it was released after Michael’s death and was never issued as a single, it garnered significant buzz.
It’s a song with the pop sensibility and power characteristic of Michael, featuring a memorable, dance-inducing melody!
Mambo No. 5
This delightful sound makes you want to dance! Born in Cuba, the mambo classic “Mambo No.
5.” In Japan, many may know it as background music on variety shows.
Its rhythmic feel has you stepping along before you know it.
It’s a world-famous song familiar to virtually everyone in Japan.
A parody version is used in the commercial “d Barai: ‘Minami-chan’s d Barai Wave’.” When a service is sung to a tune you already know, both its name and what it does stick right in your ear.
L.P.D.bradberry orchestra
This commercial introduces the Xperia while also promoting that you can use a Docomo email address.
With a digital worldview that feels like diving into a sea of text, the overlap with Xperia evokes images of technological progress and unknown experiences.
The song that further emphasizes this distinctive atmosphere is “L.P.D.” by BRADBERRY ORCHESTRA.
A steady rhythm is laid down, and digital vocals layer over it to create a striking digital aesthetic.
Original songEager Lush
This commercial highlights the music and video features among the many functions built into Xperia.
The sequence where the dance circle expands as people touch each other conveys how easily you can enjoy music, while the dance scenes with shifting backgrounds and effects express the many ways to enjoy video.
Layered over this uniquely comedic dance is an original track by Fumitake Igarashi, also known as Eager Rush.
With a sound that showcases a strong, resonant beat and voices layered like sound effects, the composition creates a distinctive world of its own.
ZONE
This is a commercial introducing the feature on the Xperia XZ2 that lets you create your own 3D, highlighting its evolution toward the future.
It brightly depicts how the everyday lives of Iori Kitazawa, Yuzuki Sato, and Nozomi Patricia become more fun by incorporating the 3D function.
The music playing over this futuristic imagery is “ZONE,” which is often used in the series’ commercials.
Its powerfully played sound and the grand development that feels like the scenery is gradually expanding evoke an image of walking positively toward the future.
VoicesYoshida Takeshi / Tanaka Yuusuke
This commercial highlights the compactness of the Xperia A4, conveying how easily it fits into everyday life through scenes from daily routines.
It mainly portrays Mari Manabe in her role as a housewife, showcasing the convenience of being able to hold the device even while doing other things precisely because it’s compact.
Another interesting point is how the relaxed, everyday visuals overlap with the tense song “Voices,” which has been used as the series’ CM song.
While the track doesn’t quite match the laid-back mood, it still effectively communicates Xperia’s technology and its steps toward the future.